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■m#  a&t  i:.&  ,-ii 


WITH  ftfUSIC. 


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THE  GLEN  COLLECTION 
OF    SCOTTISH     MUSIC 

Presented  by  Lady  Dorothea  Ruggles- 
Brise  to  the  National  Library  of  Scotland, 
in  memory  of  her  brother,  Major  Lord 
George  Stewart  Murray,  Black  Watch, 
killed  in  action  in  France  in  1914. 
2Eth  January  1927. 


# 

Digitized  by  the  Internet  Archive 

in  2011  with  funding  from 

National  Library  of  Scotland 


http://www.archive.org/details/lyricgemsofscotlOOrugg 


THE 


LYRIC  GEMS  OF  SCOTLAND 


COLLECTION  OF  SCOTTISH  SONGS, 


ORIGINAL  AND  SELECTED, 


WITH     MUSIC. 


Ent.  Sta.  Hall 


GLASGOW :  DAVID  JACK,  61  JAMAICA  STEEET. 

LONDON :  DEAN  &  SON,  31  LUDGATE  HILL. 


GLASGOW  : 
PRINTED  BY  BELL  AND  BAIN. 


TO 


WILLIAM  CAMERON,  ESQ., 

AUTHOR  OF   "JESSIE   o'   THE   DELL,"    "MEET   ME   ON   THE   GOWAN   LEA, 
"  WILLIE   AND   ME,"   ETC.,    ETC. 


Dear  Sir, 

I  beg  respectfully  to  Dedicate  the  "  Lyric  Gems  of  Scotland  " 
to  you,  as  a  sincere  token  of  my  esteem  for  you  as  a  friend,  and  gratitude  for  the 
kindly  interest  which,  as  an  enthusiastic  lover  of  Scottish  Song,  you  have  taken 
in  the  progress  of  the  work. 

I  am,  Sir, 

Yours  faithfully, 

THE  PUBLISHER. 

September,  1856. 


PREFACE. 


In  projecting  the  present  work,  the  aim  of  the  Publisher  has  been  to  form  a  collection 
of  the  Standard  Melodies  of  Scotland,  in  which  the  compositions  of  many  of  the  modern 
Song-writers  of  Scotland  would  find  a  niche  side  by  side  with  those  of  the  elder 
Minstrels,  and  to  produce  the  work  at  such  a  cost  as  shall  place  it  within  the  reach 
of  all  classes  of  the  community,  however  humble.  It  is  gratifying  to  state  that  the 
reception  of  the  work  (exceeding  the  most  sanguine  anticipations  of  the  Publisher) 
has  proved  the  idea  a  sound  one. 

It  has  been  objected  to  this  work  that  the  absence  of  Piano-forte  Accompaniments 
renders  it  comparatively  unsuitable  to  a  large  section  of  the  musical  public,  and  the 
objection  is  not  without  force ;  but  the  work  is  intended  to  meet  the  wants  of  that 
larger  section,  to  whom  the  Piano-forte  is  "  a  sealed  book,"  yet  who  have,  nevertheless, 
musical  tastes  and  capabilities  of  a  very  high  order — a  class,  we  are  happy  to  see, 
every  day  improving  both  in  numbers  and  ability.  To  all  those  who  wish  to  see  the 
genial  science  taking  root  and  spreading  among  the  masses,  it  will  be  gratifying  to 
learn  that  the  appearance  of  each  Part  has  been  hailed  with  intense  delight  at  many 
firesides  in  Scotland  and  elsewhere. 

On  the  first  of  November  will  be  published  Part  First  of  the  Casquet  of  Lyric 
Gems.  This  work  will  not  be  confined  entirely  to  Scottish  Songs,  and  will  contain 
Accompaniments  for  the  Piano,  while  the  price  still  places  it  within  the  reach  of 
all ;  and  to  obviate  the  complaints  as  to  the  length  of  time  between  the  appearance 
of  the  Parts,  the  issue  will  be  Monthly,  instead  of  Quarterly,  in  the  case  of  the 
present  work. — See  Advertisement  at  end  of  Glossary. 

September,  1856. 


CONTENTS. 


When  the  first  line  differs  from  the  title,  both  are  given,  in  order  to  facilitate  reference. 

The  Songs  marked  (a),  are  here  first  published ;  (6),  Music  only  here  first  published ;  (c),  Copyright 
Songs  inserted  in  this  work  by  permission  of  the  Publishers. 


Page 

Ae  fond  kiss  and  then  we  sever— Duet, 116 

A  friend  c  mine  cam1  here  yestreen 123 

cAfton  Water, 3 

flA  guid  New-year  to  ane  an'  a' — Song  and 

Chorus, 66 

Ah !  Chloris,  could  I  now  but  sit— Duet,  . .  98 
Allen-a-dale  has  no  faggot  for  burning,  .  ..180 

Allister  Macallister, 71 

cAlma,  field  of  heroes,  hail, 84 

A  Man's  a  Man  for  a'  that, 1 89 

Annie  Laurie, 94 

A  n'  thou  were  mine  ain  thing, 36 

cAre  ye  doing  ought  weel,  are  ye  thriving, 

my  man,  46 

cAs  Jean  sat  at  her  spinning  wheel, 97 

«As  wand'ring  my  lane  down  by  sweet  Birk- 

enshaw, 12 

At  Willie's  wedding  on  the  green, 183 

Auld  Joe  Nicholson's  Bonnie  Nannie,  129 

Auld  Robin  Gray, 37 

Away  ye  gaylandscapes,ye  gardens  of  roses,174 

Behold  the  hour,  the  boat  arrive— Duet,  ..153 
aBe  kind  to  auld  grannie,  for  noo  she  is  frail,  142 

Bess  the  Gawkie, 60 

Bide  ye  Yet, 141 

Blythe  young  Bess  to  Jean  did  say,  60 

aBonnie  Annie, 53 

cBonnie  Bessie  Lee  had  a  face  fu'  o'  smiles,  28 

Bonnie  Dundee 41 

cBonnie  Jeanie  Gray,  161 

Bonnie  lassie,  will  ye  go, 83 

Bonnie  Mary  Hay, 165 

Bonnie  wee  thing,  canny  wee  thing, 139 


Page 

Bonnie  Wood  o'  Craigielee,  «5 

cBothwell  Castle, 6 

Braw,  braw  lads  on  Yarrow  braes, 78 

aBumper  Nae  Mair, 101 

aBy  the  auld  ingleside,  in  the  days  that  are 
gane, ..151 

Caller  Herrin', 16 

SCallumo'  Glen, 20 

Cam'  ye  by  Athol,  lad  wi'  the  philabeg, 92 

Can  ye  lo'e  me  weel,  lassie, 23 

cCastles  in  the  Air,  9 

Ca'  the  Ewes  to  the  Knowes, 181 

Cauld  blaws  the  wind  frae  north  to  south,  73 

aCome  again,  O  come  again— Duet,  74 

Come  all  ye  jolly  shepherds  that  whistle 

through  the  glen, 40 

aCome,  lads,  and  round  the  table  sit— Song 

and  Chorus, 100 

Come  o'er  the  Stream,  Charlie— Song  and 

Chorus, 130 

Come  under  my  plaidie,  the  night's  gaun 

to  fa',  186 

Comin'  through  the  Craigs  o'  Kyle— Song 

and  Chorus, 164 

cConfide  ye  aye  in  Providence,  for  Provi- 
dence is  kind,  109 

Cope  sent  a  letter  frae  Dunbar, 15 

flDinna  think,  my  Bonnie  Lassie, 77 

Donald, 124 

Down  whar  the  burnie  rins  wimplin'  and 

cheerie, 51 

Dunois  the  Brave, 56 


Page 

a  Fareweel,  fareweel,  my  native  hame, 33 

Fareweel  to  Lochaber,  fareweel  to  ray  Jean 

—Trio, 166 

6Farewell  to  the  land  of  the  rock  and  the 

wild  wood, 119 

Farewell,  thou  Fair  Day— Trio,  176 

Far  over  yon  hills  of  the  heather  sae  green,    5 

Flora  M 'Donald's  Lament,  5 

cFlow  gently,  sweet  Afton, 3 

For  Home  and  for  Love, 25 

For  the  Sake  o>  Somebody,  91 

Get  up  and  Bar  the  Door, 128 

Gin  I  had  a  wee  house  an'  a  canty  M'ee  fire,  141 
Gloomy  Winter's  now  awa', 127 

Hail  to  the  Chief  who  in  triumph  advances,  52 

Hame  cam'  our  Gudeman  at  e'en, 124 

Haud  awa'  frae  me,  Donald, 168 

Here  awa',  there  awa>,  wandering  Willie, ..  35 

aHere's  a  Health  to  Scotia's  Shore,  47 

He's  owre  the  hills  that  I  lo'e  weel— Duet,  104 
How  blythely  the  pipe  through  Glenlyon 
was  sounding,  25 

6Hurrah  for  the  Thistle,  the  bonnie  Scotch 
Thistle, 55 

I  am  a  young  man,  I  live  wi'  my  mither, . .  22 
I  ance  was  a  wanter,  as  happy's  a  bee, 30 

cllka  Blade  o'  Grass  keps  its  ain  drap  o'  dew,  109 
I'll  ha'e  my  Coat  o'  gude  Snuff-brown,  ....  169 

I  may  sit  in  my  wee  croo  house, 112 

I  met  four  chaps  yon  birks  amang, 147 

I'm  owre  Young  to  Marry  yet, 79 

In  Scotland  there  liv'd  a  humble  Beggar, . .  158 

In  winter  when  the  rain  rain'd  cauld 93 

Is  there  for  honest  poverty, '. 189 

els  your  War-pipe  Asleep,  M'Crimman  ? . . ..  42 
It  fell  upon  a  day,  a  bonnie  summer  day, . .  31 
It  fell  about  the  Martinmas  time, 128 

61  think  of  thee  when  some  sweet  song  is 

breathing— Duet,  34 

It's  here  awa',  there  awa',  how  they  did  rin,  118 

It  was  Dunois,  the  young  and  brave, 56 

I've  seen  the  smiling  of  fortune  beguiling,  24 

61  watch'd  the  moon  blink  o'er  the  hill, 110 

61  winna  gang  back  to  my  Mammy  again, . .  162 

aJeanie's  Nae  Mair, 150 

Jenny  Dang  the  Weaver,   183 

Jenny's  Bawbee,  147 

Jessie,  the  Flower  o'  Dumblane, 182 

Jockey's  ta'en  the  Pairtin'  Kiss, 99 

Jock  o'  Hazeldean,  185 

John  Anderson,  my  Jo 149 

John  Grumlie  swore  by  the  light  o'  the 

moon, 54 

Johnnie  Cope,  15 


Page 
Kind  Robin  lo'es  me, 57 

Laddie,  oh !  leave  me, 51 

Lassie  wi'  the  Lint- white  Locks, 192 

aLeave  the  city's  busy  throng— Song  and 
Chorus,  148 

oLet  others  thirst  for  wealth  and  fame,  ....  145 
Lochaber  no  More 1 66 

6Lock  the  door,  Lariston,  lion  of  Liddesdale,  69 

Logie  o'  Buchan— Duet, 106 

Loons,  ye  maun  gae  hame,  118 

Lord  Ronald 38 

6Love  whispered  to  the  nightingale, 135 

Macgregor's  Gathering, 26 

cMarch  of  the  Cameron  Men, 4 

aMary  an'  Me, 13 

a  Mary,  dearest  maid,  I  leave  thee,  39 

Mary  Morison, 187 

6Mary's  Bower,  135 

«Mary  Shaw, 49 

Maxwellton  braes  are  bonnie, 94 

cMeet  me  on  the  Gowan  Lea, 10 

aMellow  and  Merry  we're  a',  we're  a', 48 

aMild  and  modest  bonnie  lassie,  — 49 

Mirk  and  rainy  is  the  nicht, 29 

aMorag's  Fairy  Glen, 14 

Muirland  Willie 64 

cMy  ain  Dear  Nell, 11 

My  Ain  Fireside— Duet, 138 

My  heart  is  a-breaking,  dear  tittie, 89 

My  heart  is  sair,  I  daurna  tell, 91 

My  Heart's  in  the  Highlands, 121 

aMy  Lizzie  an'  Me,  7 

My  Love  is  like  a  Red  Red  Rose,  126 

My  Mither's  aye  Glowrin'  owre  me, 59 

My  Nannie's  Awa', 27 

aMy  Own  Sweet  Rose,  145 

My  Tocher's  the  Jewel,  78 

My  Wife  has  ta'en  the  Gee, 123 

aMy  Willie  an' Me,  12 

cNaebody  kens  ye, 46 

aNae  flowery  braes  in  Nature's  pride, 53 

Now  in  her  green  mantle  blythe  Nature 

arrays, 27 

Now  row  thee  weel.my  bonnie  built  wherry,  154 
6Now  tell  me,  sweet  Mary,  our  gay  village 
pride, 120 

aO  Aileen,  dear  Aileen,  86 

O,  Allister  Macallister, 71 

O !  are  ye  Sleeping,  Maggie  ? 29 

aO  bonnie  Blinks  the  Gowan,  72 

cO  bonnie  Nelly  Brown,  I  will  sing  a  sang 

to  thee 11 

cO  bright  the  beaming  queen  of  night, 8 

O  gin  my  Love  were  yon  red  rose— Duet,.  82 


CONTENTS. 


«0  far  may  ye  roam  o'er  the  hills  and  the 

heather, 21 

O  hearken  and  I  will  tell  you  how, 64 

0  hush  thee,   my  bahy,   thy  sire  was  a 

knight, 184 

0,  I  ha'e  seen  great  anes,  and  sat  in  great 

ha's— Duet 138 

0  Logie  o'  Buchan,  0  Logie  the  laird— Duet,  106 
0  Mary,  at  thy  window  he,  187 

50  meikle  bliss  is  in  a  kiss, 117 

0  meikle  thinks  my  love  o'  ray  beauty, 78 

aO,  mellow  and  merry  we're  a',  we're  a', 48 

0  my  love  is  like  a  red,  red  rose, 126 

0  Nanny,  wilt  thou  gang  wi'  me?   90 

0,  rattlim,  roarin'  Willie 67 

aO,  sad  wails  the  norlan'  wind  round  my 
lane  sheilim, 150 

60  safely  sleep,  my  bormie,  bonnie  bairn,  ..133 

0  saw  ye  Willie  frae  the  west,    108 

0  speed,  Lord  Nithsdale,  speed  ye  fast, ....  191 

aO  vow  to  me,  Sally,  dear  Sally,  that  never,  80 

0  waly !  waly !  up  the  bank — Duet, 132 

0  weel  may  the  Boatie  Row— Solo,  Duet, 
and  Trio,  178 

60  weep  no  more,  dear  mother, 95 

O  wha's  at  the  Window,  wha,  wha  ?  155 

cO  whaur  was  ye  sae  late  yestreen  ? 161 

0  where  hae  ye  been,  Lord  Ronald,  my 
son? 38 

60h,  saw  ye  Willie  frae  the  west, 108 

aOh,  why  didst  thou  leave  me  ? 50 

Of  Nelson  and  the  North,, 134 

cOld  Bothwell  Castle's  ruined  towers, 6 

60ur  bark  is  on  the  waters  deepK our  bright 
blades  in  our  hand— Trio, v...  .\ Ill 

aPhoebus  wi'  Gowden  Crest,  152 

aPrince  Charles'  Farewell  to  Flora, 19 

Put  off,  put  off,  and  row  wi'  speed, 163 

Queen  Marys  Escape  from  Lochleven  Cas- 
tle,   163 

Rattlin*,  Roarin'  Willie, 67 

Rise,  rise,  Lowland  and  Highlandmen, ....  44 
Robin  is  my  only  Jo,   57 

aRow,  Lads,  Row— Clyde  Boat  Song  and 

Chorus 148 

Row  thee  weel,  my  bonnie  built  wherry, ..154 
Row  weel,  my  Boatie,  Row  weel— Duet,  ..105 

cRoyal  Charlie's  now  awa\ 114 

Roy's  Wife  of  Aldivalloch— Duet, 156 

Saw  ye  Johnnie  Comin*?  quo' she— Duet,  146 

Scots  wha  hae  wi'  Wallace  bled, 143 

^Scottish  Lasses— Song  and  Chorus,  100 

a  Sing  not  to  me  of  sunny  shores, 47 

cSweet  Jessie  o'  the  Dell, 8 


Tage 
aSweetMay, 96 

TamGlen, 89 

Tak*  your  Auld  Cloak  about  ye, 93 

aThe  Auld  Ingle-side,  151 

The  Battle  of  the  Baltic, 134 

The  Birks  of  Aberfeldy, 83 

The  Boatie  Rows— Solo,  Duet,  and  Trio,  ..178 
cThe  bonnie,  bonnie  bairn,  who  sits  poking 
in  the  ase, 9 

The  bonnie  House  o'  Airly, 31 

aThe  bonnie  Morning  after  the  Rain, 173 

«The  bonnie  wee  birdies  that  sing  in  the 

glen,  13 

aThe  Border  Rifleman's  Song, 87 

6The  Braes  o'  Ballochmyle, 137 

The  broom,  the  brier,  the  birken  bush 65 

6The  Catrine  woods  were  yellow  seen,  137 

The  daisy  is  fair,  the  day  lily  rare, 129 

6The  Danish  Sea-King's  Song— Trio, Ill 

The  Ewie  wi'  the  Crookit  Horn, 190 

aThe  Field  of  Bannockburn,  17 

aThe  Flag  of  Britannia,  the  pride  of  the  free,  68 

The  Flowers  of  the  Forest,  24 

6The  Kiss  ahint  the  Door, 117 

The  Lass  o'  Gowrie— Duet,  188 

bThe  Mariner's  Child, 95 

cThe  Married  Man's  Lament, 30 

The  moon's  on  the  lake  and  the  mist's  on 

the  brae,  26 

aThe  nicht  had  been  rainy,  but  fair  was  the 

morning, 173 

aThe  Pairtin',  39 

aThe  Recall— Duet, 74 

aThe  Scottish  Emigrant's  Fareweel,  33 

aThe  soger  bedecked  wi'  his  fine  jewelled  stars,  7 

cThe  Spinning  Wheel, 97 

6The  summer  has  come  wi'  its  sunshine  and 
showers,  96 

The  sun  has  gaen  down  o'er  the  lofty  Ben- 
lomond, 182 

The  sun  rises  bright  in  France, 115 

The  Thistle  and  the  Rose, 159 

6The  Thorn  Tree, 110 

aThe  voice  of  the  spirit  of  tempest  is  near, 
love, 19 

The  wee,  wee  German  Lairdie,  81 

6The  Widow's  Lullaby,   133 

aThe  woods  are  a' joyous  while  spring  is 
restoring, 50 

The  Woods  o'  Dunmore, 160 

There  are  twa  bonnie  maidens, 102 

There  grew  in  bonnie  Scotland, 159 

There  Grows  a  Bonnie  Brier  Bush  in  our 
Kail-yard— Duet,  94 

There  lives  a  young  lassie  far  down  in  yon 

glen,  63 

cThere's  many  a  man  of  the  Cameron  clan,    4 


Page 

There  was  a  Lad  was  born  in  Kyle, 61 

This  lone  heart  is  thine,  lassie,  charming 

and  fair,  160 

Thou  art  gane  awa'  frae  me,  Mary, 144 

aThough  the  sun's  in  the  sea,  lads,  the  moon 

drowned  in  drift, 101 

Though  you  Leave  me  now  in  Sorrow, ....  157 
To  the  Lords  of  Convention,  'twas  Claver-  . 

house  spoke, 41 

Twa  Bonnie  Maidens, 102 

a'Twas  on  a  bonnie  simmers  day, 17 

'Twas  on  a  simmers  afternoon— Duet,  ..  ..188 
'Twas  within  a  Mile  of  Edinburgh  Town, . .  62 
aTwilight  o'er  the  "Vale  is  stealing— Duet, . .  58 

Up  in  the  Morning  Early, 73 

cWake,  Mary,  Wake !  —Duet,   170 

Wandering  Willie, 85 

6  Was  ever  old  warrior  of  suffering  so  weary,  20 


Page 

c  We'll  hae  nane  but  Highland  Bonnets  here,  84 

Were  I  but  able  to  rehearse, 190 

Wha'll  buy  my  caller  herrin', 16 

Wha  the  deil  hae  we  gotten  for  a  king 81 

When  first  you  courted  me,  I  own, 124 

aWhen  I  left  our  auld  glen  the  young  gow- 

ans  were  springing 87 

When  the  King  comes  owre  the  Water,  . .  .112 

When  the  Kye  comes  Hame,   40 

When  the  sheep  are  in  the  fauld  and  the 

kye  at  hame,  37 

Why  weep  ye  by  the  tide,  ladye  ? 185 

6  Willie  wi'  his  Wig  Ajee, 108 

Will  ye  go  to  the  Ewe  Bughts,  Marion?  ...  122 

cWill  you  no  come  back  again  ?   114 

Within  a  Mile  of  Edinburgh  Town,  62 

Ye  Banks  and  Braes  o'  Bonnie  Doon— Duet,  136 

aYe  ken  whar  yon  wee  burnie,  love,  14 

aYe  Needna  be  Courtin'  at  me,  Auld  Man, . .  140 


Publishers  are  cautioned  against  infringing  the  Copyrights  in  this  Work.    The  right  of 
republication  and  translation  is  reserved. 


Words  by  Burns. 

Andante  grazioso. 


AFTON  WATER. 


Music  by  A.  Hume. 


m- 

Flow  gent  -  ly,  sweet  Af  -  toil, 


mong  thy    green  braes,  Flow    gent-ly, 


j^FEpEgEEgg^j 


sing    thee 


hy     thy 


Thou    stock-dove  whose 

eres.  rail. 


re    -    sounds    thro'       the       glen,      Ye 
cadenza  ad  lib.  ^     a  tempo. 


wild  whistling  blackbirds  in    yon  thorn  -  y  den,  Thou 
P 


green  crested 


lapwing  thy  screaming  forbear,     I  charge  you  disturb  not  my  slum  -  ber  -  ing  fair. 

Thy  crystal  stream,  Afton,  how  lovely  it  glides, 

And  winds  by  the  cot  where  my  Mary  resides, 

How  wanton  thy  waters  her  snowy  feet  lave, 

As,  gathering  sweet  flowerets,  she  stems  thy  clear  wave. 

Flow  gently,  sweet  Afton,  among  thy  green  braes, 
Flow  gently,  sweet  river,  the  theme  of  my  lays  ; 
My  Mary's  asleep  by  thy  murmuring  stream, — 
Flow  gently,  sweet  Afton,  disturb  not  her  dream. 


Moderate  and  ivith  animation. 


THE  MARCH  OF  THE  CAMERON  MEN. 

As  sung  by  Mr.  M'G.  Simpson. 


p^ 


M^^=p=g=i 


There's  man-y      a     man     of    the    Ca  -  mer  -  on   clan,  That    has     follow'd   his 


-ar 


=^^^^Ej=^^^^=mm 


chief  to  the     field ;      He  has  sworn  to  support  him,  or     die  by  his  side,  For    a 


^^^Siss 


gpi^PP 


Ca  -  mer  -  on   nev-er  can      yield. 


I    hear  the  pibroch   sounding,  sounding, 


deep  o'er     the  mountains  and     glens. 


While  light  springing  footsteps     are 


£SEfe^^^S=gEE^^I^g=g^E^ 


trampling   the  heath,  'Tis   the  march  of     the      Ca  -  mer  -  on  men.  'Tis    the 


march, 


*Tis  the  march, 


'Tis  the  march  of  the    Ca-mer-on      men. 


Oh !  proudly  they  walk,  but  each  Cameron  knows 
He  may  tread  on  the  heather  no  more ; 

But  boldly  he  follows  his  chief  to  the  field, 
Where  his  laurels  were  gather'd  before. 
I  hear  the  pibroch  sounding,  &c. 

The  moon  has  arisen,  it  shines  on  that  path 

Now  trod  by  the  gallant  and  true — 
High,  high  are  their  hopes,  for  their  chieftain  has  said, 

That  whatever  men  dare  they  can  do. 
I  hear  the  pibroch  sounding,  &c. 


This  song  is  inserted  by  the  kind  permission  of  Messrs.  Paterson  &  Sons,  27  George-St 
Edinburgh,  from  whom  copies  with  Piano  Forte  accompaniments  may  be  had. 


FLOEA  MACDOUAID'S  LAMENT. 


Far     o  -  ver    yon  hills     of     the    heather     sae    green,  And  down  by      the 


rirfc 


^^^^^^^^| 


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cor-rie   that    sings     to  the  sea,  The  bon-nie  young  Flora   sat    sigh-ing      her 


&:£=£5 


±rfe=d: 


mmm 


lane,    The  dew      on      her     plaid,    and     the     tear        in      her      e'e.     She 


^jpg^^fer^^-^g^^^ 


look'd  at        a      boat,  with  the  breezes  that  swung,  A-way     on  the  wave,  like  a 


F^^iP^^M  « 


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—j? F *- "«aJ (?-- ' = v ^ 

bird    of    the     main,  And  aye  as     it  lessen'd,  she  sigh'd  and  she    sung,  Fare- 
weel  to    the  lad    I  maun  ne'er    see      a  -  gain,    Fare-weel    to  my    he-ro,    the 

3£ 


gal  -  lant  and  young,  Fareweel     to    the     lad     I     shall  ne'er  see      a  ■ 


The  moorcock  that  craws  on  the  brow  of  Ben  ConnaL 

He  kens  o'  his  bed  in  a  sweet  mossy  hame ; 
The  eagle  that  soars  on  the  cliffs  of  Clanronald, 

Unawed  and  unlimited,  his  eyrie  can  claim ; 
The  solan  can  sleep  on  his  shelve  of  the  shore, 

The  cormorant  roost  on  his  rock  of  the  sea ; 
But  oh !  there  is  one  whose  hard  fate  1  deplore, 

Nor  house,  ha',  nor  hame,  in  this  country  has  he. 
The  conflict  is  past,  and  our  name  is  no  more : 

There's  nought  left  but  sorrow  for  Scotland  and  ma 


BOTHWELL  CASTLE. 

Words  by  William  Cameron,  Esq.  Music  by  Nathaniel  Govt. 


Old  Bothwell  Castle's  ru-in'd  towers  Stand  lone-ly  'mang  yon  woody  bowers,  Where 


>ath      to     leave    the      hallow'd  ground. 


Clu-tha    fond  -  ly    winds  a-round,  As      loath      to     leave    the      hallow'd  ground. 

V 


But  where  are       now      the  martial  throng  ?  The  festive  board,  the  midnight  song  ?  The 

express,  ad  lib.  tempo,  f  ^ 


i  -  vy  binds  the  mould'ring  walls,  And    ru  -  in  reigns      in        Both-well  halls. 
express,  ad  lib.  «-         ni_  ^  tempo. 


O     deep    and  long  have  slumber'd  now  The  cares  that  knit  the      soldier's  brow;  The 

cadenza  ad  lib.        /T\  tempo  '~^~-~-      ^ 


^^^^^^^^^^m 


^m 


lovely  grace,  the     man-ly  power,  In 


gilded  hall 


Old  Bothwell  Castle,  ages  gone 
Have  left  thee  mould'ring  and  alone  j 
While  noble  Douglas  still  retains 
Thy  verdant  groves  and  fair  domains. 

No  Saxon  foe  may  storm  thy  walls, 

Or  riot  in  thy  regal  halls — 

Long,  long  hath  slept  brave  Wallace'  shade, 

And  broken  now  his  battle  blade. 

The  tears  that  fell  from  beauty's  eye, 
The  broken  heart,  the  bitter  sigh, 
And  deadly  feuds  have  pass'd  away, 
Still  thou  art  lovely  in  decay. 

Old  Bothwell,  £e. 


and        lady's  bower, 
D.C.  Old  Bothwell,  && 


MY  LIZZIE  AN'  ME. 


Words  by  James  Reed. 
Cheerfully. 


Music  by  A.  Hume. 


z — \e — f. — t»— '— 5 — a — I? —  I?--1 


t£# 


iprrjfc^pi 


ger  bedeck'd  wi'  his    fine  jewell'd  stars,  May  brag  o'  his  trophies  an' 


feats    in    the    wars;  An'  vow  nane  but 


glo  -  ry     his    mis  -  tress  shall    be ;  E'en 


let    him,  what's  that  to      my    Liz  -  zie     and  me?  My   Liz  -  zie     and    me,    My 


Liz  -  zie     an'    me,    For     we  love   but    ilk 


ther,   my    Liz  -  zie    and    me. 


They  may  talk  o'  their  queens  an'  their  nobles  sae  gay, 
An'  their  Draw,  courtly  dames  in  their  silken  array ; 
An'  boast  that  nane  richer  nor  prouder  can  be, — 
E'en  let  them — what's  that  to  my  Lizzie  an'  me? 

My  Lizzie  an'  me — 
If  we're  puir,  we're  content,  baith  my  Lizzie  an'  me. 

O  the  warld  has  nae  scene  in  its  circuit  o'  pride 
That  could  wile  me  awa',  or  entice  me  to  bide ; 
An  life  has  nae  pleasure  nor  solace  to  gie 
Like  the  heart-love,  the  soul-love  o'  Lizzie  an'  me. 

My  Lizzie  an'  me — 
An'  its  lang  since  we  ken'd  this,  my  Lizzie  an'  me. 

My  sheep  are  my  subjects,  my  kingdom  the  brae, 
An'  my  throne  is  the  rock  where  the  free  breezes  play  j 
An'  the  cot,  shelter'd  o'er  by  yon  green  birken  tree, 
Is  the  ha',  house,  an'  castle,  o'  Lizzie  an'  me. 

My  Lizzie  an'  me — 
Though  we're  auld  we're  like  bairns  yet,  my  Lizzie  an'  ma 


SWEET  JESSIE  0'  THE  DELL. 

Words  by  W.  Cameron,  Esq.  Music  by  Mathew  Wilson. 


0  bright  the  beam-ing  queen  o'     night  Shines  in     yon  flow'  -  ry    vale,       And 


is     the    way,  when  light's  the  heart      That's  bound  in    love's     soft  spell ; 


nie    lass 


Ar  -  ma  -  dale,  Sweet  Jes  - 


the  DelL 


We've  pu'd  the  primrose  on  the  braes 

Beside  my  Jessie's  cot, 
We've  gather'd  nuts,  we've  gather' d  slaes 

In  that  sweet  rural  spot. 
The  wee  short  hours  danc'd  merrily, 

Like  lambkins  on  the  fell ; 
As  if  they  join'd  in  joy  wi'  me, 

And  Jessie  o'  the  Dell.     Sweet  Jessie  o'  the  Dell,  &c. 

There's  nane  to  me  wi'  her  can  vie, 

I'll  love  her  till  I  dee; 
For  she's  sae  sweet  and  bonnie  aye, 

And  kind  as  kind  can  be. 
This  night  in  mutual  kind  embrace 

O  who  our  joys  may  tell ; 
Then  I'll  awa'  to  Armadale, 

To  Jessie  o'  the  Dell.     Jessie  o'  the  Dell,  &c. 


With  sentiment. 


CASTLES  IN  THE  AIR. 


what  sees    he    there?     Ha!  the  young  dreamer's  bigging     castles      in     the    air. 


His     wee    chub-by   face,    and   his      tou  -  zie     cur  -  ly  pow,    Are    laughing  and 


singe    his    sun  -  ny  hair,    Glow'ring   at     the   imps    wi'  their   castles    in    the  air. 


He  sees  muclde  castles  towering  to  the  moon ! 

He  sees  little  sodgers  pu'ing  them  a'  doun ! 

Worlds  whomhling  up  and  doun,  bleezing  wi'  a  flare, — 

See  how  he  loups!  as  they  glimmer  in  the  air. 

For  a'  sae  sage  he  looks,  what  can  the  laddie  ken  ? 

He's  thinking  upon  naething,  like  mony  mighty  men ; 

A  wee  thing  mak's  us  think,  a  sma'  thing  mak's  us  stare, — 

There  are  mair  folk  than  him  bigging  castles  in  the  air. 

Sic  a  night  in  winter  may  weel  mak'  him  cauld : 
His  chin  upon  his  buffy  hand  will  soon  mak'  him  auld; 
His  brow  is  brent  sae  braid,  0  pray  that  daddy  Care, 
Would  let  the  wean  alane  wi'  his  castles  in  the  air ! 
He'll  glower  at  the  fire!  and  he'll  keek  at  the  light! 
But  mony  sparkling  stars  are  swallow'd  up  by  night; 
Aulder  een  than  his  are  glamoured  by  a  glare, 
Hearts  are  broken,  heads  are  turn'd  wi'  castles  in  the  air. 

Note.—  The  words  of  this  song  are  inserted  by  the  kind  permission  of  the  Publisher,  Mr. 
D.  Robertson,  and  the  Author,  Mr.  James  Ballantine;  and  the  Music  by  the  kind  permission 
of  Messrs.  David  Swan  &  Co.,  70  Buchanan-Street,  of  whom  copies  of  this  song,  with  Piano- 
Forte  accompaniments,  may  be  hud,  price  One  Shilling. 


10 


MEET  ME  OXT  THE  GOWAN  LEA. 

Words  by  W.  Cameron.  Music  by  Mathew  Wilson. 


—^    ' 


^=E:fe 


-15- 


DtS: 


Jz£ 


V — v- 

:t    me     on       the        gowan    lea,      Bon-nie      Ma  -  ry, 


:=ts=^ 


sweetest     Ma-ry, 


^ 


:*i 


5a 


Meet    me     on     the       gow  -  an      lea,    My 


my    art  -  less 


Ma  -  ry. 


e^&2^! 


:g?EEffE 


=p=z=3=S=: 


fori. 


the    sun    sink 


the      west,    And      na  -  tur< 


hae 


gane   to  rest,  There  to     my  fond,  my    faith-fu'   breast,  0       let     me     clasp     my 


m^ 


*rg= 


Ma  -  ry.    Meet    me      on       the    gow-an   lea,  Bonnie    Ma  -  ry,   sweetest    Ma  -  ry, 

Con  eapres.  ad  libitum. 

i_        -*.__s—  =£: 


:£--*= 


-S3 — 0U 


5GS* 


Meet    me     on     the       gow  -  an     lea,    My       ain      my     art  • 

The  gladsome  lark  o'er  moor  and  fell, 
The  lintie  in  the  bosky  dell, 
Nae  blyther  than  your  bonnie  sel', 
My  ain,  my  artless  Mary. 
Meet  me,  &c. 

We'll  join  our  love  notes  to  the  breeze 
That  sighs  in  whispers  through  the  trees, 
And  a'  that  twa  fond  hearts  can 
Will  be  our  sang,  dear  Mary. 
Meet  me,  &c. 

There  ye  shall  sing  the  sun  to  rest, 
While  to  my  faithfu'  bosom  prest, 
Then  wha  sae  happy,  wha  sae  blest, 
As  me  and  my  dear  Mary. 
Meet  me,  &c. 


Ma  -  ry. 


In  moderate  iim«. 


Illlliljfe^ 


11 


MY  AIN  DEAR  NELL. 

Words  and  Music  by  A.  Ilurne. 


:^: 


l^gfel 


0  bon-nie  Nel-ly  Brown,  I  will  sing  a  sang  to  thee;  Tho'  o-ceans  wide  be-twc 


^EpJ^JE^^^^g^^ 


-fr « i '-tr — •« — |r 

down    in  Lin-ton's  dell,     I     took  my  last  fond  look  o'  thee,  my    ain  dear  Nell. 

cres 


^g^^^BS 


f 
0     tell  me,  Nel-ly  Brown,  do  ye  mind  our  youthfu'  days,  When  we  ran  a-bout  the 


«E^rfS=y^3= 


N=^ 


i J E 


burn-ie's  side,  or  speel'd  the gow'ny  braes;  When  I  pu'd  the  crawpea's  blossom,  an'  the 


bloom-in'  hea-ther  bell,    To  twine  them  round  thy  bonnie  brow,  my  ain  dear  Nell. 

How  often,  Nelly  Brown,  hae  we  wandered  o'er  the  lea, 

Where  grow  the  brier,  the  yellow  broom,  an'  flowery  hawthorn  tree ; 

Or  sported  'mang  the  leafy  woods,  till  nicht's  lang  shadows  fell — 

O  we  ne'er  had  thoughts  o'  partin'  then,  my  ain  dear  Nell ! 

And  in  winter,  Nelly  Brown,  when  the  nichts  were  lang  an'  drear, 

We  would  creep  down  by  the  ingle-side  some  fairy  tale  to  hear ; 

We  cared  nae  for  the  snawy-drift,  or  nippin'  frost  sae  snell, 

For  we  lived  but  for  each  ither  then,  my  ain  dear  Nell ! 

They  tell  me,  Nelly  Brown,  that  your  bonnie  raven  hair 
Is  snaw- white  now,  an'  that  your  brow,  sae  cloudless  ance  an'  fair, 
Looks  care-worn  now,  an'  unco  sad,  but  I  heed  nae  what  they  tell, 
For  I  ne'er  can  think  you're  changed  to  me,  my  ain  dear  Nell! 
Ance  mair,  then,  Nelly  Brown,  I  hae  sung  o'  love  an'  thee , 
Though  oceans  wide  between  us  row,  ye're  aye  the  same  to  me, 
As  when  I  sighed  my  last  farewell  in  Linton's  flowery  dell— 
0  I  ne'er  can  tine  my  love  for  thee,  my  ain  dear  Nell ! 

Note.— This  song  is  inserted  by  the  kind  permission  of  the  publisher,  Mr.  Purdie,  83  Princes- 
Street,  Edinburgh,  from  whom  copies,  with  Pianoforte  accompaniments,  may  be  had. 


12 


MY  WILLIE  AN'  ME. 


Words  by  W.  Cameron. 

Andante. 


Music  by  W.  Morria 


IFF*— ar=I«—  J      J1— jHrF=g— j— f  ^^H-^-^ZI3— «~  *— \rz 
As  wand'ring  my  lane  down  by  sweet  Birkenshaw,  An*  thinkin'  on  days  that  are 

5-frB— |— ri  — *-=-« — a  — 


£Eg=6=g5S 


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noo  gane  a-wa,    I     no-tic'd  twa  couthie  wee  birds  on     a  tree,  Thinks  I,  noo  that's 


-T^- 


45 — (s — M — cs— a — s P- 


T=fc- 


7 ■— ' p f 1- 

un  -  co  like   Wil-lie  an'    me.  Thinks  I,    noo  that's    un  -  co    like  Wil-lie   an'  me. 


■& — tribk 


=E=r!=£=£=E* 


■J=£z±zl 


?=$£=i=Z3s: 


They  lilt  -  ed  a  -  bout,  and  sae  blyth-ly  they  sang,  They  flutter'd  and  courted,  I 


1?- 


3T=p: 


tz-:=S=P— a= 


ken-ria  how  lang;  My  heart  was  as  hap  -  py  and   fu'    as  could  be,  They  minded  me 

sae    o'    my  Wil  -  lie   an'  me.  They  minded  me  sae    o'     my  Wil  -  lie    an'  me. 

I  wonder' d  if  a'  the  wee  birds  o'  the  dell, 

As  kindly  and  fondly  their  love-tales  could  tell ; 

I  wonder'd  if  ony  twa  mortals  could  be 

As  happy  and  leal  as  my  Willie  an'  me. 

They  a'  may  be  happy, — what  for  should  they  no? 

And  lasses  fu'  meikle  may  think  o'  their  jo ; 

But  naething  on  earth,  in  the  air,  or  the  sea, 

Can  be  half  sae  happy  as  Willie  an'  me. 

My  Willie  is  guid,  and  my  Willie's  sae  kin', 
And  then,  O  thank  Heaven,  dear  Willie  is  mine! 
In  the  joy  o'  my  heart  the  tear  draps  frae  my  e'e, 
To  think  we're  sae  happy,  my  Willie  an'  me. 
The  hero  may  sigh  for  mair  laurels — the  loon — 
The  tyrant  may  grasp  at  a  kingdom  or  crown; 
Contented  and  happy  I*d  live  till  I  dee, 
Tho'  they  tak'  a'  the  world  but  my  Willie  frae  me. 


Words  by  W.  Cameron. 

mplice  con  express. 


13 
MAHY  AND  ME. 


Music  by  M.  Wilson. 


~fc— £ 


m^rr=^^ 


The  bon-nie  wee  bir-dies  that  sing    in  the  glen,  A     les-son  micht  gie  to  the 


ggjN=gl^^g=35=^^iii^= 


wis-est      o'    men;  Nae  sor-row  is  heard  in  their  sang  on  the  tree, They're  joyfu'  and 


hap-pylike  Ma-ry  and  me.  They're  joyfu'   and  hap-py    like    Ma-ry     and  me 


^=j=*^=a=g=3E=*e^^^a^£33 


The  blithe  face  o'  na-ture  may  change  wi'  the  year,  And  streams  a'  get  drum-lie  lang 


i=ls: 


g^fe£^^£ 


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wimp-lin'  and  clear;  Dark  howl-ing  No-vem-ber  may    bare     ilk  -  a      tree,     They 


^B^S=j==E=|=bc^3=t=F^ 


bring  nought  but  pleas-ure    to     Ma-ry  and    me.   Dark  howl-ing  No-vem-ber  may 

ad.  lib. 


!=^=gp=£ 


bare    ilk  -  a      tree,    They  bring  nought  but  plea-sure    to     Ma-ry      and      me. 

Cauld  winter  may  frown  a'  the  flowers  frae  the  field, 
Frae  lintie  and  lamb  tak  their  bed  and  their  bield ; 
Tho'  I  pity  them  sair,  0  my  heart's  fu'  o'  glee, 
For  it's  aye  spring  or  summer  to  Mary  and  me. 

Awa  wi'  your  tears,  wi'  your  gloom,  and  your  noise, 
For  nature's  a  palace  o'  beauties  and  joys ; 
A  Heaven  on  earth  Heaven's  willing  to  gie, — 
True  love  and  contentment  like  Marv  and  me. 


14 
MORAG'S  FAERY  GLEN. 

Words  by  William  Cameron. 


Music  by  M.  Wilson. 


?er£ 


Srpj^^^^ 


^ 


lz— K 


— tz: 


:£ 


Ye  ken  whar  yon  wee  burnie,  love,  Rins  roarin'  to  the  sea,  And  tumbles  o'er  its 


^^gg|^gi^iP^^^^g| 


rock  -  y     bed,  Like  spi  -  rit  wild  and  free.  The  mellow  mav  -  is  tunes  his  lay,  The 
1> 


^^ 


blackbird  swells  his  note,  And  little  robin  sweet  -   ly    sings  Above  the  woody  grot.  There 


f^rtiSSpii 


3=im 


meet  me  love,  by  a*    unseen,   Beside  yon  mossy  den,    Oh  meet  me  love  at  dewy  eve,  In 
<5^      adlib-      _^  _^  f?\ 


fe£ 


:=t23 


)  meet  me  love  at      dew  -  y    eve,  In  Morag's  Fae  -  ry       Glen. 


Morag's  Faery  Glen.  0  meet  me  love  at      dew  -  y    eve,  In  Morag's  Fae 

Come  when  the  sun  in  robes  of  gold, 

Sinks  o'er  yon  hills  to  rest, 
An'  fragrance  floating  in  the  breeze,, 

Comes  frae  the  dewy  west. 
And  I  will  pu'  a  garland  gay, 

To  deck  thy  brow  sae  fair ; 
For  many  a  woodbine  cover' d  glade, 

An'  sweet  wild  flower  is  there. 

Then  meet  me,  love,  &c. 

There's  music  in  the  wild  cascade, 

There's  love  amang  the  trees, 
There's  beauty  in  ilk  bank  and  brae, 

An'  balm  upon  the  breeze. 
There's  a'  of  nature  and  of  art, 

That  maistly  weel  could  be, 
An'  0  !  my  love,  when  thou  art  there, 

There's  bliss  in  store  for  me ! 

Then  meet  me,  love,  &c. 


15 


New  version. 


JOHNNIE  COPE. 

As  written  and  sung  by  Mr.  M'G.  Simpson. 


Cope    sent     a        let  -  -  ter     frae    Dun-bar,    Say-ing,  Char-lie    meet      me 


^J^^Bgi^^^^gMH 


gin    ye    daur,   And     I'll  show  you  the    art   o'  war,    If  you'll  meet  me   in   the 


4+H  JM  f-^-4-f=feENfrH=£=gg^ 


morn-ing.    Then  hey,  Johnnie  Cope,  are  ye    wauk-ing    yet?    Or    are  your  drums  a- 

beat-ingyet?  But  I'm  a-fraid  you'll  be  too  late  To  fecht  Prince  Charlie  in  the  morning. 

The  first  lines  Charlie  looked  upon, 
He  drew  his  sword  the  scabbard  from, 
Saying  follow  me  her  beautiful  men, 
She'll  be  a  devil  of  a  morning. 

Then  " Bonnie  Prince  Charlie"  the  pipes  did  play, 

And  "  O'er  the  hills  and  far  away,"  • 

And  they  march'd  nine  miles  that  very  day, 

Then  tookit  a  rest  till  the  morning. 

When  Charles  did  arise  at  Prestonpans, 
So  sheneral-like  he  assembled  the  clans, 
And  when  he  gied  the  word  o'  command, 
They  fought  like  lions  in  the  morning. 

Then  a  volley  from  the  royalists  came, 

Which  was  answered  by  the  men  o'  the  gallant  Graham, 

And  a'  the  clans  just  did  the  same, 

Then  in  a  minute  or  five  they  got  round  their  left  in  the  morning. 

The  brave  Lochiel,  so  stout  and  bold, 
His  temper  he  could  not  withhold, 
She  wasna  there  hersel',  but  she  was  told, 
He  killed  fifty  himself  that  morning. 

Quarter  then  was  a'  the  cry, 

Some  on  their  knees,  and  some  did  fly, 

Quarter  you  devils — she'll  half  you — and  down  she'll  did  lie, 

For  she  hisna  time  to  quarter  this  morning. 


16 


Then  Sir  John  and  his  men  they  couldna  stay, 
And  O,  but  they  looked  unco  wae, 
And  they  thought  far  better  to  rin  away, 
Than  get  their  heads  tookit  off  in  the  morning. 


CALLER  HEREIN'. 

This  song  was  composed  by  the  celebrated  Neil  Gow,  and  was  suggested  to  him  while 
listening  to  the  bells  of  St.  Andrew's  Church  in  Edinburgh,  mingled  with  the  cries  of  the 
fisherwomen,  who  vend  their  herrings  in  the  streets.  These  women  are  notorious  for  their 
exorbitant  demands,  and  as  the  purchaser  generally  offers  about  one-third  of  the  price  asked, 
there  is  consequently  much  higgling  before  the  bargain  is  concluded,  and  which  generally 
ends  with  the  irresistible  appeal  alluded  to  in  the  song,— "Lord  bless  ye,  mem!  it's  no  fish 
ye're  buying,  it's  the  lives  o'  honest  men  1 "  The  air  is  beautiful,  and  highly  descriptive  of  the 
blended  sounds. 


i^^gj^p^p^^^p^ 


Wha'll  buy  my    cal  -  ler  herr-in',  The're  bon  -  nie    fish    and    halesome      farin' ; 


m 


Js 1— 


^m 


mm^m 


:S=£ 


Buy    my    cal  -  ler  herr-in',  New  drawn    frae    the  Forth.  When  ye    are  sleep-ing 


^ 


ii^^jSp 


|H?. 


:fcr 


on  your  pillows,  Dreamt  ye  ought  o'  onr  puir  fellows,  Darkling  as  they  face  the   billows, 


m^^^^^^i^^^^^m 


A'    to    fill  our  woven  willows.    Buy  my  cal -ler   herrin',  The're  bon-nie  fish  and 


^^gs 


halesome     farin' ;    Buy    my    cal  -  ler    herr-in',  New    drawn    frae  the  Forth.  Wha'll 
buy  my  cal-ler  herr-in',  The're  no  brought  here  without  brave  darin' ;  buy  my  cal-ler 


:^=S^=^ 


herr  -  in',    Ye    lit  -  tie     ken  their  worth  Wha'll  buy  my     cal  -  ler    herr  -  in',     0 


^^5^^ 


i=3-^3: 


-i^S: 


PPS 


you  may  ca'  them  vulgar  farin' ;  Wives  and  mithers,  maist  despainn',  Ca'  them  lives  o'  men, 


17 

Noo  a'  ye  lads  at  herria'  fishing, 
Costly  vampins,  dinner  dressing, 
Sole  or  turbot,  how  distressing, 
Fine  folks  scorn  shoals  o'  blessing. 

Wha'll  buy  my  caller  herrin'. 


&c 


And  when  the  creel  o'  herrin'  passes, 
Ladies  clad  in  silks  and  laces, 
Gather  in  their  braw  pelisses, 
Cast  their  heads  and  screw  their  faces. 

Wha'll  buy  my  caller  herrin',  &c 

Noo  neebours'  wives  come  tent  my  telling, 
When  the  bonnie  fish  you're  selling, 
At  a  word  aye  be  your  dealing, 
Truth  will  stand  when  a'  things  failing, 
Wha'll  buy  my  caller  herrin',  &c 


THE  FIELD  OF  BANNOCOTJEN. 

Words  by  Mr.  M'G.  Simpson. 


&3=$=$=Z 


mm^m^^M 


Twas  on       a     bon-nie     sim-mer's  day,    The  Eng-lish  came    in  grand  ar- 


ray,  King   Ed- ward's  or  -  ders    to     o  -  bey,  up  -  on  the  Field  of    Ban-nock-burn. 


Sae   loud  -  ly     let     the    Pib-roch  wake,  Each  loy-al  Clan  frae  hill  and  lake,  And 


^r^ 


w^m&m 


bold  -  ly    fight  for    Sco-tia's       sake,     up  • 


the  Field    of    Ban-nock-burn. 


King  Edward  raised  his  standard  high, 
Bruce  shook  his  banners  in  reply — - 
Each  army  shouts  for  victory 
Upon  the  Field  of  Bannockbum. 


18 

The  English  horse  wi'  deadly  aim, 
Upon  the  Scottish  army  came ; 
But  hundreds  in  our  pits  were  slain 
Upon  the  Field  of  Bannockburn. 


Loud  rose  the  war  cry  of  M'Neil, 

Who  flew  like  tigers  to  the  field, 

And  made  the  Sass'nach  army  feel 

There  were  dauntless  hearts  at  Bannockburn. 


M'Donald's  clan,  how  firm  their  pace — 
Dark  vengeance  gleams  in  ev'ry  face, 
Lang  they  had  thirsted  to  embrace 
Their  Sass'nach  friends  at  Bannockburn. 


The  Fraser  bold  his  brave  clan  led, 
While  wide  their  thistle  banners  spread— 
They  boldly  fell  and  boldly  bled 
Upon  the  Field  of  Bannockburn. 

(The  ne'er  behind*)  brave  Douglas  came, 
And  also  with  him  Donald  Graham, 
Their  blood-red  painted  swords  did  stain 
The  glorious  Field  of  Bannockburn. 

That  day  King  Edward's  heart  did  mourn, 
With  joy  each  Scottish  heart  did  burn, 
In  mem'ry  now  let  us  return 
Our  thanks  to  Bruce  at  Bannockburn. 

Chorus. 

For  loudly  did  the  pibroch  wake 
Our  loyal  clans  frae  hill  and  lake, 
Wha  fell  and  bled  for  Scotia's  sake 
Upon  the  Field  of  Bannockburn. 

*  The  motto  of  the  Douglas  Family. 


19 


PEINCE  CHAELES'S  FAEEWELL  TO  FLOEA. 

Old  Gaelic  air.    The  words  written  expressly  for  Mr.  M'G.  Simpson  by  A.  M'Laggan,  Esq. 


^^g^g^j^^^g^^^l=jgpl 


The  voice  of  the  spi  -  rit  of  tern-pest  is  near,  love,  Lo !  heartless  misfortune  has 


is^nsi^il 


struck  the  last  blow;  0  where  are  the  souls  of  the  brave    I    re  -  vere,  love;  0 


jui^--js  r^z^^-F-t^^H-^M-^ 


where,  where  my  joy  when  from  Flo  -  ra     I     go.    Fare-well  to    my  bright  dreams  of 


^^=pgEgg^^pg=p=g=ggigg 


fame,  love,  and  glo-ry ;  Fare-well  bcmie  Highlands,  still  dear,  dear  to  me ;  Fare-well  to  my 


g=!=p^p^ll£^S^ipipa 


lost    love,  my  soul's  dearest  Flo-ra,   My  last  sigh  I'll  give  to  dear  Scot-land  and  thee. 

Sound,  sound  is  the  sleep  of  the  brave  'neath  the  willow — 
Beneath  the  proud  flag  that  in  battle  they  bore ; 
But,  alas !  for  the  dream  on  my  lightning-rent  pillow, 
When  love  hath  departed  and  hope  is  no  more. 
When  haunted  by  foeman  and  soul-clouding  sadness, 
Homeless  and  hopeless,  by  traitors  oppressed — 
When  stung  by  the  storms  of  misfortune  to  madness, 
O  sweet  were  the  dreams  that  I  dream't  on  your  breast. 

Now  welcome,  ye  dark  stormy  clouds  that  benight  me, 
Welcome  ye  ghosts  of  the  good  and  the  brave ; 
The  pibroch's  loud  summons  no  more  can  delight  me, 
My  song  be  the  wild  winds  that  sweeps  their  lone  grave. 
See,  see  yon  proud  eagle  through  stormy  clouds  soaring, 
How  fearless  the  flight  of  the  wing  that  is  free ; 
Such  joy  may  be  mine,  love,  when  Heaven  restoring 
The  land  I  lo'e  dear,  and  my  Flora  to  me. 


2D 


GALIUM  O'GLEN. 


:zf5-_ 


-e gi *^— m a- 

Was      ev  -  er      old     war-rior    of 


mm 


?=£Efig 


suf  -  f  ring     so        weary  ?      Was 


s=i=^ii^i^=pi^s,i^ 


ev-er     the  wild  beast  so  bayed  in    his  den?    The  Southron  bloodhounds  lie  in 


-T-- p-P-    r  •    p  — -a— ^ — iSST^ c-~=n 


ken-nel     so    near  me,  That  death  would  be  wel-eome     to     Cal-lum     O'Glen. 


^^^^pi^lf^l 


tr— fcr- 

My       sons     are      all     slain,     and     my      daugh  -  ters     have    left    me,     No 


=ts  — — rr  ..    N    ■«■-)— g=i=p— a— : 


child    to     pro-tect   me,  where  once  I  had  ten;  My  chief  they  have  slain,  and    of 


-#— * ^« — «h 
stay     hath  be  -  reft   me,   And    wo     to      the  gray  hairs   of     Cal-lum   O'Glen. 

The  homes  of  my  kinsmen  are  blazing  to  Heaven, 

The  bright  sun  of  morning  has  blushed  at  the  view ; 
The  moon  has  stood  still  on  the  verge  of  the  even, 

To  wipe  from  her  pale  cheek  the  tint  of  the  dew. 
For  the  dew  it  lies  red  on  the  vales  of  Lochaber, 

It  sprinkles  the  cot  and  it  flows  in  the  pen ; 
The  pride  of  my  country  is  fallen  for  ever, 

O  death  hast  thou  no  shaft  for  Callurn  O'Glen. 

The  sun  in  his  glory  has  looked  on  our  sorrow, 

The  stars  have  wept  blood  over  hamlet  and  lea ; 
0  is  there  no  day-spring  for  Scotland  ?  no  morrow 

Of  bright  renovation  for  souls  of  the  free ! 
Yes !  One  above  all  has  beheld  our  devotion, 

Our  valour  and  faith  are  not  hid  from  his  ken ; 
The  day  is  abiding,  of  stern  retribution 

On  all  the  proud  foemen  of  Callum  O'Glen. 


21 

0  FAR  MAY  YE  ROAM. 

Words  by  W.  Cameron.  Music  by  Mathew  "Wilson. 

Moderate  and  expressive. 


%m*m^^m^^m^m 


I 


srrq 


0  far  may  ye  roam  o'er  the  hills  and  the  heather,  And  lang  may  ye  seek  o'er  thft 


«— 7-9- 


bon-nie  green  lea,  And     a'     the  braw  towns  o'      the    lowlands  the-gith-er,   A 
las  -  sie     like    Jean-ie,  whaur,  whaur  will  you    see.     A     lassie  like  Jeanie,  whaur, 


-s-S-^ 


"IE=±=£=E*=£=S&3^^ 


Love  -  ly     the    prim-rose     and     fair      may  the 

ritard. 


whaur    will    you      see. 


^i^^N^-J-^^ 


li   -  ly,      And  sweet  may      the        vio    -    let   bloom     on      yon     green ;  Yc'll 


^^l^~Eg3iEB 


pu'       na      the    prim 


-Jr-'-fr f" 

3,    ye'll   pu'     na      the     li  -  ly,    Ye'll  praise  na  the 

ad  libitum. 


pl^^H^m^l^lil^ 


vio  -  let  when  ye  see  my  Jean.  Ye'll  praise  na  the  violet   when  ye    see    my  Jean. 


0  plant  in  her  ringlets  a  rose  in  its  blossom, 

And  look  in  her  cheeks  and  its  beauties  are  gane, 
And  place  the  fair  lily  new  cull'd  in  her  bosom, 

Her  bosom  will  tell  you  the  lily  has  nane. 
Then  look  nae  owre  aft  at  her  blue  e'en  sae  bonnie, 

And  look  na  at  a'  if  the  smile's  in  her  e'e, 
Ae  glance,  and  your  heart's  on  the  wing,  (gin  ye've  ony) 

13 ut  mingled  \vi'  smiles,  0  awa'  it  wad  flee. 


22 


I  AM  A  YOUNG  MAN,  I  LIVE  WI'  MY  MITHEE. 


Sg^ 


55=^^ 


young 


I      live    wi'    ray    mith  -  er,      A    braw  de  -  cent 


kim-mer  I     trow;  But     when         I        speak       0'       tak-in'      a         wife,        She 

— k — fc — sr=?;— '  jr— z 


I        speak       0'       tak-in 
Eepeat  after  every  verse. 


mm^^mm^^ 


gets    up      in       a     lowe. 


what   do     you  think   o'      me  noo,  kind 


— p— ^tzz^Edf=f±e=b— ^£& p P— g—i 


sirs,  And  what  do  you  think  I  should    try  ?       For   gin   mith  -  er    was    dee  -  ing  there'; 


the      kye. 


There's  red-headed  Jenny  lives  down  by  our  side, 

At  shearin'  she  does  ding  them  a', 
But  her  very  face,  mither  canna  abide, 

And  her  a  wild  hizzie*  does  ca\ 

Yestreen  my  mither,  she  pouther'd  my  wig 

As  white  as  the  driven  snaw, 
She  took  an  auld  mutch,f  and  shot  in  my  gravat,J 

Beside  a  big  breastpin  and  a'. 

Noo  gang  aW  Sandy,  ye're  gaun  to  the  waddin', 

Ye  ken  ye're  to  be  the  best  man,§ 
And  Betty  M'Haffie's  to  be  the  best  maid,  ]| 

Mak  up  to  her  noo  like  a  man. 

I  gaed  to  the  waddin'  and  Betty  was  there, 
An'  losh !  but  she  was  buskit  braw,<f[ 

She  had  ribbons  and  lace,  a'  deck'd  round  her  face, 
And  necklaces  twa  or  three  raw. 


Eomping  girL  t  Morning  cap.   %  Necktie.   §  Bridesman.   ||  Bridesmaid.   ^  Well-dressed. 


23 


Sae  to  please  my  mither  an  speak  up  till  her, 

At  last  I  thocht  I  micht  try ; 
So  I  speer'd  at  Betty  if  ever  she  heard 

We  had  twa  dizzen  o'  kye. 

Sae  what  do  you  think  o'  me  noo,  kind  sirs, 
And  what  do  jtou  think  I  should  try  ? 

But  wi'  a  toss  o'  her  head,  she  answered,  Indeed ! 
Wha  cares  for  you  or  your  kye. 


Moderate  g: 


CAN  YE  LO'E  ME  WEEL,  LASSIE. 


!g^=^=pf 


Can     ye    lo*e     me    weel,     lassie, 


To    this  heart  then    swift  -  ly 


$j>=$— $—r 


^^^i^ 


m 


There  ye   aye   shall       dwell,         lass  -  ie,       Mair  than    a'    this     world    to       me. 


When  the  moon-beams  shine 


clear,    At     that     hour     by       lov  -  ers        blest; 

expves.  ad  lib. 


At     the  gloam  -  in' 


&   DC. 

-  ie,    dear,  Haste     to     meet    this      faith  -  ful      breast. 


Where  the  bumie  flows,  lassie, 
Gently  by  the  mountain's  side ; 

Where  the  wild  flowers  grow,  lassie, 
Watered  by  the  streamlet's  tide. 
Can  ye  lo'e  me,  &c. 


As  the  hare-bell  blossoms  shine, 
O'er  yon  bleak  and  barren  brae, 

Let  that  brilliant  eye  of  thine 
Guide  me  on  my  lonely  way. 
Can  ye  lo'e  me,  &c. 


Adxgio. 


24 

THE  FLOWERS  OF  THE  FOBEST. 

Words  byMrs.Cockburn  of  Ormiston— Died  1794. 


Modern  air. 


rfcrp 


I've  seen  the     smi-ling     of      for -tune   be-guil-ing,  I've       felt      all      its 


^m& 


m 


'-0,- 


5 


:^. 


II 


fa  -  vours,     and       found   its 


^HiSHl^^if 


Sweet    was       its      bless  -  ing, 


kind    its   ca-ress-ing,  But     now       'tis 


fled,     'tis      fled     far     a -way; 


^ggjpppp^^JP8=Eg 


I've  seen  the     for  -  est     a  -  dor  -  ned  the      fore  -  most,  With  flow-ers     of    the 


=3?: =±r>s=f5=3: 


eS 


s 


fair  -  est,  mGst       pica     -     sant    and   gay,  Sae     bonnie  was  their  blooming,  their 


scent  the   air    per  -  fum  -  ing,  But       now    they  are  wither'd  and  are    a'  wede  away. 


I've  seen  the  morning  with  gold  the  hills  adorning, 
And  the  dread  tempest  roaring  before  parting  day ; 

I've  seen  Tweed's  silver  streams 

Glitt'ring  in  the  sunny  beams, 
Grow  drumlie  and  dark  as  they  roll'd  on  their  way. 
O  fickle  fortune !  why  this  cruel  sporting  ? 
O  why  thus  perplex  us,  poor  sons  of  a  day  ? 

Thy  frowns  cannot  fear  me, 

Thy  smiles  cannot  cheer  me, 
For  the  Flowers  of  the  Forest  are  withered  away. 


25 


FOR  HOME  AND  FOR  LOVE. 


^p=i= 


iS 


ES 


m^EE^E^ 


How   blythe-ly      the     pipe  through  Glen  -  ly  -  on      was    sound -inj 


± f 


^=?^=g 


\—Z==*=£=$£:z± 


morn  when  the  clans    to     the     mer-ry  dance  hied ;  And  gay  were  the  love  notes,  o'er 


H^S^^E! 


HH3 


hearts  fond-ly  bound-ing,  When  Ronald  woo'd  Flo  -  ra,     and  made  her    his  bride. 


But  war's  ban  -  ner  streaming  soon  changed  their  fond  dreaming,  The  bat  -  tie  -  cry 


s=i=isi3=i^ 


£f£ 


=m^m 


ec  -  ho'd       a-round     and       a  -  bove ;  Bright  claymores  were   glanc  -  ing,     and 


=^==^^Trn-E^i 


war-steeds  were  prancing,     Up,  Ron-aid,      to    arms  for  your  home  and  your  love  I 

Poor  Flora  awhile  on  his  bosom  hung  sobbing, 

But  not  to  allure  him  from  battle  alarms ; 
O  heed  not,  she  murmured,  this  poor  heart's  wild  throbbing, 

'Twould  break  e'er  'twould  woo  thee  from  fame  to  my  arms. 
Bless,  bless  thee,  my  dearest,  when  danger  is  nearest, 

Those  words  and  those  tears  my  proud  daring  shall  move ; 
Where  war-steeds  are  prancing  and  claymores  are  glancing, 

I'll  conquer  or  die  for  my  home  and  my  love. 

All  was  hush'd  on  the  hill  where  love  tarried  despairing, 

With  her  bridesmaids  still  deck'd  in  their  gay  festal  gear ; 
And  she  wept  as  she  saw  them  fresh  garlands  preparing, 

That  might  laurel  love's  brow,  or  be  strewed  o'er  his  bier. 
But  cheer  thee,  dear  maiden,  each  wild  breeze  is  laden 

With  victory's  slogan  from  mountain  and  grove ; 
Where  war-steeds  were  prancing  and  claymores  were  glancing, 

Lord  Ronald  had  conquered  for  home  and  for  love. 


26 


With  anir,  : 


THE  MACGREGORS'  GATHERING. 

Words  by  Sir  Walter  Scott. 


S3 


S^^M^ipp^igij^g 


is 

The  moon's  on  the  lake,  and  the  mist's  on  the  brae,  And  the  clan  has  a  name  that  is 


nameless  by  day ;  Our  signal  for  fight,  which  from  monarchs  we  drew,  Must  be  heard  but  by 


^=$^^=iE^=mmmm 


night  in  our  venge-ful  ha-lool  Then  ha-  loo!  ha -loo!   ha -loo!  Gre-ga-lach. 

Is — c~ 


Ill^=^=^p=ppil 


•~:-: 


^-c * c , E ^ V 

If  they  rob  us   of  name  and  pur-sue  us  with  beagles,  Give  their  roof  to  the 


fep 


:£*=* 


?Mmm 


-p— =1- 


flame  and  their  flesh     to  the   eagles;      Then     gather,     gather,     gather, 


^r3r^S^E=S=fe5^£3=FE3 


Gather,  gather,  gather,  Wliile  there's  leaves  in  the  forest,  and  foam  on  the  river,  Mac- 


JgJiiiBgg 


m 


gre-gor  despite  them  shall 


flourish  for  ev-er.  Glenorchy's  proud  mountain,  Col- 


churn  and  her  towers;  Glen-strae  and  Glen-ly-on    no  longer  are  ours;  We're  landless, 


land-less,  land-less,  Gre-ga-lach ;  Land-less,  land-less,  land  -  -  -  less.  Through  the 


v ^r-t, — — » * p-p — — g(- 

depths  of  Loch-Katrine  the  steed  shall  career,  O'er  the  peak  of  Benlomond  the  galley  shall 


^HH^ipIi^^^ 


steer,  And  the  rocks  of  Craig  Eoyston  like  i-ci-cles  melt,  Ere  our  wrongs  be  forgot  or  our 


liieip§g^^3 


-g 


vengeance  unfelt.  Thenha-loo!  ha-loo!  ha-loo!  Gre-ga-lach. 


If  they  rob  us  of 


27 


^fe=^i=^^j=£Eg=^pfe^l^ 


name  and  pursue  us  with  beagles,  Give  their  roofs  to  the  flame  &  their  flesh  to  the  eagles.Then 


gather,    gather,    gather, 


Gather,  gather,  gather,  While  there's  leaves  in  the 


gl^g^^Sg^^i 


^EtEga 


forest,  and  foam  on  the  riv-er,  Mae-gre-gor  despite  them  shall flourish  for  ev-er. 


MY  NANNIE'S  AWA'. 


Words  by  Burns. 


lambkins   that     bleat  ower  the  braes,  While    birds  war  -  ble    wel  -  come     in 


il  -  ka  green  shaw;  But    to      me     it's    de-light-3ess,     my    Nannie's     a  -  wa\ 


But     to  me       it's       de  -  light  -  less,     my        Nannie's 

The  snaw-drap  and  primrose  our  woodlands  adorn, 
And  violets  bathe  in  the  weet  o'  the  morn ; 
They  pain  my  sad  bosom,  sae  sweetly  they  blaw ! 
They  mind  me  o'  Nannie — and  Nannie's  awa. 

Thou  laverock,  that  springs  frae  the  dews  of  the  lawn, 
The  shepherd  to  warn  of  the  grey-breaking  dawn, 
And  thou  mellow  mavis,  that  hails  the  night-fa' ; 
Give  over  for  pity — my  Nannie's  awa'. 

Come, autumn,  sae  pensive,  in  yellow  and  grey, 
And  soothe  me  wi'  tidings  o'  Nature's  decay : 
The  dark,  dreary  winter,  and  wild-driving  snaw, 
A  lane  can  delight  me — my  Nannie's  awa'. 


28 


BONNIE  BESSIE  LEE. 


^ 


i=d 


fc^— £ 


^=^i|ppggg^ 


Bon-nie  Bes-sie  Lee  had    a     face     fa'     o1  smiles,  And  mirtli  round  her  ripe  lips  was 


aye    danc-ing    slee,  And  light  was    the     foot-fa'    and  win-some   the  wiles  0 


^E=£=^*=j=£ 


flower 


the     par  -  o  -  chin,*  our 


sie  Lee!    Wi'  the  bairns  she  wad 


rin,  and    the  school    lad-dies  pake,  t  And  o'er  the  broomy  braes  like  a      fai-rywad 


^n^^=§§ 


flee,  Till    auld  hearts  grew  younj 


gain    wi'    love     for     her    sake— There  was 


^^ 


3=pfes@ 


life     in  the  bhthe  blink  o'  bon  -  nie     Bes  -  sie    Lee.  Our     ain    Bes  -  sie   Lee,  our 


m 


s^^^^m 


bon-nie  Bes-sie  Lee,  There  was  life      in     the  blithe  blink    o'     bon-nie  Bes-sie  Lee. 

She  grat  wi'  the  waefu'  and  laugli'd  wi'  the  glad, 
And  light  as  the  wind  'niang  the  dancers  was  she ; 

And  a  tongue  that  could  jeer,  too,  the  little  lassie  had, 
Whilk  keepit  aye  her  ain  side  for  bonnie  Bessie  Lee. 

And  she  whiles  had  a  sweetheart,  and  whiles  she  had  twa, 

A  glaikit  bit  lassie — but,  atween  you  and  me, 
Her  warm  wee  bit  heartie  she  ne'er  threw  awa', 

Though  mony  a  ane  had  sought  it  frae  bonnie  Bessie  Lee. 

But  ten  years  had  gane  since  I  gazed  on  her  last, 
For  ten  years  had  parted  my  auld  hame  and  me, 

And  I  said  to  mysel'  as  her  mither's  door  I  pass'd, 

"  Will  I  ever  get  anither  kiss  frae  bonnie  Bessie  Lee? " 

But  time  changes  a'  things — the  ill-natured  loon ! 
Were  it  ever  sae  rightly  he'll  no  let  it  be ; 

♦Parish,    t  Beat. 


20 


But  I  rubbit  at  my  een,  and  I  thought  I  would  swoon, 

How  the  carle  had  come  round  about  our  ain  Bessie  Lee. 
The  wee  laughing  lassie  was  a  gudewife  growing  auld, — 

Twa  weans  at  her  apron  and  ane  on  her  knee ; 
She  was  douce,  too,  and  wise-like— and  wisdom's  sae  cauld : — 
I  would  rather  had  the  ither  ane  than  this  Bessie  Lee. 
From  Robert  Nicoll's  Poems,  published  by  Blackie  &  Son,  3S  Queen-St.  Glasgow, 
permission." 

0!  ARE  YE  SLEEPING,  MAGGIE? 


By 


pfe^N=pgilliEi 


Mirk     and     rai-ny      is      tbe  night,   No      a    star'n    in       a'     the     car-ry; 


£=£E3=i 


ath  -  wart    the    lift,    And  winds  drive   wi'  win  -  ter's    fu  -  ry. 


ght-nings  gleam  ath -wart    the    lilt,    Ana  wmas  anve   wr  win  -  w 


O!     are      ye  sleep -ing,    Mag-gie?     0!       are       ye     sleep -ing,  Mag  -  gie? 


wpn^m 


Let    me     in,     for    loud  the  linn     Is    roar -ing 

Fearfu'  soughs  the  boortree  bank, 

The  rifted  wood  roars  wild  and  drearie ; 
Loud  the  iron  yett  does  clank, 
And  cry  o'  howlets  makes  me  eerie. 
O !  are  ye  sleeping,  Maggie  ?  &c. 
Aboon  my  breath  I  daurna  speak, 

For  fear  I  rouse  your  waukrife  daddie ; 
Cauld's  the  blast  upon  my  cheek, 
O !  rise,  rise,  my  bonnie  lady ! 

O!  are  ye  sleeping,  Maggie?  &c. 
She  opt  the  door,  she  let  him  in ; 

He  coost  aside  his  cheeping  plaidie ; 
Blaw  your  warst,  ye  rain  and  win', 
Since,  Maggie,  now  I'm  in  aside  ye. 
Now  since  ye're  waking,  Maggie ! 
Now  since  ye're  waking,  Maggie ! 
What  care  I  for  howlet's  cry, 
For  boortree  bank,  or  warlock  craigie. 


30 


THE  MARRIED  MAN'S  LAMENT. 


i^^g^f^ 


m 


^=^ 


ance  was 


wan  -  ter      as     hap  -  py's       a     bee,     I     med  -  died  wi' 


Ills^i^lPNHJ^^f 


*=fs: 


m 


m 


nane  and  nane  med-dled 


me;     I     whiles  liad      a     crack  o'er     a     cog 


^|=JEp^^gg^Ef:E^ 


:&LJ 


gude  yill,  Whiles  a      hick  -  er     o'   swats,  whiles  a  heart-heaz-ing     gill.     And     I 


g^M^E^I 


aye  had  a  groat  if     I     had  -  na    a  pound,  On  this  earth  there  was  nane    mei  -  kle 


^Jlkp^^EliJbg 


hap -pi-er  found;  But  my  auldmith-er  died  in     the    year  auch  - ty  -  nine,  And     I 

(51 


Plil^gil^llS 


ne'er  hae  had  peace  in    the  wor  -  Id     sin  syne.  My  auld  mith-er     died     in     the 


I 


P^P-^i^ 


m 


^ 


r * , y-^—r c r p . 

year  auch  -  ty  -  nine,  And    I     ne'er  hae    had  peace    in     the    wor  -  Id 

Fu'  soun'  may  she  sleep — a  douce  woman  was  she — 
Wi'  her  wheel,  and  her  cat,  and  her  cuppie  o'  tea. 
My  ingle  she  keepit  as  trig  as  a  preen, 
And  she  ne'er  speer'd  questions  as,  where  hae  ye  been  ? 
As,  what  were  ye  doing  ?  or  wha  was  ye  wi', 
We  were  happy  thegither,  my  mither  and  me. 
But  my  auld,  &c. 

When  mither  was  gane,  for  a  while  I  was  wae, 
But  a  young  chap  was  I,  and  a  wife  I  wad  hae ; 
A  wife  I  soon  got,  and  I  aye  hae  her  yet, 
An'  the  folks  think  thegither  we  unco  weel  fit, 
But  my  ain  mind  hae  I,  tho'  I  daurna  speak  o't, 
For  mair  than  her  gallop  I  like  my  ain  trot. 
But  my  auld,  &c. 


SI 

When  I  wi'  a  crony  am  taking  a  drop, 
Shell  yammer  and  ca'  me  an  auld  drucken  sot, 
If  an  hour  I  bide  out,  loud  she  greets  and  she  yowls, 
And  bans  a'  gude  fellows,  baith  bodies  and  souls ; 
And  yet  what  a  care  she  has  o'  her  gudeman, 
You'd  think  I  was  doated — I  canna  but  ban. 
But  my  auld,  &c. 

Now,  my  gilpie  young  dochters  are  looking  for  men, 
I'll  be  a  grandsire  ere  ever  I  ken ; 
The  laddies  are  thinking  on  ruling  the  roast ; 
Their  faither,  puir  body,  's  deaf  as  a  post ; 
But  he  sees  their  upsetting,  sae  crouse  and  sae  bauld ; 
0,  why  did  I  marry,  and  wherefore  grow  auld. 
But  my  auld,  &c. 

From  Robert  NicoU's  poems,  published  by  BlacMe  &  Sons.  38  Queen-St.  Glasgow.    By 
permission. 


THE  BONNIE  HOUSE  0'  AIELIE. 


lE^-S^3=£S§^3|pi=@=£ 


It     fell  up  -  on    a   clay,    a    bonnie  summer  clay,  When  the  clans  were  a'    wi' 


a=gfe^y^^^^^ta 


Charlie,  That  there  fell    out    a    great  dis-pute  Between  Ar  -  gyle 


ggpi^egg^ipga^pg 


-v — J r 

gyle  has  raised  a  hundred    o'    his  men,  To  come    in  the  morn-ing    ear-ly,  And 


fci- 


*=* 


il?=i=gg 


sii^s^&ispts^ 


~M~    ^ 1 '-e — e — ■ v— [r- 

he  has  gane  down  by  the  back  o'  Dunkeld,  To  plunder  the  bonnie  house  o'  Air  -lie. 

Lady  Ogilvie  look'd  frae  her  high  castle  wa', 

And  O  but  she  sighed  sairly, 
To  see  Argyle  and  a'  his  men 

Come  to  plunder  the  bonnie  house  o'  Airlie. 


32 

Come  doon,  come  doori,  lady  Ogilvie,  he  cried, 

Come  doon  and  kiss  me  fairly, 
Or  ere  the  morning  clear  day  light 

I'll  no  leave  a  standing  stane  in.  Airlie. 

I  wadna  come  doon,  proud  Argyle,  she  cried, 

I  wadna  kiss  thee  fairly ; 
I  wadna  come  doon,  thou  false  lord,  she  cried, 

Tho'  ye  leave  na  a  standing  stane  in  Airlie. 
But  were  my  ain  gude  lord  at  hame, 

As  this  night  he's  wi  Charlie, 
The  false  Argyle  and  a'  his  men 

Durst  na  enter  the  bonnie  house  o'  Airlie. 

0  I  hae  born  him  seven  bonnie  sons, 

The  last  ne'er  saw  his  daddie, 
And  gin  I  had  as  mony  o'er  again 

They'd  a'  be  men  to  Charlie. 
Argyle  in  a  rage  attacked  the  bonnie  ha', 

And  his  men  to  the  plundering  fairly, 
And  tears  tho'  he  saw  like  dew  draps  fa', 

In  a  lowe  he  set  the  bonnie  house  o'  Airlie. 

What  lowe  is  yon  ?  quo  the  gude  Lochiel, 

That  rises  this  morning  sae  early ; 
By  the  God  o'  my  kin,  cried  the  young  Ogilvie, 

Its  my  ain  bonnie  hame  o'  Airlie. 
Its  no  my  bonnie  hame,  nor  my  lands  a'  reft, 

That  grieves  my  heart  sae  sairly, 
Its  for  my  winsome  dame,  and  the  sweet  babes  I  left, 

They'll  smoor  in  the  dark  reek  o'  Airlie. 

Draw  your  dirks,  draw  your  dirks,  cried  the  brave  Lochiel, 

Unsheath  your  swords  cried  Charlie, 
And  we'll  kindle  sic  a  lowe  round  the  false  Argyle, 

And  licht  it  wi'  a  spark  out  o'  Airlie. 


BELL  AND  BAIN,  PRINTEE3. 


33 


THE  SCOTTISH  EMIGRANT'S  FABEWEEL. 

Words  and  Music  by  A.  Hume. 


^g^^^^^l 


*=a= 


Fareweel,  fareweel,    my    na  -  tive  hame,  Thy  lone  -  ly    glens    an'  heath-clad 


g  u  r 


p^=L3^ 


grrg^i 


kd^ 


m 


fc±u 


mountains;  Fareweel  thy  fields    o*   stor  -  ied     fame,  Thy    lea    -    fy     shaws  an' 


ip 


mm 


l££p£ 


spark  -  lin'       foun-tains.       Nae  mair  I'll     climb     the    Pent  -  lands'  steep,    Nor 


o'er      the    deep,    My 


land,     faro  -  weel      for        ev  -  er. 


Thou  land  wi'  love  an'  freedom  crowned — 

In  ilk  wee  cot  an'  lordly  dwellin' 
May  manly-hearted  youths  be  found, 

And  maids  in  ev'ry  grace  excellin'. 
The  land  where  Bruce  and  Wallace  wight, 

For  freedom  fought  in  days  o'  danger, 
Ne'er  crouch'd  to  proud  usurpin'  might, 

But  foremost  stood,  wrong's  stern  avenger. 

Tho'  far  frae  thee,  my  native  shore, 

An'  toss'd  on  life's  tempestuous  ocean ; 
My  heart,  aye  Scottish  to  the  core, 

Shall  cling  to  thee  wi'  warm  devotion. 
An'  while  the  wavin'  heather  grows, 

An'  onward  rows  the  windin'  river, 
The  toast  be  "  Scotland's  broomy  knowes, 

Her  mountains,  rocks,  an'  glens  for  ever." 
c 


34 


DUET :— I  THINK  OF  THEE. 


Composed  by  A.  Hume. 


{Affetuoso.  mf  I    think   of      thee  when  some  sweet  song  is  breath-ing,  A  -  wak'-ning 


thoughts  of     ear  -  ly    hap -py  days;    Whenfai-ry   hope    its  bright-est  flowers  was 


wreathing,       And  seem'd  the    future    one  unclouded     blaze.  Oft   does  some 

f  rail.  P 

5E=g— rg:: 


(pUSl^glipl 


song,  some  olden  song,  thus  sounding,     Thrill  o'er    the  mind  like    music  o'er  the 


the  spell        1  think  of    thee.          I    think     of   thee.     I    think    of   thee. 
p  J  T\ 


?i^^^l3=^=3=g^=^^ 


35 

I  think  of  thee  when  spring  wakes  smiling  nature, 

When  birds  sing  sweetly  and  when  flowers  are  bright. 
When  pleasure  gladdens  every  living  creature, 

And  sunshine  bathes  the  earth  and  sea  in  light. 
And  when  the  rainbow  springs,  its  glory  throwing 

O'er  cloud  and  storm,  to  bid  their  darkness  flee ; 
And  all  is  bright  and  beautiful  and  glowing, 

Like  one  that  I  could  name, — I  think  of  thee. 


Words  by  Burns. 


WANDERING  WILLIE. 


wa',    there     a  -  wa\    wan  -  der  -  in'    Wil  -  lie,       Here     a   -   wa\ 


ain     on  -  ly     dear  -  ie,         Tell    me,  thou  bring'st  me  my    Wil  -  lie    the  same. 


Win  -  ter    winds   blew  loud   an'  cauld  at       our        part    -    ing,  Fears  for    my 


TF-Hf  n  m  r  •  ffifl 


Willie  brought  tears  in     my    e'e;        Welcome       now   sim-mer,    and  welcome  my 


U**?*   J3li-J^PPE| 


Wil  -  lie, 


The   sim-mer     to      na  -  ture,  my  Wil  -  lie      to       me. 


Rest,  ye  wild  storms,  in  the  cave  of  your  slumbers, 

How  your  dread  howling  a  lover  alarms  ! 
Wauken,  ye  breezes !  row  gently,  ye  billows ! 

And  waft  my  dear  laddie  ance  mair  to  my  arms. 
But  oh!  if  he's  faithless,  and  minds  nae  his  Nannie, 

Flow  still  between  us  thou  wide  roaring  main ! 
May  I  never  see  it,  may  I  never  trow  it, 

But  dying,  believe  that  my  Willie's  my  ain ! 


AN  THOU  WERE  MINE  AIN  THING. 


^^^^^^^ 


ain       thing, 


I    would  love    thee,       I        would  love      thee,    An     thoa 


were     mine      ain     thing,  How  dear  -  ly        would       I 


thee. 


Of  race  divine  thou  needs  must  be, 
Since  nothing  earthly  equals  thee, 

With  angel  pity  look  on  rne, 
Wha  only  lives  to  love  thee. 

An  thou  were  mine  ain  thing,  &c. 


To  merit  I  no  claim  can  make, 
But  that  I  love,  and  for  thy  sake, 

What  man  can  do  I'll  undertake, 
So  dearly  do  I  love  thee. 

An  thou  were  mine  ain  thing,  &c. 


37 

ATJLD  ROBIN  GEAY 

■Words  by  Larly  Ann  Lindsay.  Music  by  Rev.  W.  Leeves. 

Introduction  — "  The  Bridegroom  Grat,"  (old  air.) 


rnr?,  j-i  r  E_p^  j  js|  ra  n=^m 


When  the  sheep  are     in      the  fauld,  and   the   kye       at     hame,    And    a'     the 


%r^-^  ;j  l7m~r  •  n  tf  t  F  J  r  M 


wea  -  ry     warld       to       sleep       are    gane;  The   waes      o'      my  heart   fa'      in 


tt= 


-p — ■ — M  P  — H r-*— i — •  r  i--J 1- 


show  -  ers    frae   my  e'e,     While       my       guid  -  man  sleeps    sound     by       me. 


= — g — E> —      J      p — ta ^__  „_. — =j      g      1=^ 


Young  Jam-ie     lo'ed   me      weel,      and  sought  me   for     his      bride,    But      sav- 


J-.  f.  ft.  f .  j  i  ^=j^ut^^t^i^ 


ing    a     crown,    he    had      nae-thing  else     be    -   side;       To     mak'   the  crown 


mm 


^gN^I 


pound       my    Jam  -  ie    gaed    to    sea,    And   the  crown  and  the  pound  were 


Jlglfe^^^^^gilp^EgE 


baith     for      me.     He     had    na    been  gane  but  a    year  and     a      day,  When  my 


fa  -  ther     brak'    his       arm,      and     the    cow     was  stown      a  -  wa';  My 


i^Hpiiliil^^lS^i 


mi  -  ther     she      fell     sick,    and      my    Ja   -   mie       at        the        sea,  And 


m 


Th  C  ■  £=gEEE3EEE£ 


raid         Iio   -   bin       Gray        cam' 


:fcjz^-rgi 


court  -  ing  to         me. 


38 

My  father  couldna  work,  and  my  mither  couldna  spin ; 

I  toiled  baith  day  and  nicht,  but  their  bread  I  couldna  win ; 

Auld  Eob  maintained  them  baith,  and  wi'  tears  in  his  e'e, 

Said,  Jenny,  for  their  sakes,  0  marry  me ! 

My  heart  it  said  na,  for  I  look'd  for  Jamie  back ; 

But  the  wind  it  blew  high,  and  the  ship  it  was  a  wrack ; 

The  ship  it  was  a  wrack — why  didna  Jenny  dee  ? 

0  why  was  I  spared  to  cry,  Waes  me ! 

My  father  argued  sair ;  my  mither  didna  speak ; 
But  she  lookit  in  my  face  till  my  heart  was  like  to  break ; 
Sae  they  gied  him  my  hand,  though  my  heart  was  at  the  sea, 
And  auld  Robin  Gray  was  guidman  to  me. 

1  hadna  been  a  wife  a  week  but  only  four, 
When,  sitting  sae  mournfully  at  my  ain  door, 

I  saw  my  Jamie's  wraith,  for  I  couldna  think  it  he, 
Till  he  said,  I'm  come  hame,  love,  to  marry  thee. 

Oh,  sair  did  we  greet,  and  mickle  did  we  say ; 
We  took  but  ae  kiss,  and  we  tore  ourselves  away : 
I  wish  that  I  were  dead !  but  I'm  no  like  to  dee ; 
Oh  why  did  I  live  to  say,  Waes  me ! 
I  gang  like  a  ghaist,  and  I  downa  care  to  spin ; 
I  daurna  think  on  Jamie,  for  that  wad  be  a  sin ; 
So  I'll  e'en  do  my  best  a  guid  wife  to  be, 
For  auld  Robin  Gray  is  a  kind  man  to  me. 

The  old  air  ("The  Bridegroom  Grat,")  is  here  given  as  an  introduction  to  the  modern 
music  of  the  Rev.  Mr.  Leeves.    The  song  was  originally  written  for  the  former  air. 


LORD  RONALD. 


Ifj^^g^EEgj^^g^^^E; 


O  where  hae      ye      been,     Lord  Ron  -  aid     my    son  ?       0  where  hae     ye 


heen,      Lord  Ron  -  aid,     my     son  ?     I     hae  heen  wi'    my  sweetheart,   mothers 


make  my  hed  soon,    For  I'm  wea-ry    wi'    the  hunt -ing,   and    fain  would  lie  down. 


39 

What  got  ye  frae  your  sweetheart,  Lord  Ronald,  my  son  ? 
"What  got  ye  frae  your  sweetheart,  Lord  Ronald,  my  son  ? 
I  hae  got  deadly  poison,  mother,  make  my  bed  soon, 
For  life  is  a  burden  that  soon  I'll  lay  down. 


THE  PAIRTIN' 


Words  and  Music  by  A.  Hume. 


Ma  -  ry,    dear -est  maid,      I      leave  thee,  Hame,  an'  Men's,  an'  coun-try  dear. 


m^m^m^m 


Ok!  ne'er  let     our  pair  -  tin'  grieve  thee,  Hap-pier 


^^P^gp«fe^ 


See    yon   bark  sae  proud  -  ly  bound-ing,  Soon  shall  bear    me     o'er       the       sea; 


Hark!  the  trum-pet  loud  -  ly       sound  -  ing,   Calls  me    far    frae   love      an'  thee. 

Summer  flow'rs  shall  cease  to  blossom, 

Streams  run  backward  frae  the  sea ; 
Cauld  in  death  maun  be  this  bosom, 

Ere  it  cease  to  throb  for  thee. 
Fare  thee  weel — may  ev'ry  blessin' 

Shed  by  Heav'n  around  thee  fa' ; 
Ae  last  time  thy  lov'd  form  pressin' — 

Think  o'  me  when  far  awa\ 


Cheerfulness— and  Song.— If  you  would  keep  spring  in  your  hearts,  learn  to  sing._  There 
is  more  merit  in  melody  than  most  people  are  aware  of.  A  cobbler  who  smoothes  his  wax- 
ends  with  a  song,  will  do  as  much  work  in  a  day,  as  one  given  to  ill-nature  would  do  in  a 
week.  Songs  are  like  sunshine,  they  run  to  cheerfulness  to  fill  the  bosom  with  such  buoyancy 
that,  for  the  time  being,  you  feel  filled  with  June  air,  or  like  a  meadow  of  clover  in  blossom. 


40 


WHEN  THE  KYE  COMES  HAME. 


Hogg. 


■*■ *= • *" 

Come    all       ye       jol   -   ly        shep-herds      that  whis  -  tie  through  the  glen,    I'll 


^^W^T^^ 


tell     ye      of      a        se  -  cret    that  courtiers     din  -  na     ken.   What   is      the  great- 


g^^EEgg=gHEp^=^5EEJ^ 


est  Miss   that   the  tongue  o'    man   can  name  ?  Tis    to    woo      a      hon-nie      las  -  sie 


^^PH^H 


when  the  kye  comes  hame.  When  the  kye  comes  hame,  when  the  kye  comes  hame,  "Tween 


r^r^^^=r-i=j=^. 


B^£ 


S 


the      gloam  -  in'        and       the        mirk,     when       the  kye     comes    hame. 


'Tis  not  beneath  the  burgonet,  nor  yet  beneath  the  crown, 
'Tis  not  on  couch  of  velvet,  nor  yet  on  bed  of  down : 
'Tis  beneath  the  spreading  birch,  in  the  dell  without  a  name, 
Wi'  a  bonnie,  bonnie  lassie,  when  the  kye  comes  hame. 

Then  the  eye  shines  sae  bright,  the  haill  soul  to  beguile, 
There's  love  in  every  whisper,  and  joy  in  every  smile ; 
O  who  would  choose  a  crown,  wi'  its  perils  and  its  fame, 
And  miss  a  bonnie  lassie  when  the  kye  comes  hame. 

See  yonder  pawky  shepherd  that  lingers  on  the  hill — 
His  yowes  are  in  the  fauld,  and  his  lambs  are  lying  still ; 
Yet  he  downa  gang  to  rest,  for  his  heart  is  in  a  flame 
To  meet  his  bonnie  lassie  when  the  kye  comes  hame. 

Awa'  wi'  fame  and  fortune — what  comfort  can  they  gie? — 
And  a'  the  arts  that  prey  on  man's  life  and  libertie ! 
Gie  me  the  highest  joy  that  the  heart  o'  man  can  frame, 
My  bonnie,  bonnie  lassie,  when  the  kye  comes  hame. 


41 


BONNIE  DUNDEE. 


^^ammm 


:p — W- 


±=te 


*=r- 


^&s 


^ 


To   the  Lords  of  Conven-tion,  'twas  Claver-house  spoke,  Ere  the  King's  Crown  go 


lillpillliilllli 


down  there     are   crowns  to      he    broke.  Then      each    ca  -  va  -  lier      that    loves 


hon  -  our    and    me,  Let    him       fol  -  low     the     Don-nets     of        Bon  -  nie  Dun- 


dee. Come      fill      up     my     cup,  come       fill     up     my    can,  Come  sad  -  die    my 


^jgjp^g^liiEB=a=^ii^ 


hor  -  ses,    and    call    out    my   men ;    Un-hook  the  west    port,     and    let      us     gae 


free,  For       it's        up       wi'      the      bon  -  nets       of       Bon  -  nie    Dun- 


Dundee  he  is  mounted,  he  rides  up  the  street, 

The  bells  they  ring  backward,  the  drums  they  are  beat, 

But  the  provost  (douce  man)  said,  "Just  e'en  let  it  be, 
For  the  toun  is  weel  rid  o'  that  de'il  o'  Dundee." 
Come  fill  up  my  cup,  &c. 

There  are  hills  beyond  Pentland,  and  lands  beyond  Forth, 
,  If  there's  lords  in  the  south,  there  are  chiefs  in  the  north : 
There  are  brave  Duinnewassals  three  thousand  times  three, 
Will  cry  "  Hey  for  the  bonnets  of  Bonnie  Dundee." 
Come  fill  up  my  cup,  &c. 

Then  awa'  to  the  hills,  to  the  lea,  to  the  rocks, 

Ere  I  own  a  usurper  I'll  crouch  with  the  fox ; 
And  tremble  false  whigs  in  the  midst  o'  your  glee, 
Ye  hae  no  seen  the  last  o'  my  bonnets  and  me. 
Come  fill  up  my  cup,  &c. 
c2 


42 


IS  YOTJR  WAR-PIPE  ASLEEP,  M'CEIMMAN  % 

Words  by  G.  Allan.  Music  by  Peter  M'Leod. 

Is    your      war-pipe     a  -  sleep,  and    for        ev  -  er,     M'Crim-man?    Is    your 


war-pipe     a 


sleep   and     for     ev-er?        Shall  the   pib  -  roch  that  wel-com'd  the 


foe      to     Ben  -  aer,        Be  hush'd  when  we  seek  the  dark  wolf     in     his     lair,  To 

Tempo  ...  +t     With  animation. 


give  back  our  wrongs  to    the  giv-er?  To    the  raid    and    the  onslaught  our 

4- 


chief- tains    have  gone,  Like  the  course  of     the  fire-slaught  their  clansmen  pass'd 
-tt-rs -r— 1— !■!  I    ■    -1 r  i E=±£i P~3 


i;  With  the  lance  and  the  shield  'gainst  the  foe  they  have  bound  them,  And  have 


ta'en   to      the     field,  with  their     vas-sals       a-round  them.  Then  raise  your  wild 


slo  -  gan     cry !      on      to      the       for  -  ay !  Sons    of     the    hea  -  ther   hill, 


pinewood,    and     glen!     Shout     for      M'  -  Pher-son,     M'    -   Leod,  and    the 

Fine  2d  verse. 


Mor  -  ay,    Till    the       Lo-monds    re  -    ec  -  ho      the       chal-lenge  a  -  gain. 


43 


Slow,  with  expression. 
Youth  of     the    dar-ing    heart,  bright  be    thy  doom,   As    the    bod-ings  which 


light  up     thy      bold    spi  -  rit      now;  But    the     fate     of     M' -  Crim-man     is 


ing    in    gloom,  And  the     breath  of      the  grey  wraith  hath  pass'd  o'er  his 


brow;  Vic  -  tor  -  ious     in      joy  thou'lt  re  -  turn       to       Ben-aer,   And    be 

-fr-ft gl B— 


clasped  to     the  hearts  of      thy      best    be  -  lov'd  there ;  But  M'  -  Crimman,    M' 

Ritard. 


Crim-man,  M'  -Crim-man!  nev  -  er,  nev    -    er,         nev    -    er,     nev  -  er! 

Wilt  thou  shrink  from  the  doom  thou  canst  shun  not,  M'Crimman  ? 
Wilt  thou  shrink  from  the  doom  thou  canst  shun  not? 
If  thy  course  must  be  brief,  let  the  proud  Saxon  know- 
That  the  soul  of  M'Crimman  ne'er  quail' d  when  a  foe 
Bared  his  blade  in  the  land  he  had  won  not, 
Where  the  light-footed  roe  leaves 

The  wild  breeze  behind, 
And  the  red  heather  bloom  gives 

Its  sweets  to  the  wind, 
There  our  proud  pennon  flies, 

And  the  keen  steeds  are  prancing, 
'Mid  the  startling  war-cries, 

And  the  war- weapons  glancing. 
Then  raise  your  wild  slogan- cry !  on  to  the  foray ! 

Sons  of  the  heather  hill,  pinewood,  and  glen ! 
Shout  for  M'Pherson,  M'Leod,  and  the  Moray, 
Till  the  Lomonds  re-echo  the  challenge  again ! 


44 

EISE !  RISE !  LOWLAND  AND  HIGHLANDMEN ! 

Words  by  J.  Imlah.  Music  by  Peter  M'Leod. 


-fr \r 

Rise!  rise!        low-land    and  high-land-nien !    Bald    sire     to   beard-less    son, 


each  come,  and  ear  -  ly;  Rise!  rise!  mainland    and    is  -  land-men,  Belt     on  your 


broad  claymores— fight    for   Prince  Char  -  lie.      Down  from  the  mountain  steep- 
le  « a « . •_ 


Up  from    the    val  -  ley    deep—  Out    from   the   clach-an,    the       both  -  y,     and 


shiel  -  ing,      Bu  -  gle     and   bat  -  tie-drum,      Bid     chief    and     vas  -  sal    come, 


Loud  -  ly     our  bag-pipes   the    pib  -  roch  are    peal-ing!   Rise !  rise !  lowland     and 


high -land-men!  Bald  sire     to  beardless    son,  each  come,  and  ear  -  ly  ;  Rise!  rise! 


a-?— * 


^^=j-i^=s^i^^p^ 


main-land    and     is-landmen,  Belt  on  your  broad  claymores-fight  for  Prince  Charlie. 
#  


^ 


bl!pEI3I^=f 


Men     of     the  mountains!  de-scen-dants    of     he-roes!  Heirs  of  the  fame  and  the 

-fr-W— 1/  \. 1 


hills    of   your    fa-thcrs ;  Say  shall    the    Southron— the    Sas  -  sen-acli  fear  us, 


45 


* — i—A 


&E£ 


i^E 


When    to    the    war  -  peal  each    plaid  -  ed      clan     gath  -  ers !      Long    on     the 


!=eE=EEi=^ 


f=£S=i=l 


=fe 


i^@ 


trophied  walls       Of   your    an  -  ces  -  tral  halls,    Rust  hath  heen  blunting     the 


ar-mour  of  Al-hin ;  Seize,  then,  ye  mountain  Macs,  Buckler    and    hat  -  tie  -  axe, 

Chorus. 


Lads    of    Loch  -  a  -  her,  Brae-mar,    and  Brae- dal  -  bin  1  Base!  rise!  low-land    and 


hiffh- land-men!  Bald  sire    to  beard-less     son,  each  come,  and  ear  -  ly ;  Rise !  rise ! 


mainland  and    is-land-men,  Belt  on  your  broad  claymores— fight  for  Prince  Char-lie. 

When  hath  the  tartan  plaid  mantled  a  eoward  ? 
When  did  the  blue  bonnet  crest  the  disloyal? 
Up,  then,  and  crowd  to  the  standard  of  Stuart, 
Follow  your  leader — the  rightful — the  royal! 
Chief  of  Clanronald, 
And  Donald  Macdonald ! 
Come  Lovat !  Lochiel !  with  the  Grant  and  the  Gordon ! 
Rouse  every  kilted  clan, 
Rouse  every  loyal  man, 
Gun  on  the  shoulder,  and  thigh  the  good  sword  on ! 
Rise  !  rise !  lowland  and  highlandmen ! 

Bald  sire  to  beardless  son,  each  come,  and  early ; 
Rise !  rise !  mainland  and  islandmen, 

Belt  on  your  broad  claymores — fight  for  Prince  Charlie ! 

This  and  the  preceding  song  appear  by  the  kind  permission  of  Bcter  M'Leod,  Esq.,  from 
his  "  Original  Melodies." 


Words  by  Robert  L.  Malone. 


4G 


NAEBODY  KENS  YE. 


Music  by  Samuel  Barr. 


Are     ye      do  -  in'  ought  weel,  are    ye   thriv-in*,    my  man?  Be  thank -fu'     to 


For -tune    for        a*    that    she  sen's   ye;  Ye'll    hae  plen  -  ty      o'  fri  en's  aye     to 


mm^m0=m^ 


Sq^ &=£=:*: 


--H 


of  -  fer    their  han',  When  ye  need- na    their  coun - ten-anee,  a'      bo  -  dy    kens    ye. 


A'     bo  -  dy    kens    ye,         a'      bo  -  dy     kens    ye.  When   ye       need-na    their 


tide  tak's     a     turn,   An' 

SZ^a  tempo. 


3=* 


ipg^^=p=Hi^ 


to'     wi'     the    ebb  drift   the        fa-vours  she 

lento.  s^      a  tempo. 


lends   ye,  Cauld  friend-ship  will  then  leave   ye        lane  -  ly      to      mourn;  When  ye 


-> : K * t> -M * •"-' " • ■ 

need    a'   their  friendship,  then    nae  -  bo  -  dy    kens    ye,    Nae  -  bo  -  dy    kens    ye. 


Kae  -  bo  -  dy  kens  ye.  When  ye  need     a'    their  friendship,  then  nae  -  bo  -  dy  kens  ye. 

The  crony  wha  stuck  like  a  burr  to  your  side, 

An'  vowed  wi'  his  heart's  dearest  bluid  to  befriend  ye, 

A  five  guinea  note,  man,  will  part  ye  as  wide 
As  if  oceans  and  deserts  were  lyin'  between  ye. 
Naebody  kens  ye,  &c. 


47   ' 

It's  the  siller  that  does't  man,  the  siller,  the  siller, 

It's  the  siller  that  break's  ye,  an'  mak's  ye,  an'  men's  ye; 
When  your  pockets  are  toom,  an'  nae  wab  i'  the  loom, 
Then  tak'  ye  my  word  for't,  there's  naebody  kens  ye. 
Naebody  kens  ye,  &c. 
But  think  nae  I  mean  that  a'  mankind  are.sae, 

It's  the  butterfly  Men's  that  misfortune  should  fear  aye, 
There  are  friends  worth  the  name,  Guid  sen'  they  were  mae, 
Wha,  the  caulder  the  blast,  aye  the  closer  draw  near  ye. 
They  bodies  ken  ye,  &c. 
The  frien's  wha  can  tell  us  our  fau'ts  to  our  face, 
But  aye  frae  our  faes  in  our  absence  defen's  us, 
Leeze  me  on  sic  hearts !  o'  life's  pack  he's  the  ace, 
Wha  scorns  to  disown  us,  when  naebody  kens  us. 
They  bodies  ken  ye,  &c. 
The  music  of  this  song  appears  by  the  kind  permission  of  the  gifted  composer ;  and  the 
words  from  that  excellent  repository  of  modern  Scottish  songs,  "Whistle  Binkie,"  by  per- 
mission of  the  publisher. 


HERE'S  A  HEALTH  TO  SCOTIA'S  SHORE. 


Words  by  James  Little. 


Music  by  A.  Hume. 


With  energy. 


Sing  not    to    me    of    sun  -  ny  shores,  Of  verdant  climes  where  olives  bloom ;  Where 


still    and  calm  the    riv  -  er      pours  Its   flood  'mid  groves   of  sweet     per  -  fume. 


roar;  As   wild-ly  on  their  course  they  dash,  Then  here's  a  health  to  Scotia's 


short 


Sing  not  to  me  of  sunny  isles, 

Though  there  eternal  summers  reign ; 
Though  orange  groves  serenely  smile, 

And  gaudy  flow'rets  deck  the  plain. 
Give  me  the  land  of  mountains  steep, 

Where  wild  and  free  the  eagles  soar, 
The  dizzy  crags  where  tempests  sweep, 

Then  here's  a  health  to  Scotia's  shore. 


Sing  not  to  me  of  sunny  lands, 

For  there  full  often  tyrants  sway ;  [hands, 
Who  climb  to  power  with  blood-stained 

While  crouching,  trembling,  slaves  obey. 
Give  me  the  land  unconquered  still, 

Though  often  tried  in  days  of  yore ; 
Where  freedom  reigns  from  plain  to  hill, 
Then  here's  a  health  to  Scotia's  shore. 


Words  by  W.  Cameron, 
0 


43 


MELLOW  AND  MERRY  WE'RE  A'. 

Music  by  Mathew  Wilson. 


*=¥=\ 


*=£ 


S 


fc=s 


S 


:F^=t^ 


:^ 


ri=^=S^ztd 


0       mel-low  and  mer-ry  we're  a',    we're     a',        0      mel-low  and  merry  we're 


we're    a';  Then       fill     up     the  bowl,  and    let       each  mer  -  ry     soul,  Sing 


^^^^p^=^^^=j=E^ 


r± 


mel  -  low    and  mer  -  ry  we're     a',  we're    a' ;    Then   fill     up     the  bowl,  and     let 


each    mer  -  ry       soul,     Sing    mel  -  low    and  mer  -  ry   we're      a",      we're      a'. 
P        * . P -& — FT 


t£ 


i^^^S=p 


+—b- 


±±z 


The  sun   may  gang  hame  o'er   the  bleak  Ar  -  ran   hills,  While  her      ma  -  jes  -  ty 


J 

k 

^-^H 

■    "a"       f 

* 

'  I8* 

~ >~ 

^_^ :sz 

[s        K        l- 

% 

^— 

V 

V — t. 

/ 

— j — 

— 4        ■ 

-4        ' 

Ln  -  na    may   wane;    Fill,  fill     up     the    gob  -  let,  we'll  quaff  it    a -gain.    0 


Awa'  wi'  finesse  and  a'  finical  airs, 
A  truce  to  the  world  for  it  loads  us  wi'  cares  ; 
No  forgetting  our  hames,  our  dear  lasses  and  wives, 
To  friendship  devote  this  ae  night  o'  our  lives. 
For  sweet  is  the  cup  wi'  a  social  few, 
And  dear  to  our  heart  is  the  friend  that  is  true ; 
Then  friendship  and  truth  be  the  bond  of  each  soul, 
And  we'll  pledge  it  again  in  a  jovial  bowl. 
For  mellow,  &c. 


49 
MARY  SHAW. 


Music  by  William  Morris. 

>  


3=fat 


Si 


Words  by  William  Cameron. 
>    >    >    >  > 

-3: 


Mild    and    mo-dest     bon  -  nie     las  -  sie,  E'en    sae 


0'  love  an' 


^m^g 


i^jpjgp^ 


w^^^i 


love  thee,   Ma  -  ry     Shaw.   Kind's  the 


heart  that  heaves  thy       bo  -  som,  Pure   the      love  that  dwel-leth      there,  Fresh  and 


mmmmmmm^ 


sweet    as    Mayflowers'   bios- som,  Sweet,  yes   sweet,  as      A  -  pril     air.       Mild   and 


mo  -  dest   bon  -  nie        las  -  sie,    E'en   sae        fu'      o'    love     an'         a',     In  -  no- 


^mm^M 


?=a 


cent     and   sweet  young      las  -  sie,        0, 


love     thee,   Ma  -  ry       Shaw. 


Oft  I've  heard  the  songsters  wild, 

Warble  round  thy  father's  ha' ; 
Singing  gaily,  sweetly,  mild — 

Surely  'twas  for  Mary  Shaw. 
Pleas'd  I've  listened  to  their  chanting, 

'Mong  the  planes'  deep  foliage  green  : 
Mary,  there  was  something  wanting, 

Thou  wert  wanting,  lovely  queen. 
Mild,  &c 

Bowers  of  deepest  shades  are  many, 

Spreading  planes,  an'  birds,  an'  a' ; 
Lovers'  walks  as  sweet  as  ony, 

But  there's  no  a  Mary  Shaw. 
Meet  me  then,  my  soul's  dear  treasure, 

Meet  me  where  yon  streamlets  part ; 
Come,  sweet  source  of  a'  my  pleasure, 

Bless  a  faithfu'  lover's  heart. 

Mild,  &c. 


50 

OH,  WHY  DIDST  THOU  LEAVE  MET 

Words  by  W.  Cameron.  Music  by  Mathew  Wilson. 


The  woods  are    a'     joy  -ous,  while  spring  is      re  -  stor  -  ing     To  lawn   and    to 


-fr -* \T 

de  -  plor  -  ing     The    hour  that   took  Jam  -  ie       a  -  wa'    frae    his    Jean.    The 


hour  that  took  Jam  -  ie 


a'     frae      his     Jean.        Oh !    why  didst  thou 

I 

leave  me       in        sad  -  ness    and    sor  -  row  ?  The   pale  moon  now  beam-ing    o'er 


moun  -  tain  and    sea,  May         rise      in      its  brightness  and      beau  -  ty      tc 


mor  -  row,     It        brings  nae      my      ain     dear  -  est         Jam    -    ie  to 


It      brings   nae      my      ain     dear  -  est       Jam   -    ie         to        me. 


He  sleeps  in  the  dark  and  the  deep  caves  of  ocean, 

The  wild  roaring  tempest  disturbs  him  no  more ; 
But  oh  !  what  can  soothe,  now,  my  heart's  deep  emotion, 

While  weeping  and  hopeless  I  gaze  on  the  shore. 
Then  why  didst  thou  leave  me !  ah  !  why  thus  for  ever? 

Hid  far  frae  thy  Jean  in  the  depths  of  the  sea ; 
0,  Heaven  be  with  me !  the  billows  will  never 

Eestore  rnv  dear  Jamie  to  life  and  to  me  ! 


51 
LADDIE,  OH!  LEAVE  ME. 


Words  by  J.  M'Gregor. 


Slcnv,  with  tender  expression. 


Down  whar  the    bur-nie  rins  wim-plin'  and      chee   -  rie,  When  lore's  star  was 


Lad -die,      oh!  leave  me,       leave      me,       leave      me,    Lad -die,      oh  Heave  me. 


"  I've  lo'ed  thee  owre  truly  to  seek  a  new  dearie — 
I've  lo'ed  thee  owre  fondly  through  life  e'er  to  weary— 
I've  lo'ed  thee  owre  lang,  love,  at  last  to  deceive  thee — 
Look  cauldly  or  kindly,  but  bid  me  not  leave  thee.' ' 
Leave  thee,  leave  thee,  &c. 

"  There's  nae  ither  saft  e'e  that  fills  me  wi'  pleasure— 
There's  nae  ither  rose-lip  has  half  o'  its  treasure — 
There's  nae  ither  bower,  love,  shall  ever  receive  me, 
Till  death  breaks  this  fond  heart,  oh !  then  I  maun  leave  thee.' 
Leave  thee,  leave  thee,  &c. 


The  tears  o'er  her  cheeks  ran  like  dew  frae  red  roses — 
What  hope  to  the  lover  one  tear-drop  discloses, 
I  kissed  them,  and  blest  her,  at  last  to  relieve  me, 
She  yielded  her  hand,  and  sighed,  "  Oh !  never  leave  me." 
Leave  me,  leave  me,  &c. 


62 


HAIL  TO  THE  CHIEF. 

Words  by  Sir  Walter  Scott,  from  the  "  Lady  of  the  Lake." 


glan  -  ces,      Flour -ish,   the    shel-ter     and  grace  of      our   line!  Heav'n  send  it 


hap  -  py    dew,    Earth  lend     it      sap      a  -  new,      Gai  -  ly       to   bour- 


broad-ly      to  grow ;  While  ev'  -  ry   high-land   glen  Sends  our  shout  back     a  -  gain, 


^3=^£=j=g^lE=g 


=* 


Eode-rich    Vich     Al  -  pine      dhu,     ho! 


* 3r-J 

roe!      Rode  -  rich!  Rode  -  rich ! 


m 


Rode -rich!  Rode- rich  1    Rode-mh    Vich     Al  -  pine      dhu,     ho!      ie  -   roe! 

Ours  is  no  sapling  chance-sown  by  the  fountain, 

Blooming  at  Beltane,  in  winter  to  fade ; 
"When  the  whirlwind  has  stript  ev'ry  leaf  on  the  mountain, 
The  more  shall  Clan  Alpine  exult  in  her  shade. 
Moor'd  in  the  rifted  rock, 
Proof  to  the  tempest  shock ; 
Firmer  he  roots  him  the  ruder  it  blows ; 
Monteith  and  Breadalbin,  then, 
Echo  his  praise  again, 

Roderich  Vich  Alpine  dhu,  &c. 

Bow,  vassals,  row,  for  the  pride  of  the  Highlands ! 

Stretch  to  your  oars  for  the  ever  green  pine ! 
O  !  that  the  rosebud  that  graces  yon  islands 

Were  wreath' d  in  a  garland  around  him  to  twine! 


53 


0  that  some  seedling  gem, 
Worthy  such  noble  stem, 
Honour'd  and  bless'd  in  their  shadow  might  grow. 
Loud  should  Clan  Alpine,  then, 
King  from  her  deepmost  glen, 
Eoderich  Vich  Alpine  dhu,  &c. 


Words  by  W.  Cameron. 


BONNIE  ANNIE. 


Music  by  J.  A.  May. 


fgfppEgsgj 


ig—j-^Jl 


Nae  flow'-ry  braes  in    na-tare's  pride,  Spread  round  my       bon    -    nie    Annie's 

/7\  ad  lib. 


ggpg 


ms^m 


-& — Q — V — *~     ' "~ * — r 

hame ;  Nae  ba  -  zel  dells  by    bur-nie's      side,  To    sing    wi'   my    dear  An-nie's  name 


jjgfSgg^fep^g^sfe 


But    An -nie    is     a  bonnie  lass,  The  bonniest   lass  that  e'er    I     saw;  0     An -nie 


is    the   kind  -  est  lass,  And 


dear  -  est     to     my      heart  of     a'. 


She  has  twa  een  sae  bonnie  blue, 

Sae  bonnie  blue,  sae  clear  and  bright  j 

They're  like  twa  shining  draps  o'  dew, 
Or  like  twa  beaming  stars  o'  night. 
O  Annie  is  a  bonnie  lass,  &c. 


Her  sweet  wee  mou' — a  bonnie  mou', 
Sae  temptin', — O  I  would  be  fain 

To  steal  frae  her  a  kiss  I  trow, 
And  fondly  wish  her  a'  my  ain. 
For  Annie  is  a  bonnie  lass,  &c. 


Aye  when  I  sleep,  and  when  I  wake, 
My  thoughts  are  like  the  troubled  sea- 

And  O,  I  fear,  my  heart  will  break, 
If  Annie  love,  but  love  nae  me. 
For  Annie  is  a  bonnie  lass,  &c. 


54 
JOHN  GETJMLIE. 


Lively. 


John  Granule  swore  by    the  light     o'      the  moon,  And  the  green  leaves  on    the 


tree,      That       he   could   do   more     work    in       a     day,  Than  his       wife  could 


do        in       three.         His     wife   rose    up      in     the      mom-ing    Wi'   caves  and 


trou-bles       e      -      now ;       John    Grum  -  lie    hide    at      harae,  John,  And  I'll     go 


haud  the   plow.  Sing-ing     fal    de    lal    lal    de     ral     lal,     fal     lal      lal     lal    lal 


la.       John  Gram -lie   hide     at  hame,  John,  And  I'll     go     haud     the      plow. 


"  First  ye  maun  dress  your  children  fair, 

And  put  them  a'  in  their  gear ; 
And  ye  maun  turn  the  malt,  John, 

Or  else  ye'll  spoil  the  beer. 
And  ye  maun  reel  the  tweel,  John, 

That  I  span  yesterday ; 
And  ye  maun  ca'  in  the  hens,  John, 

Else  they'll  a'  lay  away." 
Singing,  fal  de  lal  lal,  &c. 

O  he- did  dress  his  children  fair, 

And  he  put  them  a'  in  their  gear ; 
But  he  forgot  to  turn  the  malt, 

And  so  he  spoiled  the  beer. 
And  he  sang  aloud  as  he  reel'd  the  tweel 

That  his  wife  span  yesterday ; 
But  he  forgot  to  put  up  the  hens, 

And  the  hens  a'  lay'd  away. 
Singing,  fal  de  lal  lal,  &c. 


The  hawket  crummie  loot  down  nae  milk ; 

He  kirned,  nor  butter  gat ; 
And  a'  gaed  rang,  and  nought  gaed  right ; 

He  danced  with  rage,  and  grat. 
Then  up  he  ran  to  the  head  o'  the  knowe, 

Wi'  mony  a  wave  and  shout — 
She  heard  him  as  she  heard  him  not, 

And  steered  the  stots  about. 
Singing,  fal  de  lal  lal,  &c. 

John  Grumlie's  wife  cam  hame  at  e'en, 

And  laugh'd  as  she'd  been  mad, 
When  she  saw  the  house  in  siccan  a  plight, 

And  John  sae  glum  and  sad. 
Quoth  he,  "I  gie  up  my  housewifeskep, 

I'll  be  nae  mair  gudewife." 
"  Indeed,"  quo'  she,  "  I'm  weel  content, 

Ye  may  keep  it  the  rest  o'  your  life." 
Singing,  fal  de  lal  lal,  &c. 


55 

"  The  deil  be  in  that,"  quo'  surly  John,    "  Stop,  stop,  gudewife,  I'll  haud  my  tongue, 
"  I'll  do  as  I've  dune  before."  I  ken  I'm  sair  to  blame, 

Wi'thatthegudewifetookupastootrung,   But  henceforth  I  maun  mind  the  plow, 
And  John  made  off  to  the  door.  And  ye  maun  bide  at  hame." 

Singing,  fal  de  lal  lal,  &c. 


HURRAH!  FOR  THE  THISTLE. 


"Words  by  Alexander  Maclagan. 

With  spirit,    g 


Music  by  John  TurnbulL 


Oar-  rah!  for     the   this  -  tie,    the    bon  -  nie  Scotch  this  -  tie,    The      e-vergreen 

351 


this -tie      of       Scot -land      for      me;      A    -    wa'     wi'     the  flow'rs  in     your 


la  -  dy-  built  bow'rs,  The  strong-bearded,  weel-guar  -  ded       this  -  tie     for     me. 


Tis     the  flow'r     the  proud  ea  -  gle   greets  in     his  flight,  When  he   sha-dows  the 


is       it   blows,    For    the  great -er     the  tem-pest    the  green -er       it  grows. 

•#   D.C. 

Round  the  love-lichted  hames  o'  our  ain  native  land — 
On  the  bonneted  brow,  on  the  hilt  of  the  brand, 
On  the  face  of  the  shield,  'mid  the  shouts  of  the  free, 
May  the  thistle  be  seen  where  the  thistle  should  be ! 
Hurrah !  for  the  thistle,  &c. 

Hale  hearts  hae  we  yet  to  bleed  in  its  cause ; 
Bold  harps  hae  we  yet  to  sound  its  applause ; 
How  then  can  it  fade,  when  sic  chiels  an'  sic  cheer, 
And  sae  mony  braw  sprouts  o'  the  thistle  are  here  ? 

Then  hurrah !  for  the  thistle,  &c. 


50 


DTJNOIS  THE  BRAVE,  or  PARTANT  POTTR  IA  SYRIE. 

The  Words  translated  from  the  French  hy  Sir  Walter  Scott;  the  Music  by 

Hortense  Beauhamais,  ex-Queen  of  Holland,  and  mother  of 

the  present  Emperor  of  the  French. 


e^Efe^ 


±q- 


+=*-+■ 


:rf:i— 


It     was   Dun-ois     the  young  and  brave,  Was  bound  for     Pa-les-tine,     But 


PP 


may   prove    the  brav  -  est  knight,  And  love   the         fair    -   est     fair.      That 


GE^gE^ES^^l 


I     may   prove   the       brav  -  est  knight,  And    love    the     fair   -   est 


His  oath  of  honour  on  the  shrine, 

He  grav'd  it  with  his  sword ; 
And  follow'd  to  the  Holy  Land 

The  banner  of  his  Lord. 
Where  faithful  to  his  noble  vow, 

His  war-cry  filled  the  air ; 
"  Be  honour'd  aye  the  bravest  knight, 

Be  lov'd  the  fairest  fair ! " 


They  owed  the  conquest  to  his  arm, 

And  then  his  liege  lord  said, 
The  heart  that  has  for  honour  beat, 

By  bliss  must  be  repaid. 
My  daughter  Isabel,  and  thou, 

Shall  be  a  wedded  pair, 
For  thou  art  bravest  of  the  brave, 

She  fairest  of  the  fair. 


And  then  they  bound  the  holy  knot, 

Before  Saint  Mary's  shrine, 
That  makes  a  paradise  on  earth, 

If  hearts  and  hands  combine. 
And  every  lord  and  lady  bright, 

That  were  in  chapel  there, 
Cried  "  Honour'd  be  the  bravest  knight, 

Be  loved  the  fairest  fair." 

Note.— Sir  Walter  Scott  says  that  "  the  original  made  part  of  a  MS.  collection  of  French  songs 
found  on  the  field  of  Waterloo,  so  much  stained  with  clay  and  blood  as  sufficiently  to  indicate 
the  fate  of  its  owner."    This  is  at  present  the  French  national  air. 


57 
KIND  ROBIN  LO'ES  ME. 


-rs-1-TT 


i^ppi^Ej^^^ 


^ 


Ro-bin     is   my  on    -    ]y     jo,      For         Ro  -  bin     has    the        art  to 


s^pg^^^^^i^i 


lo'e,    So         to       his  suit      I        mean     to       how,    Be  -  cause      I      ken      he 


gug^^gg^^H^^ 


lo'es     me.     Hap  -  py,       hap  -  py    was       the  show'r,  That   led     me       to       his 


hirken  how'r,  Where  first  of  love  I     fand  the  pow'r,  And  kenn'd  that  Robin  lo'ed  me. 


They  speak  of  napkins,  speak  of  rings, 
Speak  of  gloves  and  kissing  strings, 
And  name  a  thousand  bonnie  things, 

And  ca'  them  signs  he  lo'es  me. 
But  I'd  prefer  a  smack  o'  Eob, 
Sporting  on  the  velvet  fog, 
To  gifts  as  lang's  a  plaiden  wab, 

Because  I  ken  he  lo'es  me. 


But  little  kens  she  what  has  been 
Me  and  my  honest  Rob  between, 
And  in  his  wooing,  O  so  keen 

Kind  Robin  is  that  lo'es  me. 
Then  fly,  ye  lazy  hours,  away, 
And  hasten  on  the  happy  day,  [say, 

When  "Join  your  hands,"  Mess  John  shall 

And  mak'  him  mine  that  lo'es  me. 


He's  tall  and  sonsy,  frank  and  free, 
Lo'ed  by  a',  and  dear  to  me; 
Wi'  him  I'd  live,  wi'  him  I'd  dee, 

Because  my  Robin  lo'es  me ! 
My  sister  Mary  said  to  me, 
Our  courtship  but  a  joke  wad  be, 
And  I,  or  lang,  be  made  to  see 

That  Robin  cliclna  lo'e  me. 


Till  then  let  every  chance  unite, 
To  weigh  our  love,  and  fix  delight, 
And  I'll  look  down  on  such  wi'  spite, 

Wha  doubt  that  Robin  lo'es  me. 
0  hey,  Robin,  quo'  she, 
O  hey,  Robin,  quo'  she, 
0  hey,  Robin,  quo'  she, 

Kind  Robin  lo'es  me. 


58 

DUET— TWILIGHT  O'ER  THE  VALE. 

Composed  by  A.  Hume. 


EZETTM 


>/     Twi-light  o'er    the   vale     is    steal  -  ing,  Watchful   stars  their    sta-tions      take ! 


Hark!         the    vil-lage  hells  are  peal-ing  O'er  the  calm   un  -  ruf  -  fled  lake.  O'er  the 


^^^^^^^S 


calm,  unruffled        lake.  "With  stea-cly      oar    We  leave  the  shore,  And  o'er  the 

p 


ly      at  '   e  -  veil  -  tide,      Mer  -  ri  -  ly,    mer  -  ri  -  ly,    mer  -  ri   -   ly,     mer- 


59 


Now  with  joyous  hearts  returning, 
Ev'ning  shades  again  appear ; 


See  the  lamp  of  night  is  burning, 
Mirror' d  on  the  waters  clear. 
With  steady  oar,  &c. 


MY  MITHER'S  AYE  GLOW'EIN'  OWRE  ME. 


My       mither's      aye  glow'rin'      owre     me,  Though    she    did     the  same    be- 
L_£_. 


fore   me ;    I    can  -  na     get    leave     To     look    at     my     love,     Or_  else  she'd   be 


like     to      d*   -  vour     me.    Right     fain  wad      I      tak'  your         of  -   fer,    Sweet 


hut      I'll       tine        my      toch  -  er;     Then      San  -  dy   you'll   fret,    And 


wyte  your    poor    Kate,  When  -  e'er  you     look     in      your    toom       cof  -  fer. 

For  though  my  father  has  plenty  Tutor  my  parents  wi]  caution ; 

Of  silver  and  plenishing  dainty,  Be  wylie  in  ilka  motion ; 

Yet  he's  unco  sweir  Brag  weel  o'  your  land, 

To  twine  wi'  his  gear ;  And  there's  my  leal  hand, 

And  sae  we  had  need  to  be  tenty.  Win  them,  I'll  be  at  your  devotion. 

My  mither's,  &c  My  mither's,  &c. 


BESS  THE  GAWKIE. 


Bly  the  young  Bess      to      Jean     did  say,  Will    ye       gang     to     yon 


g^^^g=g=3=Jlg^=sfeEgpg 


sun  -  ny    brae,  Where  flocks  do    feed,    and  shep-  herds    stray,         And  sport    a- 

:zj==jg 


m^=mmm=m=m 


while    wi'     Jam  -  ie.  Na,      na,     dear    lass,     we'll  no      gang  there,       Nor 


yet       o'      Jam  -  ie         hae         a  care,   We'll      tak'         a       walk 


ith     -     er       where,       For        he's       taen        up  wi'  Mag  -   gie. 


For  hark,  and  I  will  tell  you,  lass, 
Did  I  not  see  your  Jamie  pass, 
Wi'  muckle  blytheness  in  his  face, 
Gaun  owre  the  muir  to  Maggie. 
I  wat  he  gae  her  mony  a  kiss, 
And  Maggie  took  them  no  amiss ; 
'Tween  ilka  smack  pleased  her  wi'  this, 
That  Bess  was  but  a  gawkie. 


O  Jamie,  ye  hae  mony  taen, 
But  I  will  never  stand  for  ane 
Or  twa,  when  we  do  meet  again, 
Sae  ne'er  think  me  a  gawkie. 
Ah,  na,  na,  lass,  that  canna  be, 
Sic  thochts  as  these  are  far  frae  me, 
Or  ony  thy  sweet  face  that  see, 
Ere  to  think  thee  a  gawkie. 


For  when  a  civil  kiss  I  seek,         [cheek,  But  whisht,  nae  mair  o'  this  we'll  speak, 
She    turns   her  head,   and   thraws    her  For  yonder  Jamie  does  us  meet, 


And  for  an  hour  she'll  scarcely  speak, 
Wha'd  not  ca'  her  a  gawkie? 
But  sure  my  Maggie  has  mair  sense, 
She'd  gie  a  score  without  offence, 
Sae  gie  me  ane  into  the  mends, 
And  ye  sail  be  my  dawtie. 


Instead  of  Meg  he  kiss'd  sae  sweet, 
I  trow  he  likes  the  gawkie. 

0  dear,  young  Bessie,  is  this  you? 

1  scarcely  kenn'd  your  gown  sae  new, 
I  think  you've  got  it  wat  wi'  dew, 
Says  Bess,  "That's  like  a  gawkie. 


61 


"  It's  wat  wi'  dew,  and  will  get  rain, 
And  I'll  get  gowns  when  it  is  gane, 
Sae  ye  may  gang  the  gate  ye  came, 
And  tell  it  to  your  dawtie." 
The  guilt  appeared  on  Jamie's  cheek, 
He  cried,  "O  cruel  maid,  but  sweet, 
If  I  should  gang  anither  gate, 
I  ne'er  could  meet  my  dawtie." 


The  lasses  fast  frae  him  they  flew, 
And  left  puir  Jamie  sair  to  rue, 
That  ever  Maggie's  face  he  knew, 
Or  yet  ca'd  Bess  a  gawkie. 
As  they  gaed  owre  the  muir  they  sang, 
Till  hills  and  dales  wi'  echoes  rang, 
And  Jamie  heard  it  wi'  a  pang, 
"  Gang  owre  the  muir  to  Maggie." 


THERE  WAS  A  LAD  WAS  BORN  IN  KYLE. 


E^^^diip 


— tf — ' — sJ a «:? — "        -       ^» •       ■  «*^ 

There     was     a       lad     was       born   in     Kyle,    But      what-na      day,       o 


what-na     style,    I      doubt    it's     hard  -  ly    worth   the     while     To       be       sae 


wi'        Eo    -    bin.     For     Ro  -  bin      was         a  rov    -    in'      boy,      A 


piiiigiiiiiiiiii 


rov    -     in 


boy;         0 


an  -  tin ,       rov    -    in* 


Our  monarch's  hindmost  year  but  ane 
Was  five-and-twenty  days  begun, 
'Twas  then  a  blast  o'  Janwar'  win' 
Blew  hansel  in  on  Robin. 

For  Robin  was  a  rovin'  boy,  &c. 

The  gossip  keekit  in  his  loof, 
Quo'  scho,  wha  lives  will  see  the  proof, 
This  waly  boy  will  be  nae  coof, 
I  think  we'll  ca'  him  Robin. 
For  Robin  was  a  rovin'  boy,  &c. 


He'll  hae  misfortunes  great  and  sma', 
But  aye  a  heart  aboon  them  a'; 
He'll  be  a  credit  till  us  a', 
We'll  a'  be  proud  o'  Robin. 

For  Robin  was  a  rovin'  boy,  &c. 

But  sure  as  three  times  three  mak'  nine, 
I  see  by  ilka  score  and  line, 
This  chap  will  dearly  like  our  kin', 
So  leeze  me  on  thee,  Robin. 

For  Robin  was  a  rovin'  boy,  &c 


62 

WITHIN  A  MILE  OF  EDINBXJKGH  TOWN. 

Music  by  Mr.  James  Hook. 


Twas  with -in         a       mile     of      E  -  din  -  bu  -  rgh  town,  In     the     ro   -   sy 


time      of      the     year;       Sweet  flow  -  ers   bloom'd  and  the  grass   was   down,  And 


each  shepherd  woo'd    his   dear.     Bonnie  Jockie,  blythe  and  gay,  Kiss'd  young  Jenny 


mak  -  ing   hay;  The    las  -  sie  blush'd,  and  frowning  cried,  "  Na,  na,       it     win  -  na 

^         J*     P  expressive 


I      can  -  na,     can-na,    win-na,    win  -  na,     maun-na     buckle        to. 


Young  Jockie  was  a  wag  that  never  wad  wed, 

Though  lang  he  had  followed  the  lass ; 
Contented  she  earn'd  and  ate  her  brown  bread, 
And  merrily  turned  up  the  grass, 
Bonnie  Jockie,  blythe  and  free, 
Won  her  heart  right  merrily : 
Yet  still  she  blushed,  and  frowning  cried,  "Na,  na,  it  winna  do ; 
I  canna,  canna,  winna,  winna,  maunna  buckle  to." 

But  when  h,e  vow'd  he  wad  make  her  his  bride, 

Though  his  flocks  and  herds  were  not  few, 
She  gie'd  him  her  hand  and  a  kiss  beside, 
And  vow'd  she'd  for  ever  be  true. 
Bonnie  Jockie,  blythe  and  free, 
Won  her  heart  right  merrily  : 
At  kirk  she  no  more  frowning  cried,  "Na,  na,  it  winna  do; 
I  canna,  canna,  winna,  winna,  maunna  buckle  to." 


63 

THERE  LIVES  A  YOUNG  LASSIE  FAR  DOWN  IN  YON  GLEN. 
Words  by  John  Imlali.  Music  by  Joseph  de  Pinna. 


There    lives     a   young  las  -  sie      far  down    in     yon  glen ;  And     I      lo'e  that 


faith -fu'     I'll      be;      For   weel     I      lo'e    Ma-ry,    and    Ma  -  ry      lo'es     me. 


white    as     the    gow  -  an,    her  breast  and      her    brow ;       Wi'    the    foot     of      a 


-|7 f 

fai  -  ry,     she     links  o'er     the      lea. 

tempo, 


weel     I      lo'e    Ma  -  ry,     and 


Ma-ry    lo'es  me.  There  lives   a  young  las  -  sie    far      down    in     yon  glen;  And 


For  weel  I     lo'e  Ma-ry, 


ry,  but  faith-fu"  I'll 

She  sings  sweet  as  ony  wee  bird  of  the  air, 
And  she's  blithe  as  she's  bonnie,  she's  guid  as  sha's  fair 
Like  a  lammie  as  airy  and  artless  as  she, 
0  !  weel  I  lo'e  Mary,  and  Mary  lo'es  me. 
There  lives  a  young  lassie,  &c. 


ry     lo'es    me. 


64 
MUIRLAND  WILLIE. 


mt&^^^m 


^p^^ 


0  hearken  and    I    will    tell  you  how  Young  Muirland  Wil  -  lie    cam'  here      to 


Sqbfifc^fc 


l^p3 


:3=3* 


£z-££ 


& 


ifrc 


S 


woo,  Tho'  he  could  nei  -  ther  say     nor   do;  The  truth     I      tell       to 


But    aye   he  cries,  whate'er  betide,      Mag-gie  I'se  hae 


he       my  bride,  With  a 


fal   da    ra,  fal     lal      da      ra     la,      fal     lal      da     ra      lal     da     ral        la. 


On  his  gray  yade  as  he  did  ride, 
Wi'  dirk  and  pistol  by  his  side, 
He  prick'd  her  on  wi'  meikle  pride, 

Wi'  meikle  mirth  and  glee, 
Out  o'er  yon  moss,  out  o'er  yon  muir, 
Till  he  cam'  to  her  daddie's  door, 

With  a  fal  da  ra,  &c. 


The  maid  put  on  her  kirtle  brown ; 
She  was  the  brawest  in  a'  the  town, 
I  wat  on  him  she  didna  gloom, 

But  blinkit  bonnilie. 
The  lover  he  stended  up  in  haste, 
And  gript  her  hard  about  the  waist, 

With  a  fal  da  ra,  &c. 


Gudeman,  quoth  he,  be  ye  within?  The  maiden  blush' d  and  bing'd  fu'  law, 

I'm  come  your  dochter's  love  to  win,  She  hadna  will  to  say  him  na, 

I  carena  for  making  meikle  din ;  But  to  her  daddie  she  left  it  a', 

What  answer  gi'e  ye  me  ?  As  they  twa  could  agree. 

Now  wooer,  quoth  he,  would  ye  light  down,  The  lover  gi'ed  her  the  tithcr  kiss, 

I'll  gi'e  ye  my  dochter's  love  to  win,  Syne  ran  to  her  daddie,  and  telTd  him  this, 

With  a  fal  da  ra,  &c.  With  a  fal  da  ra,  &c. 


Now,  wooer,  sin'  ye  are  lighted  down, 
Where  do  ye  won,  or  in  what  town  ? 
I  think  my  dochter  winna  gloom, 

On  sic  a  lad  as  ye. 
The  wooer  he  stepp'd  up  the  house, 
And  wow  but  he  was  wond'rous  crouse, 

With  a  fal  da  ra,  &c. 


The  bridal  day  it  came  to  pass, 

Wi'  mony  a  blithesome  lad  and  lass ; 

But  siccan  a  day  there  never  was, 

Sic  mirth  was  never  seen. 
This  winsome  couple  straked  hands, 
Mess  John  ty'd  up  the  marriage  bands, 

With  a"  fal  da  ra,  &c. 


05 

BONNIE  WOOD  OF  CRAIGIELEE. 

Words  by  Tannahill.  Music  by  James  Barr. 

JUoJeratt. 


The  broom,  the  brier,  the  birken  bush,  Bloom  bonnie  o'er  thy  flow'-ry      lea;  And 


a'      the  sweets  that  ane   can  wish,  Frae   na  -  ture's  hand   are  strewed  on     thee. 


Thou  bon  -  nic  wood  of  Craig-  ie  -  lcc,  Thou  bon-nle  wood    of  Craig-ie  -  lee,  Near 


thee  I've  spent  life's  ear  -  ly     day,  And     won   my    Ma-ry's    heart       in      thee. 


Far  ben  thy  dark  green  plan  tin's  shade, 
The  cushat  croodles  am'rously ; 

The  mavis  down  thy  bughted  glade, 
Gars  echo  ring  frae  ev'ry  tree. 

Thou  bonnie  wood,  &c. 

Awa'  ye  thoughtless  murd'ring  gang, 
Wha  tear  the  nestlings  ere  they  flee ; 

They'll  sing  you  yet  a  canty  sang, 
Then,  O,  in  pity,  let  them  be! 

Thou  bonnie  wood,  &c. 

When  winter  blaws  in  sleety  show'rs, 
Frae  aft"  the  norlan'  hills  sae  hie, 

He  lightly  skiffs  thy  bonnie  bow'rs, 
As  laith  to  harm  a  flow'r  in  thee. 
Thou  bonnie  wood,  &c. 

Though  fate  should  drag  me  south  the  line, 

Or  o'er  the  wide  Atlantic  sea, 
The  happy  hours  I'll  ever  min', 

That  I  in  youth  hae  spent  in  thee. 
Thou  bonnie  wood,  &c. 


GG 


A  GTJID  NEW  YEAR  TO  ANE  AN'  A', 

Words  by  P.  Livingstone.  SONG  AND  CHORUS.  Composed  by  A.  Hume, 


Lively. 

K|    *= 

n-  ■   r 

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pcit 

±=±±S^= 

iy 

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..        .J    ,  j,         , .  ,         u 

— H-J^ejL 

:£_*_. 

an'      a',    An'  mon-y     may    ye    see;       An' 


dur  -  ing     a'     the      years     to     come,    0        hap  -  py    may    ye        he.     An* 


A    guid  New  Year    to    ane      an'       a',     An'    mon  -  y     may    ye    see ;       Anr 


^^^^^^^^^^^^^^f 


A    guid  New  Year    to    ane      an'       a',     An'    mon  -  y     may    ye    see;       AnT 


A    guid  New  Year    to    ane      an'       a',     An'    mon  -  y     may    ye    see ;       An" 


dur -ing     a'     the      years       to     come    0  hap -py    may     ye         he. 


C7 


0  time  flies  fast,  he  winna  wait, 

My  friend,  for  you  or  me  ; 
He  works  his  wonders  day  by  day. 

And  onward  still  doth  flee. 
O  wha  can  tell  when  ilka  ane, 

I  see  sae  happy  here, 
Will  meet  again  an'  merry  be, 

Anither  guid  New  Year  ? 
A  guid  New  Year,  &c. 


We  twa  hae  baith  been  happy  lang, 

We  ran  about  the  braes  ; 
In  yon  wee  cot  beneath  the  tree, 

We  spent  our  early  days. 
We  ran  about  the  burnie's  side, 

The  spot  will  aye  be  dear ; 
An'  those  that  used  to  meet  us  there 

We'll  think  on  mony  a  year. 
A  guid  New  Year,  &c. 


Now  let  us  hope  our  years  may  be, 

As  gnid  as  they  hae  been ; 
And  trust  we  ne'er  again  may  see 

The  sorrows  we  hae  seen. 
And  let  us  wish  that  ane  an'  a', 

Our  friends  baith  far  an'  near, 
May  aye  enjoy"  in  times  to  come 

A  hearty  guid  New  Year. 
A  guid  New  Year,  &c. 


Words  by  Burns. 

Lively. 


BATTLIN',  EOAKIN'  WILLIE. 


0     rat- tlin',  roar -in*  Wil-lie,    0      he  held    to     the  fair,  An'    for      to       sell 


his     fid-die    And  buy  some     i  -  ther   ware ;  But  part  -  ing     wi»    his  fid -die,  The 


saut  tear  blin't  his  e'e ;  And  rat  -  tlin',  roar-in'  Wil-lie,  Ye're  welcome  hame   to  me. 


0,  Willie,  come  sell  your  fiddle, 

O,  sell  your  fiddle  sae  fine  ; 
0,  Willie,  come  sell  your  fiddle, 

And  buy  a  pint  o'  wine. 
If  I  should  sell  my  fiddle, 

The  warl'  would  think  I  was  mad, 
For  mony  a  rantin'  day 

My  fiddle  and  I  hae  had. 


As  I  cam'  by  Crochallan 

I  cannily  keekit  ben, 
Eattlin',  roarin'  Willie 

Was  sittin'  at  yon  boord-en'- 
Sittin'  at  yon  boord-en', 

And  amang  guid  companie ; 
Eattlin',  roarin'  Willie, 

Ye're  welcome  hame  to  me. 


Con  Sfirilo 


68 

THE  FLAG  OF  BEITANNIA. 

Words  and  Music  by  John  Henderson. 


pq^R=^g=lfHH-f-£ 


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±=*z 


The       flag    of      Bri -tan -nia,    the      pride   of      the   free,  Tri  -  um-phant    it 
float-eth      o'er       land     and     o'er      sea ;     And    proud  -  ly        it     brav  -  eth     the 


bat  -  tie     or     blast,  For  -when       tat-tered     by    shot  it       is      nailed   to 


is        by       dis   -   hon-our's  foul     spot,  While     o  -  thers     are      sul  -  lied 


has    not 


blot ;  The    cham  -  pion      of       free  -  dom,     it 

•7\ 


waves,  And    wher  -  ev  -  er     'tis    hois  -  ted  makes    free  -  men     of  slaves.  For 


Ei:=(^BF- 


nv= 


m^^^^ 


flag     of     Bri  -  tan  -  nia,  the  flag     of     the  brave,   Is 


stan-dard  that 


-?— rar— : 


■M-=^=zl=^=z^ 


1^1 


nev  -  er       can      float  o'er      a    slave;  And    proud  -  ly 


it      brav  -  eth 


the 


mast.  When      tat  -  tcred     by 


nailed     to       the    mast. 


G9 


How  the  heart  of  each  Briton  does  beat  when  on  high 
The  flag  of  Britannia  unfurls  to  the  sky ; 
And  gloriously  braveth  the  battlefield's  sbock, 
As  the  waves  vainly  dash  on  the  storm-beaten  rock. 
There's  many  a  banner  hangs  drooping  its  head, 
For  the  strength  that  sustained  it  is  nerveless  and  dead, 
And  the  hearts  that  once  followed  it  on  to  the  field, 
Left  no  kindred  spirits  its  honour  to  shield. 
But  the  flag  of  Britannia,  the  flag  of  the  brave, 
Triumphant  it  floateth  o'er  land  and  o'er  wave; 
And  proudly  it  braveth  the  battle  and  blast, 
For  when  tattered  by  shot  it  is  nailed  to  the  mast. 
When  tattered  by  shot  it  is  nailed  to  the  mast. 


LOCK  THE  DOOE,  LARISTON. 

Words  by  the  Ettiiek  Shepherd. 


Lock  the   door,  Lar  -  is  -  ton,    li   -  on      of     Lid  -  des  -  dale,  Lock  the    door. 


Lar  -  is  -  ton,       Lou-ther  comes  on ;  The      Arm-strongs  are      fly  -  ing,     The 


wid-ows    are    cry -ing,    The  Cas-tletoun's  burning,  and    0  -  li  -  ver'a  gone. 


Lock  the   door,  Lar  -  is  -  ton,      high   on     the   vrea-ttier  gleam,   See  how    the 


Sax  -  on  plumes  boh  on   the  sky;        Yeoman     and  car  -  bin  -  eer,     Bil-man 


-Uz= 


^3?=?==i 


iv  -  dier,    Fierce     is       the       for  -  ay,     and       far      is      the    cry. 


70 

Bewcastle  brandishes  high  his  broad  scimitar, 

Ridley  is  riding  his  fleet-footed  grey ; 

Hidley  and  Howard  there, 

Wandell  and  Windermere ; 

Lock  the  door,  Lariston,  hold  them  at  bay. 

"Why  dost  thou  smile,  noble  Elliott  of  Lariston  ? 
Why  does  the  joy-candle  gleam  in  thine  eye  ? 

Thou  bold  border  ranger, 

Beware  of  thy  danger, 
Thy  foes  are  relentless,  determined,  and  nigh. 

Jock  Elliott  raised  up  his  steel  bonnet  and  lookit — 
His  hand  grasped  the  sword  with  a  nervous  embrace ; 

"  Oh  welcome,  brave  foemen, 

On  earth  there  are  no  men 
More  gallant  to  meet  in  the  foray  or  chase. 

"  Little  know  you  of  the  hearts  I  have  hidden  here, 
Little  know  you  of  the  mosstroopers'  might, 
Linhope  and  Sorbie  true, 
Sundhope  and  Milburn  too  ; 
Gentle  in  manners  but  lions  in  fight. 

"  I  have  Mangerton,  Ogilvie,  Raeburn,  and  Netherbie, 
Old  Sim  of  Whitram  and  all  his  array ; 
Come  all  Northumberland, 
Teesdale  and  Cumberland, 
Here  at  the  Breaken  tower  end  the  affray." 

Scowled  the  broad  sun  o'er  the  links  o'  green  Liddesdale, 
Bed  as  the  beacon  light  tipt  he  the  wold — 

Many  a  bold  martial  eye 

Mirror' d  that  morning  sky, 
Never  more  oped  on  his  orbit  of  gold. 

Shrill  was  the  bugle's  note,  dreadful  the  warriors'  shout, 
Lances  and  halberts  in  splinters  were  borne, 
Helmet  and  hauberk  then 
Braved  the  claymore  in  vain, 
Buckler  and  armlet  in  shivers  were  shorn. 

See  how  they  wane,  the  proud  file  of  the  Windermere, 
Howard,  ah !  woe  to  thy  hopes  of  the  day, 
Hear  the  rude  welkin  rend 
While  the  Scots'  shouts  ascend: — 
"  Elliott  of  Lariston,  Elliott  for  aye !" 


With  spirit. 


71 

ALLISTER  MACALLXSTER, 


a'      a  -  stir,    Get       out   your  pipes  and  blaw  wi'   birr,  "We'll   dance  the  High- 


land fling.  Now      Al  -  lis  -  ter     has  tun'd  his  pipes,  And  thrang  as    hum-bees 


frae  their  bikes,  The      lads   and    las  -  ses  loup    the  dykes,  An'     gath  -  er      on 


stir,  Then  to  your  bags  and  blaw  wi'  birr,  We'll  dance  the  Highland  fling. 


The  miller  Rab  was  fidgin'  fain 

To  dance  the  Highland  fling  his  lane ; 

He  lap  and  danced  wi'  might  and  main, 

The  like  was  never  seen. 
As  round  about  the  ring  he  whuds, 
He  cracks  his  thumbs,  and  shakes  his  dud* 
The  meal  flew  frae  his  tail  in  cluds, 

And  blinded  a'  their  e'en. 
Oh  Allister,  &c. 


Neist  rackle-handed  smithy  Jock, 

A'  blackened  owre  wi'  coom  and  smoke, 

Wi'  bletherin',  bleer-e'ed  Bess  did  yoke, 

That  harum  scarum  quean. 
He  shook  his  doublets  in  the  wind, 
,  His  feet  like  hammers  strak  the  grand, 
The  very  mo  udie warts  were  stunn'd, 
Nor  kenn'd  what  it  could  mean. 
Oh  Allister,  &c 


Now  Allister  has  done  his  best, 
And  weary  stumps  are  needin'  rest, 
Besides  wi'  drouth  they're  sair  distress' d, 

Wi'  dancin'  sae,  I  ween. 
I  trow  the  gauntrees  got  a  lift, 
An'  round  the  bickers  flew  like  drift, 
An'  Allister  that  very  nicht 

Could  scarcely  stand  his  lane. 
Oh  Allister,  &c 


0  BONNIE  BLINKS  THE  GOWAN. 

Words  by  James  Reed.  Music  by  A-  Hume. 


0         bon  -  nie  blinks  the  gow  -  an     on        Scot-tia's     heath'ry    lea,        And 


blythe-ly    does    the  this  -  tie  wave  up     -     on      her  hills     sae    free ;        An* 


sweet  -ly     down  ilk   haunt  -  it    glen    the       sing  -  ing  burn-ie's  glide,    'Mang 


woods  be-neath  whose  spreadin'   screen    a        slave   could  ne'er     a  -  bide.     But 


the      bon  -  nie      lass    lives    there  wha     lo'es 
I  wadna  tine  my  lassie's  love  for  a'  the  world's  gear, 
Nor  a'  the  ribbons,  gems,  and  stars,  ambition's  minions  wear ; 
And  though  they  fain  would  wile  me  far  where  gowd  is  to  be  won, 
'Mang  myrtle  groves,  and  vine-clad  fields,  aneath  a  cloudless  sun, 
I  canna  leave  my  ain  auld  hame  on  Scotia's  gladsome  plain, 
Though  I  could  gather  countless  wealth  ayont  the  roaring  main  ; 
For  what  were  a'  the  grovelling  joys  that  gowd  or  pow'r  could  gie, 
If  shared  na  by  the  winsome  lass  that  lo'es  nae  lad  but  me. 
O  brave  he  fights  frae  stain  or  blight  to  keep  his  country's  fame, 
Wha's  breast  to  aid  his  patriot  zeal  burns  wi'  a  lover's  flame ; 
And  boldly  will  he  face  and  cow  oppression's  highest  pride, 
Wha  draws  his  sword  alike  to  guard  his  freedom  and  his  bride. 
And  ere  a  foreign  despot  rules  my  ain  auld  mither-land, 
Or  freedom's  chaplet  lose  ae  leaf  by  native  tyrants'  hand, 
I'd  rather  that  my  life-blood  dyed  the  gowan  on  her  lea, 
Though  dear  as  life  I  haud  the* lass  that  lo'es  nae  lad  but  me. 


73 


UP  IN  THE  MORNING  EARLY. 

Words  by  John  Hamilton. 

Lively. 


Cauld  blaws  the  wind  frae  north    to    south,  And  drift    is     driv-in'    sair  -  ly ;  The 


sheep  are  cow'r-ing      in     the  heuch,  0       sirs,       'tis       win  -  ter      fair  -  ly. 


Then  up     in     the  morn-ing's  no    for  me,   Up     in     the  morn- ing    ear-ly,   I'd 


ra-ther    gae    sup-per-less     to     my  bed,  Than  rise  in  the  morn-ing     ear-ly. 


Loud  roars  the  blast  among  the  woods, 

And  tirls  the  branches  barely  ; 
On  hill  and  house  hear  how  it  thuds ! 

The  frost  is  nippling  sairly. 
Now  up  in  the  morning's  no  for  me, 

Up  in  the  morning  early ; 
To  sit  a  nicht  wad  better  agree 

Than  rise  in  the  morning  early. 


Nae  linties  lilt  on  hedge  or  bush : 

Poor  things,  they  suffer  sairly ; 
In  cauldrife  quarters  a'  the  nicht ; 

A'  day  they  feed  but  sparely. 
Now  up  in  the  morning's  no  for  me, 

Up  in  the  morning  early ; 
A  pennyless  purse  I  wad  rather  dree 

Than  rise  in  the  morning  early. 


The  sun  peeps  owre  yon  southland  hills    A  cosie  house  and  cantie  wife 


Like  ony  timorous  carlie, 
Justs  blinks  a  wee  then  sinks  again 

And  that  we  find  severely. 
Now  up  in  the  morning's  no  for  me 

Up  in  the  morning  early ; 


Aye  keep  a  body  cheerly 
And  pantries  stowed  wi'  meat  and  drink, 

They  answer  unco  rarely. 
But  up  in  the  morning — na,  na,  na ! 

Up  in  the  morning  early ; 


When  snaw  blaws  in  at  the  chimley  cheek,  The  gowans  maun  glent  on  bank  and  brae, 
Wha'd  rise  in  the  morning  early  ?  When  I  rise  in  the  morning  early. 

d2 


74 


inJET:-THE  RECALL. 


Tenor.  p 


Music  by  A.  Hume. 


Come    a  -  gain,     0    come    a  -  gain,        Sun-shine  com  -  eta     af  -  ter    rain. 
^_, p gfc. 


Come    a  -  gain,     0    come    a  -  gain,         Sun-shine  com  -  eth      af  -  ter    rain. 


-n  I     1st  .  i  j     2d  ^  \  P  _      **     era. 


^^g^^^^feSg^Eg^^l 


Sun-shine  com  -  eth       af    -     ter    rain.  af    -    ter    rain.   As      a    lamp    fed 


new  -  ly  hum  -  eth,  Plea  -  sure  who  doth   fly      re  -  turn-eth,  Scatt'-ring  ev'  -  ry 


new  -  ly  hum  -  eth,  Plea  -  sure  who  doth  fly      re  -  turn-eth,  Scatt'-ring  ev'  -  ry 


cloud       of   pain.     As       the     year  which  dies  in        show  -  ers,    Ris  -  eth 


cloud       of   pain.     As       the    year  which  dies  in        show  -  ers,    Eis  -  eth 


75 


Hi=pg^^i^=^^ 


in       a    world  of        flow    -    ers.      Call'dbyman-y     a      ver  -  nal  strain. 


in       a    world  of        flow    -    ers.      Call'd  by  man  -  y     a      ver  -  nal  strain. 


Call'dby  man-y     a      ver-nal  strain.  Come  thou  for  whom  our  tears  are    fal-ling, 


And     a     thou-sand    hearts    are      cal  -  ling,       Come    a  -  gain,  Come  a- 


p       Allegro. 


gain,     0     come,  come  a  -   gain. 


m 


FBEI 


£    ,M       V- 


^^3^ 


Come    a  -  gain,    0       come     a  -  gain,    Come      a  -  gain,     0        come    a  -  gain, 


Come    a  -  gain,    0       come     a  -  gain,     Come     a  -  gain,     0       come    a  -  gain, 


J 


Tq=ft 


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bc=P= 


fe££* 


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Come  a  -  gain, 


Come,  come,  O  come  a  -  gain,  Come 


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Come,  come,   a  -  gain,  0  come,  come,  come,  O  come  again,  Come  a  -  gain,  0 


x  — Aj — p — fv — \.  j       — rrzrs-r- jsqprr 


Come  a  -  gain,  0    come   a-gain,        Come,  come  a  -  gain,   0  come  a- 


come  again,    Come  a-gain.  O    come  a-gain,       Come,  come  a-gain,  O  come  a- 


gain,  0    come     a  -  gain,  Be    thou  the    sun-shine    af  -  ter  rain,        the 


^gpg=^^^ili 


sun  -  shine       af   -    ter       rain. 


thou  the    sun-shine    af  -   ter     rain. 


f=Z=S=£=t=E$ 


sun  -  shine       af   -    ter     rain.        Be    thou  the    sun-shine    af  -  ter     rain 


Tenderly, 


DINNA  THINK,  MY  BONNIE  LASSIE. 

Composed  by  A.  Hume. 


Din-na    think,  my  bon  -  nie     his  -  sie,     That    this  heart  can      al  -  ter'd    be; 


A'     its  thoughts  an'  dreams,  dear  lassie,     Are    the  thoughts  an'  dreams  o'      thee. 


jg^fe^pfeg^^j^g^j 


Sec    yon  ciys-tal   stream -let    wand'ring,    Bids   ilk  bloom-ing  flow'r    re-joice; 
cw  rail. 


Sweet    to       na  -  ture       its     me  -  an-d'ring,  Sweeter     far      to     me     thy    voice. 

tempo. 


Din  -  na    think,  my  bon  -  nie     las  -  sie,     That  this  heart  can      al    -   ter'd    be ; 


^^^=g=g=fej 


A'  its  thoughts  an'  dreams,  dear  las  -  sie,    Are    the  thoughts  an'  dreams    o'     thee. 

There  sweet  spring  delights  to  linger,  - •  •    •      •  => 

Causing  bud  an'  bloom  to  shine ; 
But  in  vain  her  sunny  ringer, 

Strives  to  paint  sic  charms  as  thine. 
Dowie  seems  ilk  op'nin'  blossom, 

When  the  sun  withdraws  a  while  ; 
Wae,  like  them,  becomes  this  bosom, 

Absent  frae  thy  gentle  smile. 
Dinna  think,  &c. 


•8 


MY  TOCHER'S  THE  JEWEL 


Words  by  Burns. 
In  moderate  time. 


0     mei  -  kle  thinks  my  luve     o'     mybeau-ty,  And  mei-kle  thinks  my     luve 
o'     my    kin ;  But    lit  -  tie  thinks  my    luve     I      ken  brawlie,  My    toch-er's    the 


ii^i^^^ffil^ 


jew  -  el     has  charms  for  him.     It's     a'      for    the     ap  -  pie    he'll  nour  -  ish    the 


tree,   It's     a'     for     the    hin  -  ney  he'll  cher  -  ish    the    hee ;  My      lad-die'] 


mei  -  kle     in    love  wi'  the   sil  -  ler,  He    can  -  na    hae   luve     to  spare  for    me. 

Your  proffer  o'  luve's  an  arle-penny,         Ye're  like  to  the  timmer  o'  yon  rotten  wood, 
My  tocher's  the  bargain  ye  wad  buy  ;       Ye're  like  to  the  bark  o'  yon  rotten  tree, 

But  an'  ye  be  crafty,  I  am  cunnin',  Ye'll  slip  frae  me  like  a  knotless  thread, 

Sae  ye  wi'  anither  your  fortune  maun  try.  Andye'll  crack  your  credit  wi'  mae  nor  me. 


BRAW,  BRAW  LADS. 


Moderately  slow. 


Braw,  braw  lads  on  Yar-row  braes,    Ye    wan-der  through  the  blooming    hea-ther 


But  Yarrow  braes,  nor  Ettrick  shaws,  Can  match  the  lads  o'  Gal-la  water.  Braw,  braw  lads. 


79 

But  there  is  ane,  a  secret  ane, 
Aboon  them  a'  I  lo'e  him  better ; 

And  I'll  be  his,  and  he'll  be  mine, 
The  bonnie  lad  o'  Galla  water. 

Although  his  daddie  was  nae  laird, 
And  though  I  hae  na  meikle  tocher, 

Yet  rich  in  kindest,  truest  love, 
"We'll  tent  our  flocks  by  Galla  water. 

It  ne'er  was  wealth,  it  ne'er  was  wealth, 
That  coft  contentment,  peace,  or  pleasure ; 

The  bands  and  bliss  o'  mutual  love, 
O,  that's  the  chiefest  warld's  treasure ! 


Lively. 


I'M  OWRE  YOUNG  TO  MARRY  YET. 


=^^^g^^^a 


I'm    owre  young,  I'm  owre  young,  I'm  owre  young  to      mar 


tEg?EE^EJHfegEfe^E^ 


mm 


sae  young,  'twad      he      a       sin     To        tak'  me    frae    my      mam-my     yet. 


EpgJJF^ggjg 


wm 


I      am    my  mam-my's  ae     bairn,  Nor    of     my  hame   I'm  wea  -  ry     yet ;  And 


will  have  you  learn,  lads,  That  ye     for   me  maun  tar  -  ry  yet.  For  I'm,  B.C. 


For  I  have  had  my  ain  way, 
Nane  daur  to  contradict  me  yet ; 

Sae  soon  to  say  I  wad  obey, 
In  truth,  I  daurna  venture  yet. 
For  I'm,  &c. 

Fu'  loud  and  shrill  the  frosty  wind 

Blaws  through  the  leafless  timmer,  Sir ; 

But  if  ye  come  this  gate  again, 
I'll  aulder  be  gin  simmer,  Sir. 

For  I'm,  &c. 


80 

0  VOW  TO  ME,  SALLY. 

Words  by  William  Cameron.  Music  by  Matthew  Wilson. 


vow     to     me,       Sal  -  ly,    dear       Sal    -    ly,       that     nev  -  er 


g^if^^^gM^--^4^^^^ 


r 

o-ther's  lore     e'er  shall   thy      ho  -  som    con 


trol;     Art 


thou    not    my 


own  love,  he  -  troth  -  ed 


ev  -  er,    The      pride    of 
3s: 


my      heart  and 


Be-lieve     not    the  smil-ing,     and  heed  not    the  scorn-ing,  That  fond  ones,    ad- 


And     0,     let      the     noon  -  tide      of 


bliss     be 


for 


We  loved  when  we  knew  not  that  love  was  the  feeling, 

We  felt  and  we  lived  for  each  other  alone ; 
And  now  that  our  hearts  the  soft  truth  is  revealing, 

I  know,  dearest  Sally,  thou  still  art  my  own. 
Yes,  yes,  my  own  loved  one,  then  wilt  thou  forgive  me, 

And  wipe  that  blest  tear  from  thy  love-speaking  eye  I 
One  word  from  my  lips,  dearest  Sally,  believe  me, 

Shall  never  again  cause  thy  bosom  a  sigh. 


81 


THE  WEE,  WEE  GERMAN  LAIRDIE. 


Wha  the    deil  liae     we    got  -  ten    for       a    kins,  But     a     wee,  wee  German 


Lairdie ;  When  we  gaed  ower  to  bring  him  hame,  He  was  delvin'     in   his  kail  -  yar-die- 


iiw^fi 


t=3tg 


t? *=- 

Ile    was  sheuglung  kail,  and    lay  -  ing  leeks,  With-oufc    the   hose,  and    hut     the 


hreeks,  And  up     his    beg  -  gar  duds  he  cleeks,  Tins  wee,  wee   Ger- man  Lair- die. 

And  he's  clappit  down  in  our  gudeman's  chair, 

The  wee,  wee  German  Lairdie ; 
And  he's  brought  fouth  o'  his  foreign  trash, 

And  dibbled  them  in  his  yardie. 
He's  pu'd  the  rose  o'  English  loons, 

And  broken  the  harp  o'  Irish  clowns ; 
But  our  Scotch  thistle  will  jag  his  thumbs, 

This  wee,  wee  German  Lairdie. 

Come  up  amang  our  Hieland  hills, 

Thou  wee,  wee  German  Lairdie, 
And  see  the  Stuart's  lang  kail  thrive, 

They  hae  dibbled  in  our  kail-yardie. 
And  if  a  stock  ye  daur  to  pu', 

Or  haud  the  yokin'  o'  a  plough, 
We'll  break  your  sceptre  ower  your  mou', 

Ye  feckless  German  Lairdie. 

Auld  Scotland,  thou'rt  ower  cauld  a  hole, 

For  nursin'  siccan  vermin  ; 
But  the  very  dogs  in  England's  court, 

They  bark  and  howl  in  German. 
Then  keep  thy  dibble  in  thy  ain  hand, 

Thy  spade  but  and  thy  yardie ; 
For  wha  the  deil  now  claims  your  land, 

But  a  wee,  wee  German  Lairdie. 


82 

DUET:— 0  GIN  MY  LOVE. 

Arranged  as  a  Duct  by  Alexander  Hume.    The  first  verse  is  from  Herd's  MS.,  the  other 
was  AYritten  by  Burns. 
1st  _  -v 


^ffetuoso.     0      gin    my  loye  were  yon    red  rose,  That  grows  up  -  on    yon    cas  -  tie 


^^^^« 


0     gin    my  love  were  yon    red  rose,  That  grows  up  -  on    yon    cas  -  tie 


wa',    An'     I    my-sel'    a     drap  o'  dew,  In  -  to     her  bon  -  nie  breast  to     fa'. 


0   there  be-yond  ex  -  pres-sion  blest,  I'd  feast  on  beau  -  ties     a'    the  night;  Seal'd 

'  lliliiiili 

O   there  be-yond  ex -pres-sion  blest,  I'd  feast  on  beau -ties     a'  the  night ;  Seal'd 


a'  tl 


on     her    silk  saft  faulds  to    rest,   Till  fley'd    a  -  wa'     by  Phoe  -  bus'  flight 


O  were  my  love  yon  lilac  fair, 

Wi'  purple  blossoms  to  the  spring, 
And  I  a  bird  to  shelter  there, 

When  wearied  on  my  little  wing — 
How  would  I  mourn  when  it  was  torn, 

By  autumn  wild  and  winter  rude ; 
But  I  wad  sing  on  wanton  wing, 

When  youthfu'  May  its  bloom  renewed 


83 


THE  BIRKS  OF  ABERFELDY. 


With  animation. 


Bon-nie    las-sie,   will    ye      go     To     thebirks    of       A  -  ber  -  fel  -  dy  ?  Now 

-tc- 


sim-mer  Winks  on    flow'  -  ry  braes,  And  o'er    the   crys  -_tal  streamlet  plays :  Come 


let     us  spend  the  light-some  days      In      the  birks  of      A  -  ber  -  fel  -  dy. 


The  little  birdies  blythely  sing, 
While  o'er  their  heads  the  hazels  hing  ; 
Or  lightly  flit  on  wanton  wing 
In  the  birks  of  Aberfeldy. 

The  braes  ascend  like  lofty  wa's, 
The  foaming  stream  deep  roaring  fa's, 
O'erhung  wi'  fragrant  spreading  shaws, 
The  birks  of  Aberfeldy. 

Thy  hoary  cliffs  are  crowned  wi'  flowers, 
"While  o'er  the  linns  the  burnie  pours, 
And,  rising,  weets  wi'  misty  showers 
The  birks  of  Aberfeldy. 


Let  fortune's  gifts  at  random  flee, 
They  ne'er  shall  draw  a  wish  frae  1. 
Supremely  blest  wi'  love  and  thee, 
In  the  birks  of  Aberfeldy. 


84 

"  WE'LL  HAE  NANE  BUT  HIGHLAND  BONNETS  HEBE." 

Respectfully  inscribed  to  Sir  Colfri  Campbell, 

By  Alexander  Maclagan. 

At  the  decisive  charge  on  the  heights  of  Alma,  when  the  Guards  were  pressing  on  to  share 
the  honour  of  taking  the  first  guns  with  the  Highlanders,  Sir  Colin  Campbell,  cheering  on 
his  men,  cried  aloud,  "We'll  have  none  but  Highland  bonnets  here!"  How  these  heroic 
words  acted  upon  his  brave  followers  is  well  known. 

Extracts  of  Letters  from  the  Crimea.—  Camp  before  Sebastopol,  24th  August,  1855. 

Many  thanks  for  Mr.  Maclagan's  war  songs  you  so  kindly  sent.  "We'll  hae  nane  but  Highland 
Bonnets  here"  is  excellent,  and  we  never  tire  singing  it  in  the  camp.— John  Joiner,  Quarter- 
master, 93d  Highlanders. 

Camp  before  Sebastopol,  August  4, 1855.— Dear  Sir,—"  We'll  hae  nanebut  Highland  Bonnets 
hei'e"  is  highly  appreciated  in  the  camp  of  the  93d  Highlanders,  and  was  sung  with  great 
enthusiasm  both  in  the  tents  and  in  the  trenches.  I  can  assure  you  it  will  long  be  a  favourite 
song  in  our  regiment,  and  the  whole  Highland  Brigade.  It  was  sung  by  many  a  poor  fellow 
by  the  camp  fires  in  the  last  dreadful  winter  nights,  when  one  would  think  that  singing  was 
not  in  their  hearts.  You  cannot  think  how  cheering  it  is  to  the  soldier  fighting  for  his  native 
land,  when  singing  the  songs  of  dear  auld  Scotland!— Pt.  Robert  Sinclair  No.  2  Company  d'3U 
Highlanders. — Mr.  Alexander  Maclagan. 


thunder' d  through  the     ch.arg.-ing    cheer,  We'll     hae     nane     but     High -land 

Chorus. 


bon-nets    here.  We'll  hae     nane   but  High -land 


^ 


F=t 


in 


bon-nets     here,  We'll  hae 


IPS 


:.S 


nane  but  High -land      bon-nets  here.      It       thun  -  der'd  through  the  charg-ing 


^S 


:£=*: 


cheer,  We'll  hae 


but     High  -  land 


bon  -  nets     here. 


85 


See,  see  the  heights  where  fight  the  brave ! 

See,  see  the  gallant  tartans  wave ! 

How  wild  the  work  of  Highland  steel, 

When  conquered  thousands  backward  reel. 

See,  see  the  warriors  of  the  north, 

To  death  or  glory  rushing  forth ! 

Hark  to  their  shout  from  front  to  rear, 

"  We'll  hae  nane  but  Highland  bonnets  here ! " 

We'll  hae  nane  but  Highland  bonnets  here ! 

We'll  hae  nane  but  Highland  bonnets  here ! 

Hark  to  their  shout  from  front  to  rear, 

We'll  hae  nane  but  Highland  bonnets  here! 

Braver  field  was  never  won,  ""  .'.  "~ 

Braver  deeds  were  never  done  ; 

Braver  blood  was  never  shed, 

Braver  chieftain  never  led ; 

Braver  swords  were  never  wet ! 

With  life's  red  tide  when  heroes  met ! 

Braver  words  ne'er  thrilled  the  ear, 

"  We'll  hae  nane  but  Highland  bonnets  here ! " 

We'll  hae  nane  but  Highland  bonnets  here ! 

We'll  hae  nane  but  Highland  bonnets  here ! 

Braver  words  ne'er  thrilled  the  ear, 

We'll  hae  nane  but  Highland  bonnets  here ! 

Let  glory  rear  her  flag  of  fame, 

Brave  Scotland  cries  "  This  spot  I  claim  !  " 

Here  will  Scotland  bare  her  brand, 

Here  will  Scotland's  lion  stand! 

Here  will  Scotland's  banner  fly, 

Here  Scotland's  sons  will  do  or  die! 

Here  shout  above  the  "symbol  dear," 

"We'll  hae  nane  but  Highland  bonnets  here ! " 

We'll  hae  nane  but  Highland  bonnets  here! 

We'll  hae  nane  but  Highland  bonnets  here! 

It  thundered  through  the  charging  cheer, 

We'll  hae  nane  but  Highland  bonnets  here ! 


This  song  is  the  first  of  a  series  of  twelve  on  the  present  war  by  the  same  author.  Copies 
with  Pianoforte  acompaniraents,  price  one  shilling,  can  be  had  at  David  Jack's,  Gl  Jamaica 
Street,  Glasgow. 


85 


[Two  Songs  from  a  poetical  work  in  the  press  entitled  "Metrical  Memories  of  the  War.' 
Scem—Soldiei's  singing  in  the  camp  the  night  before  the  Battle  of  Inker mann.] 


Blame  not  the  uncouth  melodies, 
From  nature's  holy  source  upheaving; 

That  mingled  with  the  keen  wind's  sighs, 
Regret  and  grief  alike  relieving. 


Nor  scorn  the  untrained  minstrel's  art, 
Ere  he  rush  to  the  conflict,  telling 

The  honest  love  of  a  noble  heart, 
In  the  pathos  of  Erin  swelling. 


0  AILEEN,  DEAR  AILEEN.— THE  IRISHMAN'S  SONG. 


"Words  by  James  Reed. 

Andante. 


Music  by  John  Fulcher. 


0     Ail  -  een,  dear  Ail-een,     thy    im  -  age    doth  rest,  Like     a     star     in     the 


gloom  of    my        des  -  tin  -  y     here,  And  the       rno-ment  when  last    you    re- 


clined on    my  breast,  As     the        un  -  cloud-ed    hour    of      our      meet-ing      is 


dear,  And        ev  -  er     while    life       in      my        bo  -  som      is    swel-ling,    Let 


1=Se£SSe§^3 


suff'rings    as  -  sail    me     or     dan-gers     be  -  set,    Thy  love,  dearest  Ail-een,    all 


sad-ness     dis  -  pel  -  ling,  The  heart  of   your    sol-dier     will   nev-er     for -get. 


My  Aileen,  my  own  one !  the  grief-shadows  now, 

Blight  the  joy-flow'rs  that  bloom'd  on  thy  beautiful  check 
And  the  heart-sorrow  dims  the  pure  light  of  thy  brow, 

As  the  cloud  of  the  eve  does  the  rose-blossom  streak. 
But  though  I  have  wander'd  from  thee  far  away,  love, 

Where  hardship,  and  suff'ring,  and  danger  beset; 
In  battle's  fierce  day  still,  our  love's  early  ray  still, 

The  heart  of  your  soldier  will  never  forget. 


87 


Oh  Aileen,  my  lov'd  one,  for  Erin  and  thee, 

Alone  do  I  seek  for  the  soldier's  bright  name ; 
My  bride  and  my  country  my  watchwords  will  be, 

And  guide  to  the  conquest  of  honour  and  fame. 
Old  Ireland's  renown  I  will  ever  maintain,  dear, 

Though  hardship,  and  suffering,  and  danger  beset ; 
And  love's  tender  reign,  dear,  in  joy  or  in  pain,  dear, 

The  heart  of  your  soldier  will  never  forget. 

The  brave  gallant  names  of  my  father-land  fire  me, 

Those  patriot  bands  without  blemish  or  stain  ; 
The  deeds  they  achieved  for  their  freedom  inspire  me, 

And  faithful  and  true  I  will  ever  remain. 
Should  my  blood  in  the  conflict  the  heath-flow'r  embue,  dear, 

Dishonour  will  never  my  death  hour  beset ; 
For  still  I'll  be  true,  dear,  to  freedom  and  you,  dear, 

And  ne'er  will  my  bosom  thy  image  forget. 


No  recreant  will  that  soldier  prove, 

"Within  whose  valiant  hreast 
The  gentle  thoughts  of  woman's  love, 

With  warlike  ardours  rest. 
And  to  the  creed  thus  simply  told, 

Erin's  young  soldier  bowed, 
As  e'er  did  Paladin  of  old, 

To  war  and  beauty  vowed. 

And  as  the  low-breath'd  love-fraught  strain 
Amid  the  darkness  died; 


A  wayward  youth  from  border  plain, 
In  like  low  tones  replied. 

'Twas  strange  in  that  dark  hovel  drear, 
With  war's  impending  horrors  near, 
Those  homely  doric  tones  to  hear, 

Or  list  the  vocal  flow 
Of  sad,  but  sacred,  homelove  blent, 
With  chivalrous  and  bold  intent, 
And  thoughts  on  deadly  conflict  bent, 

And  battle's  wildest  throe. 


THE  BOEDER  RIFLEMAN'S  SONG. 


Words  by  James  Reed. 


Music  by  John  Fulcher. 


When    I        left     our  auld  glen   the  young     gow  -  ans  were  springing,  The 


lav'rocks    an'     lin  -  ties  their  first  love  lilts  sing-ing,  An'    the  wee  mer-ry 


ro-bin     be-  side     our  door  stane,  Sang  a       chant    o'      de- light  that    the 


88 


win  -  ter     wa3  gane.  There  was   glad-ness    and  glee     a  -  mong     bird,  beast,  and 

rail. 


rr\       /7s 


r — f — *—-" — * — r 

men,  When  the      slo  -  gan     of    free  -  dom  rang  through  our  auld  glen;  There  was 


-  gan        of        free  -  dom       rang         through  our       auld       glen. 


I  was  wilfu',  and  wild,  and  licht-hearted,  and  free, 

Nae  frolic  or  revel  was  held  without  me ; 

Life  was  bricht  as  the  lift  on  a  clear  summer  day, 

Nae  fears  or  dejection  to  darken  its  ray ; 

An'  the  love  o'  my  Peggy  had  just  blest  me,  when 

The  proud  slogan  o'  freedom  rang  through  our  auld  glen. 

Clear  and  loud  peal'd  the  sound,  owre  heath,  valley,  and  wold, 

An'  our  border  lads  raise  like  their  grandsires  of  old, 

When  ilka  peel  turrit  its  beacon  light  bore, 

They  changed  their  herds'  crook  for  the  spear  or  claymore. 

Nought  dismay' d  them,  or  stay'd  them,  or  daunten'd  them,  when 

The  proud  slogan  o'  freedom  rang  through  our  auld  glen. 

Though  my  father  looked  stern,  I  kent  weel  he  was  sad, 

An'  my  mither  grat  sair  for  her  ne'er-do-weel  lad; 

An'  through  the  dim  tears  o'  my  Peggy's  blue  e'en, 

The  light  o'  her  heart-love  could  hardly  be  seen. 

I  fand  nae  misgiein',  nae  heart  sinkin',  when 

The  proud  slogan  o'  freedom  rang  through  our  auld  glen. 

Nor  yet  will  I  yield,  though  the  path  to  renown, 

An'  the  wreath  of  distinction,  an'  victory's  crown, 

Has  been  bloody  an'  lang,  an'  may  bloodier  be 

Ere  another  day's  dawn  on  the  hill  taps  we  see. 

I  will  fight  for  my  country  as  cheerfu'  as  when 

The  proud  slogan  o'  freedom  rang  through  our  auld  glen. 


89 
TAM  GLEN. 


Words  by  Burns. 


fe^^J^slgp^p 


My    heart   is      a  -  breaking,  dear  tit-tie!     Some  coun-sel  un  -  to     me  come 


m 


53S 


^E 


m 


3^^z=f=j=s^^m 


len";        To  an  -  ger     them       a'        is        a  pi  -  ty, 


what  win     I  do      wi'  Tam     Glen?     I'm    think -in*     wi'    sic'      a     braw 


^^i^g 


t==tz 


fal  -  low,    In       poor  -  tith     I       might  mak'    a       fen'j  What    care       I      in 


rich  -  es  to  wal  -  low,    If  I     maun-na       mar  -  ry    Tam     Glen. 

There's  Lowrie,  the  laird  o'  Drumeller,    My  (laddie  says,  gin  I'll  forsake  him, 

"  Gude  day  to  you,"  coof,  he  comes  ben;     He'll  gie  me  gude  hunder  merks  ten  j 
He  brags  and  he  blaws  o'  his  siller,  But,  if  it's  ordain'd  I  maun  tak'  him, 

But  when  will  he  dance  like  Tam  Glen?     O  wha  will  I  get  but  Tam  Glen  ? 
My  minnie  does  constantly  deave  me,       Yestreen,  at  the  valentines  dealin', 

And  bids  me  beware  o'  young  men ;  My  heart  to  my  mou'  gied  a  sten'; 

They  natter,  she  says,  to  deceive  me —     For  thrice  I  drew  ane  without  failin', 

But  wha  can  think  sae  o'  Tam  Glen?      And  thrice  it  was  written — Tain  Glen, 


The  last  Halloween  I  was  waukin' 

My  drookit  sark  sleeve,  as  ye  ken ; 
His  likeness  cam'  up  the  house  staukin', 

And  the  very  gray  breeks  o'  Tam  Glen. 
Come,  counsel,  dear  tittie,  dont  tarry; 

I'll  gie  ye  my  bonnie  black  hen, 
Gif  ye  will  advise  me  to  marry 

The  lad  I  lo'e  dearly,  Tam  Glen- 


0  NANNY  WILT  THOU  GANG  WI'  ME? 

Words  t>y  Thomas  Percy.  Music  by  Thomas  Carter. 


flaunt  -  ing    town?  Can        si    -    lent   glens    have  charms     for     thee,        The 


ppi|pligi|ppi| 


Say,  canst  thou  quit     each     court  -  ly     scene,   Where  thou  wert 


fair   -   est 


^^EEj=gaE=a=g3=^ 


Of       the      fair; 


Say,    canst  thou    quit      each     court  -  ly     scene,  Where 


3^^E£5gg3^g^=P^g3l^^^^ 


thou  wert      fair  -   est      of 


the     fair  ?  Where  thou      wert  fairest,  Where 


^^s^m^^^m 


& 


wert    fair -est.  Where     thou      wert    fair -est         of       the     fair? 


O  Nanny !  when  thou'rt  far  awaj', 

Wilt  thou  not  cast  a  wish  behind  ? 
Say,  canst  thou  face  the  scorching  ray, 

Nor  shrink  before  the  wintry  wind  ? 
O  can  that  soft  and  gentle  mien 

Extremes  of  hardship  learn  to  bear; 
Nor,  sad,  regret  each  courtly  scene, 

"Where  thou  wert  fairest  of  the  fair  ? 


0  Nanny !  canst  thou  love  so  true, 

Through  perils  keen  wi'  me  to  go ; 
Or  when  thy  swain  mishap  shall  rue, 

To  share  wi'  him  the  pang  of  woe  ? 
Say,  should  disease  or  pain  befall, 

Wilt  thou  assume  the  nurse's  care ; 
Nor,  wistful,  those  gay  scenes  recall, 

Where  thou  wert  fairest  of  the  fair  ? 


91 


And  when  at  last  thy  love  shall  die, 

Wilt  thou  receive  his  parting  breath ; 
"Wilt  thou  repress  each  struggling  sigh, 

And  cheer  with  smiles  the  bed  of  death  ? 
And  wilt  thou  o'er  his  breathless  clay 

Strew  flowers,  and  drop  the  tender  tear; 
Nor  then  regret  those  scenes  so  gay, 

Where  thou  wert  fairest  of  the  fair? 


Words  by  Burns. 


FOR  THE  SAKE  0'  SOMEBODY. 


My  heart    is     sair,     I    daur-na     tell,  My  heart    is     sair    for  some -bo  -  dy; 


I    could  wake    a     win  -  ter     night,     For     the      sake      o'     some  -  bo  -  dy. 


Oh     hon, 


for     some  -  bo  -   dy !  Oh      hey,     for   some  -  bo    -    dy ! 

poeo  rail.     __  /z\       p  a  tempo.  /^ 


I      could  range    the  world     a  -  round,     For     the  sake    o'    some  -  bo  -  dy! 


Ye  powers  that  smile  on  virtuous  love, 

0  sweetly  smile  on  somebody ! 
Frae  ilka  danger  keep  him  free, 

And  send  me  safe  my  somebody. 
Oh  hon,  for  somebody  ! 
Oh  hey,  for  somebody ! 

1  wad  do — what  wad  I  not  ? — 
For  the  sake  o'  somebody. 


02 


CAM'  YE  BY  ATHOLT 


Words  by  James  Hogg. 


Jfk 
Music  by  Neil  Gow. 


banks  o'     the      Gar  -  ry  ?      Saw     ye     the   lads    wi'   their     bon  -  nets      an* 


rhite  cockades,       leav  -  ing     their  mountains      to  fol  -  low  Prince  Char-lie. 


Fol  -  low   thee,    fol  -  low  thee,     wha  wad  -  na      fol  -  low   thee  ?  Lang  hast  thou 


fol -low   thee?    King    o'      the  High-land   hearts,      bon  -  nie  Prince  Char-lie. 


I  hae  but  ae  son,  my  gallant  young  Donald ; 

But  if  I  had  ten  they  should  follow  Glengarry ; 
Health  to  Macdonald  and  gallant  Clanronald, 

For  these  are  the  men  that  will  die  for  their  Charlie. 
Follow  thee,  follow  thee,  &c. 

I'll  to  Lochiel  and  Appin,  and  kneel  to  them ; 

Down  by  Lord  Murray  and  Roy  of  Kildariie ; 
Brave  Mackintosh,  he  shall  fly  to  the  field  with  them  ; 

These  are  the  lads  I  can  trust  wi'  my  Charlie. 
Follow  thee,  follow  thee,  &c. 

Down  through  the  Lowlands,  down  wi'  the  whigamore, 
Loyal  true  Highlanders,  down  wi'  them  rarely  ; 

Ronald  and  Donald  drive  on  wi'  the  braid  claymore, 
Over  the  necks  of  the  foes  of  Prince  Charlie. 
Follow  thee,  follow  thee,  &c. 


93 


TAK'  YOUR  AULD  CLOAK  ABOUT  YE. 


In        win  -  ter  when  the      rain  rain'd  cauld,    And      frost   and    snaw  on 


il  -  ka     hill ;    And   Bor-eas   wi'    his  blasts   sae  bauld,  Was  threat'ning    a'     our 


qs=qs: 


I p_i_gg=^: 


ss^ 


ztt^H. 


z*z^*z 


V*TF\ 


^=3: 


g3 


i£=E 


kye     to   kill.  Then  Bell,  my  wife,  wha  lo'es  nae  strife,  She  said  to  me  right  has-  ti- 

eracendo  /^  '  ' 


-LLE-ig-g  r 


r>a — P~ 


¥=zz 


^m^ES^Egg 


ly,      Get     up,  gudeman,  save  Crummie's  life,    An'  ta-k'  your  auld  cloak  a-hout   ye. 


]tfy  Cmmmie  is  a  usefu'  cow, 

An  she  is  come  o'  a  glide  kin' ; 
Aft  has  she  wet  the  bairns'  mou', 

An'  I  am  laith  that  she  should  tyne. 
Get  up,  gudeman,  it  is  fu'  time, 

The  sun  shines  in  the  lift  sae  high  ; 
Sloth  never  made  a  gracious  end, 

Gae,  tak'  your  auld  cloak  about  ye. 

My  cloak  was  anco  a  gude  gray  cloak, 

When  it  was  fitting  for  my  wear; 
But  now  it's  scantly  worth  a  groat, 

For  I  hae  worn't  this  thretty  year. 
Let's  spend  the  gear  that  we  hae  won, 

We  little  ken  the  day  we'll  die; 
Then  I'll  be  proud,  sin'  I  hae  sworn 

To  hae  a  new  cloak  about  me. 

In  days  when  gude  king  Robert  rang, 

His  trews  they  cost  but  half-a-croun : 
He  said  they  were  a  groat  owre  dear, 

And  ca'd  the  tailor  thief  and  loon. 
He  was  the  king  that  wore  the  croun, 

An*  thou' it  a  man  of  laigh  degree ; 
It's  pride  puts  a'  the  country  doun ; 

Sae  tak  your  auld  cloak  about  ye. 


Ilka  land  has  its  ain  lauch, 

Ilk  kind  o'  corn  has  it's  ain  hool : 
I  think  the  world  is  a'  gane  wrang. 

When  ilka  wife  her  man  maun  rule. 
Do  ye  no  see  Rob,  Jock,  and  Hab, 

How  they  are  girded  gallantlie, 
While  I  sit  hurklin  i'  the  ase  ? 

I'll  hae  a  new  cloak  about  me  ! 

Gudeman,  I  wat  it's  thretty  year 

Sin'  we  did  ane  anither  ken  ; 
An'  we  hae  had  atween  us  twa 

Of  lads  an'  bonnie  lasses  ten ; 
Now  they  are  women  grown  an'  men, 

I  wish  an'  pray  weel  may  they  be ; 
An'  if  you'd  prove  a  gude  husband, 

E'en  tak  your  auld  cloak  about  ye. 

Bell,  my  wife,  she  lo'es  nae  strife, 

But  she  wad  guide  me  if  she  can  ; 
An'  to  maintain  an  easy  life, 

I  aft  maun  yield,  though  I'm  gudeman. 
Nocht's  to  be  won  at  woman's  han', 

Unless  ye  gie  her  a'  the  plea ; 
Then  I'll  leave  aff  where  I  began, 

An'  tak'  my  auld  cloak  about  me. 


94 


THERE  GROWS  A  BONNIE  BRIER  BUSH. 

Old  song,  altered  by  Burns. 


There  grows  a     ton  -  nie     brier  bush     in    our     kail-yard ;    And  white  are    the 


blossoms     o't    in     our     kail -yard;  Like     wee    bit  white  cock  -  ades      for     our 


loy  -  al  Hieland  lads ;  And  the 


lo'e  the  brier  bush  in     our     kail  -  yard. 


But  were  they  a'  true  that  are  far  awa'  ? 

Oh  !  were  they  a'  true  that  are  far  awa'? 

They  drew  up  wi'  glaiket  Englishers  at  Carlisle  ha', 

And  forgot  auld  frien's  when  far  awa'. 

Ye' 11  come  nae  mair,  Jamie,  where  aft  ye  hae  been; 
Ye' 11  come  nae  mair,  Jamie,  where  aft  ye  hae  been; 
Ye  lo'ed  owre  weel  the  dancin'  at  Carlisle  ha', 
And  forgot  the  Hieland  hills  that  were  far  awa'. 

He's  comin'  frae  the  North  that's  to  fancy  me, 
He's  comin'  frae  the  North  that's  to  fancy  me, 
A  feather  in  his  bonnet,  and  a  ribbon  at  his  knee  ; 
He's  a  bonnie  Hieland  laddie,  and  you  be  na  he. 


ANNIE  LAURIE. 


Max-well-ton  braes  are  bonnie,  Where  early  fa's  the    dew,  And  it's  there  that  Annie 


Lau  -  rie        Gie'd  me   her  pro-mise    true,      Gi'ed  me    her    pro-mise  true,     Which 


^P-pL-frg 


^H^^lp 


ne'er  forgot    will    be,   And  for  bonnie   An  -  nie  Lau-rie     I'd     lay  me  down  and  dee. 


05 


Her  brow  is  like  the  snaw-drift, 

Her  neck  is  like  the  swan, 
,Her  face  it  is  the  fairest 

That  e'er  the  sun  shone  on — 
That  e'er  the  sun  shone  on, 

And  dark  blue  is  her  e'e ; 
And  for  bonnie  Annie  Laurie 

I'd  lav  me  down  and  dee. 


Like  dew  on  the  gowan  lying 

Is  the  fa'  o'  her  fairy  feet ; 
And  like  winds  in  summer  sighing, 

Her  voice  is  low  and  sweet — 
Her  voice  is  low  and  sweet, 

And  she's  a'  the  world  to  me  ; 
And  for  bonnie  Annie  Laurie 

I'd  lay  me  down  and  dee. 


THE  MARINER'S  CHILD. 

Words  by  Miss  L.  E.  Landon.  Music  by  John  Henderson. 


0 

weep     no 

more,  dear 

mo-ther, 

0 

weep     no 

more 

to- 

"p-pZZft- p       Qn- 

^B 

night,        But       on    -    ly  watch  the    sea,   mo  -  ther,      be  -  neath  the  morn-ing's 


deep,  And     I      know  your  grief,  sweet  mother,        though  I        on   -    ly 

rail. , — >(r\        a  tempo  con  spirito. 


SiSSH^ 


hear  you    weep;       But    the    sun-ny  morn  is      joy-ful,     and  the  bright  blue 


sky    is    clear,   And     I      can  see,  sweet  mo-ther,     to    wipe   a  -  way  thy  tear. 

My  father's  ship  will  come,  mother,  in  safety  o'er  the  main, 

When  the  grape  is  djred  with  purple  he  will  come  back  again  ; 

He  will  guide  the  stately  vessel  though  the  sea  be  dark  and  drear, 

Another  week  of  sunshine,  my  father  will  be  here : 

Then  I'll  watch  with  thee,  sweet  mother,  but  the  stars  fade  from  my  sight ; 

Oh  come  and  sleep,  dear  mother,  we'll  watch  no  more  to-night. 


90 


SWEET   MAY. 


Words  by  J.  Little. 

Tenderly. 

± 


Music  by  A.  Hume. 


wel-come    to    May,     Sweet  May,  That  are   smil  -  ing   to     wel-come  sweet  May. 
The  white  blossom'd  thorn  sheds  its  richest  perfume, 

And  the  primrose  looks  bonnie  and  gay ; 
And  the  sweet  little  blue-bells  in  modesty  bloom, 
And  the  birds  sing  a  welcome,  a  welcome  to  May, 

Sweet  May, 
And  the  birds  sing  a  welcome  to  May. 

Then  come,  dearest  Mary,  we'll  roam  to  and  fro, 

Where  the  clear  wimplin'  burnie  does  play ; 
And  I'll  sing  you  the  songs  that  you  loved  long  ago, 

When  first  we  went  wand' ring,  went  wand'ring  in  May, 
Sweet  May, 

When  first  we  went  wand'ring  in  May. 
Bomember  the  days  when  in  your  native  land, 

'Mid  the  dim  forest  glades  we  did  stray, 
When  Ave  saw  the  young  maidens  come  forth  in  a  band, 

To  gather  sweet  roses  for  May, 
Sweet  May, 

To  gather  sweet  roses  for  May. 
I  looked  on  the  flowers  that  were  blooming  around, 

And  bending  so  graceful  and  gay ; 
Then  I  gazed  in  your  face,  dearest  Mary,  and  found 

You  the  loveliest,  loveliest  fiow'r  of  sweet  May, 
Sweet  May, 

You're  the  loveliest  flow'r  of  sweet  May. 


97 


THE  SPINNING  WHEEL. 


Jean    sat     at     her   spin-ning  wheel,  A      bon  -  me     lad  -  die       he  pass'd  by,    She 

animated  J*^  ;>_ 


d     round     an 

nessien. 


turn  -  ed     round     an'  view'd  him  weel,  For      oh !    he 

With  expression. 


Ian  -  cin'  e'e,  Her 


Q^S 


Egasa^g^l^^a 


*l=srfl: 


S=tt?^ 


pant-ing  heart  be-gan    to   feel,  But  aye  she  turn'd  her  spinning  wheel. 


^^g^P^^g^gpl^jga 


-    Her  panting  heart  be  -  gan  to     feel,    But   aye  she  turn'd  her  spin  -  ning  wheel. 

Her  snow-white  hands  he  did  extol, 
He  prais'd  her  fingers  neat  and  small, 
Her  snow-white  hands  he  did  extol, 
He  prais'd  her  fingers  neat  and  small , 
He  said  there  was  nae  lady  fair, 
That  ance  wi'  her  he  could  compare : 
His  words  into  her  heart  did  steal, 
But  aye  she  turn'd  her  spinning  wheel. 
His  words  into  her  heart  did  steal, 
But  aye  she  turn'd  her  spinning  wheel. 

He  said,  Lay  by  your  rock,  your  reel, 
Your  win'ings,  and  your  spinning  wheel, 
He  said,  Lay  by  your  rock,  your  reel, 
Tour  win'ings,  and  your  spinning  wheel ; 
He  bade  her  lay  them  a'  aside, 
And  come  and  be  his  bonnie  bride ; 
An'  oh,  she  lik'd  his  words  sae  weel, 
She  laid  aside  her  spinning  wheel. 
An'  oh,  she  lik'd  his  words  sae  weel, 
She  laid  aside  her  spinning  wheel 


98 


DUET:— AH!  CHLOEIS,  COULD  I  NOW  BUT  SIT. 

Sir  Charles  Sedley,  1675.  Air— Gilderoy. 

Air.—  W.th  feeling. 


Bass.       All !  Chlo  -  ris,    could      I 

now 

but 

-0^ 

sit 

as       un  -  con-cern'd    as 

•^if-^-f-E-SH-E 

— 1 

-W— 

-+=r--H~  C—  F tkh- 

i       . 

1 

Ah !  Chloris,  could  I    now     but       sit        as       un  -  con-cern'd    as 
~TB— r 


f^PMl 


when 


Your 


in    -    fant       beau  -   ty        could 


get       no 


JEEE=S: 


£f=£t 


3»5E 


when 


Your    in  -  fant  beau  -  ty        could       be  -  get       no 


-ing   did     ad-mire,  a 


bap  -  pi  -  ness    nor     pain. 


Sj£^=F 


J*£E 


EE^3t 


When       I      this  dawn-ing   did     ad-mire,  and 


hap  -  pi  -  ness    nor     pain.        When       I       this  dawn-ing    did     ad-mire,  and 


:^& 


-fe 


:55: 


±±L 


*E££$* 


prais'd  the       com     -     rng 
+ P-         -  * 


tie  thought    that 

t=.w=nm  — p — fa 


prais'd    the       com     -     ing  day 


I       lit  -  tie  thought  that 


fire      would 


take      my 


99 

Tour  charms  in  harmless  childhood  lay  as  metals  in  a  mine; 
Age  from  no  face  takes  more  away  than  youth  concealed  in  thine ; 
But  as  your  charms  insensibly  to  their  perfection  prest, 
So  love  as  unperceived  did  fly  and  center' d  in  my  breast. 

My  passion  with  your  beauty  grew,  while  Cupid  at  my  heart 
Still  as  his  mother  favour'd  you,  threw  a  new  flaming  dart ; 
Each  gloried  in  their  wanton  part,  to  make  a  beauty,  she 
Employed  the  utmost  of  her  art, — to  make  a  lover,' he. 


JOCKEY'S  TA'EN  THE  PAIETIN'  KISS. 


Burns. 

A  little  lively. 


Jock-ey's  ta'en  the  part  -  in'       kiss,  O'er  the  moun  -  tains     he      is     gane; 


^E^M 


7T—fc 


J  I- 1       U 


iS^^ 


And  with  him      is 


my     Lliss,  Nought  but   griefs  with     me      re  -  main. 


fcrfir^ 


^ 


Spare  my   love,    ye     winds    that     hlaw,    Plash-y 


and        beat-ing   raini 


fc*; 


**4 


Spare    my     love,    thou     feath'  -  ry     snaw,  Drift-ing    o  er     the      fro  -  zen  plain. 


When  the  shades  of  ev'ning  creep 

O'er  the  day's  fair,  gladsome  e'e, 
Sound  and  safely  may  he  sleep, 

Sweetly  blythe  his  wauk'ning  be. 
He  will  think  on  her  he  loves, 

Fondly  he'll  repeat  har  name; 
For  where'er  he  distant  roves 

Jockey's  heart  is  still  at  hame. 


100 


Words  by  James  Little. 
Cheerfully. 


SCOTTISH  LASSES. 

SONG  AND  CHORUS.  Music  by  William  Lewis. 


=S 


^=& 


1=-^ 


SB^^^g^^gg^spff^Q^epiE 


Come,  lads,  and  round  the     ta-ble   sit,    Nor  look  sae  dowf  and   eer-ie,    0;  What 


4=1= 


tho'   mis -for -tune  glooms  a         bit,     Let's    try     and   aye    be     cheer  -  ie,     0. 


*m^^s^^mm 


Come     let     as    sing     a     can  -  tie  sang,  To  soothe  the  cares  that  fash  us,  O;  Since 


^m^m 


fe 


:P — r- 


±=t 


SI 


Heav'n,  to  cheer    us     on    this  earth,    Has    blest    us     wi'      the        las  -  ses,     0. 
Chorus. 


We've  sung  auld  Sco-tia's  heath-er   hills,  That   a'    the  lave  sur  -  pass  -  es,   0 ;  We've 
2d  Voice. 


WeVe  sung  auld  Sco-tia's  heath-er  hills,  That    a'    the  la 


0 ;  WeS 


Si 


3=t 


±=1 


■       I       I    I fc— r— rrrrrr=H^I F— p-=«r 


We've  sung  auld  Sco-tia's  heath-er  hills,  That   a'    the  lave    sur  -  pass  -  es,   0;We'va 


B^ECTSI 


sung  her  glens,  her     moun-tain  rills,  An'     noo  we'll  sing    her     lass  - 


i^^^llil^ip 


sung  her  glens,  her     moun-tain  rills,   An'     noo  we'll  sing    her 


es,     0. 


9i~r~g~T~g      t   — f\ — 9~~? — g 8 —  —  T      Fj     J — d — 

— i> — i \7 ^ — i b- 1 i-~~H— l rt-i—  ■ ■— 


sung  her  glens,  her     moun-tain  rills,  An"     noo  we'll  sing  her 


-es,     0. 


101 


What  joy,  when  ye  come  hame  at  e'ei., 

Wi'  toil  and  trouble  weary,  0, 
To  sit  beside  a  bonnie  quean, 

And  ca'  her  aye  your  dearie,  0. 
What  joy  to  pree  her  hinny  mou, 

Rich  as  the  rose  in  blossom,  0 ; 
And  then  unseen  to  mortal  view, 

To  strain  her  to  your  bosom,  0. 
Chorus — We've  sung  auld  Scotia's  heather  hills,  &c. 

I've  seen  the  maids  o'  Erin's  Isle, 

And  English  lasses  mony,  0, 
But  yet  they  want  the  winning  smile, 

O  Scotland's  lasses  bonnie,  O. 
Then  lay  aside  your  cares  a  wee, 
And  fill  your  empty  glasses,  0, 
A  bumper  gie  them — Three  times  three, 
A  uld  Scotia's  bonnie  lasses,  0  ! 
For  we  hae  sung  her  heather  hills, 

That  a'  the  lave  surpasses,  0  ; 
Her  thistle,  lakes,  her  mountain  rills, 
And  noo  we'll  sing  her  lasses,  0. 


BUMPER  NAE  MAIR. 
Words  by  Alexander  Maclagan.  Air  adapted  from  an  old  melody. 


Tho'  the  sun's   in     the    sea,  lads,  the  moon  drown'd  in  drift,  Tho'  stormy  clouas 

JL      •  •  m      r 

|S fe  .    _f> 

m — \r—=f — V- 

b=^=J *_. 

p P— 

— si 4 *— 

— J-t-tJ J_j— «L_al sL. 

dark-en     the      lichts    o*     the        lift;    0'    the      cauld  blasts  o'     life      we    can 


aye   bear   our  share,  The    strong-est,    the  long  -  est,— we    bum-per     nae   mair! 


^m^^^^^^^^^^m 


Bum-per  nae  mair!  bumper  nae  maiH^Hje  strongest,  the  longest,— we  bumper  nae  mair 


102 

Though  the  feck  o*  mankind  are  a  fause  fickle  set, 

Why  should  we  break  down,  lads,  though  whiles  we  may  get 

Baith  the  heels  o'  a  frien'  and  the  frowns  o'  the  fair, 

Let  the  licht  feathers  flee,  lads,  we'll  bumper  nae  mair. — Bumper,  &c. 

When  guilt  and  oppression  mak's  richt  bow  to  wrang, 

When  virtue  fa's  faint,  lads,  and  tyrants  get  Strang, 

When  freedom's  bauld  banner  droops  laigh  in  despair, 

We  can  draw  to  defend,  though  we  bumper  nae  mair. — Bumper,  &c. 

Come  fortune  wi'  favours,  the  sweetest  ye  hae, 

Come  sad  disappointment,  as  sour  as  a  slae, 

But  grief's  glooming  troop  o'  fell  darkness  we  dare, 

When  we  stick  to  our  pledge,  lads,  and  bumper  nae  mair. — Bumper,  &c. 

Our  fond  hearts  can  beat,  and  our  glad  souls  can  glow, 

Wi'  love's  purest  fire,  though  the  wine  may  not  flow; 

We  can  still  help  a  frien',  and,  to  lichten  his  care, 

Tak'  his  pack  on  our  back,  though  we  bumper  nae  mair Bumper,  &c. 

Then  let  us  rejoice  in  this  fair  world  o'  ours, 

Though  there's  plenty  o'  rank  weeds,  there's  some  bonnie  flow'rs, 

And  a  kind  sunny  heart  mak's  the  darkest  day  fair, 

Sae  stick  to  your  pledge,  lads,  and  bumper  nae  mair — Bumper,  &c. 


TWA  BONNIE  MAIDENS. 


e^=^ 


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There  are    twa   bon-nie  maid-ens,    and  three  bon  -  nie   maid  -  ens,  Cam' owre  the 


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Minch,  and      cam'  owre   the  main,  Wi'    the        wind     for     their    way,    and     the 


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cor  -  rv     for    their  hame,  And  they  are   dear  -  ly       wel-come    to      Skye     a  -  gain. 


103 


Come   a -long,  come   a  -  long,    wi'   your  boat -ie      and  your  song,  My     ain    bon  -  nie 


maid -ens,  my       twa    bon-nle   maid-ens,  For    the   night     it 


red -coat     is    gone,  And       ye     are   dear-ly       wel  -  come    to       Skye     a  -  gain. 


There  is  Flora,  my  honey,  sae  dear  and  sae  bonnie, 

And  ane  that's  "sae  tall,  and  sae  handsome  withal ; 
Put  the  one  for  my  king,  and  the  other  for  my  queen, 

And  they  are  dearly  welcome  to  Skye  again. 
Come  along,  come  along  wi'  your  boatie  and  your  song, 

My  ain  bonnie  maidens,  my  twa  bonnie  maidens; 
For  the  Lady  Macoulain  she  "dwelleth  her  lane, 

And  she'll  welcome  you  dearly  to  Skye  again. 

Her  arm  it  is  strong,  and  her  petticoat  is  long, 

My  ain  bonnie  maidens,  my  twa  bonnie  maidens ; 
The  eea  moullit's  nest  1  will  watch  o'er  the  main 

And  ye  are  bravely  welcome  to  Skye  again. 
Co.ne  along,  come  along,  wi'  your  boatie  and  your  song 

My  ain  bonnie  maidens,  my  twa  bonnie  maidens ; 
And  saft  sail  ye  rest  where  the  heather  it  grows  best, 

And  ye  are' dearly  welcome  to  Skye  again. 

There's  a  wind  on  the  tree,  and  a  ship  on  the  sea, 

My  ain  bonnie  maidens,  my  twa  bonnie  maidens, 
Your  cradle  I'll  rock  on  the  lea  of  the  rock, 

And  yell  aye  be  welcome  to  Skye  again. 
Come  along,  come  along,  wi'  your  boatie  and  your  son; 

My  ain  bonnie  maidens,  my  twa  bonnie  maidens ; 
Mair  sound  sail  ye  sleep  as  ye  rock  o'er  the  deep, 

And  ye'll  aye  be  welcome  to  Skye  again. 


104 


DUET:— HE'S  OWRE  THE  HILLS  THAT  I  LO'E  WEEL, 

1st  Voice.     With  animation. 


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He's  owre   the  hills  that    I     lo'e  weel,  He's  owre  the  hills  we  daurna  name;  He's 
2d  Voice. 


Si 


He's  owre   the  hills  that    I"     lo'e  weel,  He's  owre  the  hills  we  daurna  name ;  He's 


S 


^^^=^| 


-JLi— |- 


=3mG= = 

owre  the   hills     a  -  yont  Dumhlane,  Wha  soon  will    get     his     wel-come  hame. 


owre  the    hills    a  -  yont  Dumblane,  Wha  soon  will    get    his      wel-come  hame, 


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53 


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My     fa-ther's  gane    to   fight    for  him,  My  brith-ers    win  -  na    hide    at  hame,  My 
My     fa-ther's  gane    to   fight    for  him,  My  brith-ers    win  -  na    bide     at  hame,  My 


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mith  -  er  greets  and   prays    for  them,  And  'deed  she  thinks  they're  no      to  blame. 


^_-        »  -  »        my        »        v  v  ■ 

mith  -  er  greets  and    prays  for  them,  And  'deed  she  thinks  they're  no      to  blame. 


He's  owre  the  hills,  &c. 
The  whigs  may  scoff,  and  the  whigs  may  jeer, 
But  ah !  that  love  maun  be  sincere, 
Which  still  keeps  true  whate'er  betide, 
And  for  his  sake  leaves  a*  beside. 


105 

He's  owre  the  hills,  &c.  He's  owre  the  hills,  &c. 

His  right  these  hills,   his  right  these    Sae  noble  a  look,  sae  princely  an  air, 

plains,  Sae  gallant  and  bold,sae  young  and  sae  fair ; 

O'er  Highland  hearts  secure  he  reigns;      Oh !  did  ye  but  see  him,  ye'd  do  as  we've 
What  lads  ere  did,  our  laddies  will  do  ;       done ; 
Were  I  a  laddie,  I'd  follow  him  too.         Hear  him  but  ance,  to  his  standard  ye'll  run. 


DUET:-ROW  WEEL,  MY  BOATIE,  ROW  WEEL. 

1st  Voice.     With  feeling.  R,  A.  Smith. 


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Row    weel,  my  t»oat-ie,  row  weel,  Row   weel,  my  mer-ry  men    a';  For  there'! 
2d  voice. 


55SS3 


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Row    weel,  my  boat- ie,  row  weel,  Row   weel,  my  mer-ry  men     a' ;  For  there's 


-f > — ' — v — t— E — I ^-v — ■ — v- 

dule  and  there's  wae  in  Glenfiorich's  bow'rs,  And  there's  grief  in  my  father's 


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in  Glenfiorich's  bow'rs,  And  there's  grief  in    my  father's       ha'. 


dule  and  there's 


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^E 


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And  the   skiff    it  danc'd  light   on     the    mer-ry  wee  waves,  And  it     flew  o'er  the 


And  the  skiff     it  danc'd  light   on    the    mer-ry  wee  waves,  And  it     flew    o'er  the 


wa-ters     sae       blue;    And    the  wind    it     blew  light,    and    the  moon   it  shone 


wa-ters     sae       blue;     And    the  wind    it     blew  light,    and    the  moon    it  shone 
E  2 


106 


bright,  But    the      boat  -  ie  ne'er  reaeh'd  Al  -  Ian  -  dim.       Och     -     on,     for    fair 


bright,  But    the 


^ ^ v '    -         ^-g- 

ie  ne'er  reach'd  Al  -  Ian  -  dim.       Och     -     on,     for    fair 


El  -  len,   Och  -  on,    Och  -  on,     for     the  pride   of  Strath   -   coe ;       In      the 


El  -  len,    Och  -  on,    Och  -  on,      for     the  pride    of  Strath    -    coe ;       In     the 


deep,  deep  sea,  in  the  saut,  saut  bree,  Lord    Re -och,  thy  El -len  lies       low. 


deep,  deep  sea,  in   the  saut,  saut  bree,  Lord    Re  -  och,  thy   El  -  len  lies       low. 


DUET:— LOGIE  0'  BUCHAN. 

Peter  Buchan  ascribes  this  song  to  George  Hacket,  schoolmaster  at  Rathen,  Aberdeenshire 
who  died  in  1756. 
1st  Voice. 


6~     Lo  -  gie      o'    Buch  -  an,     0      Lo  -  gie     the  laird,  They  hae  ta'en    a  -  wa' 
2d  Voice. 


0~     Lo-gie       o'   Buch -an,     0      Lo  -  gie     the  laird,  They  hae  ta'i 

A: 


J       Ja-mie   that  delv'd  in   the     yard.  Wha  play'd  on  the   pipe,  and  the     vi  -  ol      sa 


Ja-mie    that  delv'd  in  the    yard.  Wha  play'd  on   the  pipe,  and  the     vi  -  ol      sae 


107 


sma',  They  hae  ta'en  a-wa'      Ja  -mie  the  flow'r 


them    a'.  He  said,  Think  nae  lang 


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sma',  They  hae  ta'en  a-wa'     Ja-mie  the  iiow'r     o'    them    a'.  He  said,  Think  nae  lang 


m^m$^ 


The  simmer  is  eomin',  cauld  winter's  awa',  An'  I'll  come  and  see  thee,  in  spite  o'  them  a'. 


ji&rt  r  i^^H  j  u  m  rt  rWuu=u 


The  simmer  is  comin',  cauld  winter's  awa',  An'  I'll  come  and  sec  thee,  in  spite  o'  them  a', 


Tho'  Sandy  has  ousen,  has  gear,  and  has  kye, 

A  house  and  a  haddin,  and  siller  for  bye ; 

Yet  I'd  tak'  my  ain  lad  wi'  his  staff  in  his  hand, 

Before  I'd  hae  him  wi'  his  houses  and  land. — He  said,  &c. 


My  daddy  looks  sulky,  my  minny  looks  sour, 

They  frown  upon  Jamie  because  he  is  poor ; 

Though  I  like  them  as  weel  as  a  dochter  should  do, 

They're  nae  hauf  so  dear  to  me,  Jamie,  as  you. — He  said,  &c 


I  sit  on  my  creepie  and  spin  at  my  wheel, 

And  think  on  the  laddie  that  lo'ed  me  sae  weel; 

He  had  but  ae  saxpence,  he  brake  it  in  twa, 

And  he  gied  me  the  half  o't  when  he  gaed  awa'. — He  said,  &c. 


108 

WIILIE  WT  HIS  WIG  A-JEE. 

Words  by  William  Chalmers.  Music  by  T.  S.  GleadhilL 


Ob,   saw    ye     Wil-lie    frae    the  west?  Oh,  saw    ye     Wil-lie     in     his  glee? 


Oh,    saw    ye    Wil-lie      frae   the  west,  When  he     had    got    his    wig      a  -  jee? 


There's  "Scot's  whahae     wi'  Wal- lace  bled,"  He  towers  it      rip      in    sic     a    key,  Oh, 


ye     Wli-lie,     hear-ty      lad,  When    he       had    got     his    wig      a -jee. 


To  hear  him  sing  a  canty  air, 

He  lilts  it  o'er  sae  charmingly, 
That  in  a  moment  aff  flies  care, 

When  Willie  gets  his  wig  a-jee, 
Let  drones  croon  o'er  a  winter  night, 

A  fig  for  them,  whate'er  they  be, 
For  I  could  sit  till  morning  light, 

Wi'  Willie  and  his  wig  a-jee. 


At  kirk  on  Sundays,  sic  a  change 

Comes  o'er  his  wig,  and  mou',  and  e'e, 
Sae  douse — you'd  think  a  cannon  ba' 

Wad  scarce  ca'  Willie's  wig  a-jee. 
But  when  on  Mondays  he  begins, 

And  rants  and  roars  continually, 
Till  ilk  owk's  end,  the  very  weans 

Gang  daft — when  Willie's  wig's  a-jee. 


109 

ILKA  BLADE  0'  GRASS  KEPS  ITS  AIN  DRAP  0'  DEW. 

Words  by  James  Ballantine.  Music  adapted  by  the  late  John  Wilson. 


ye 


aye      in     Pro-vi-dence,  for   Pro  -  vi-dence     is     kind, 


bear    ye      a'    life's     chan-ges    wi'      a        calm  and  tran-quil      mind;   Tho' 


:fir=g£^-f»==p— »: 


press'd  and  hemm'd  on       ev*  -  ry     side,  ha'e    faith    an'    ye'll  win  through,     For 


il  -  ka   blade    o' 


grass      keps    its 


drap      o'       dew. 


Gin  reft  frae  friends,  or  cross'd  in  love,  as  whiles  nae  doubt  ye've  been, 
Grief  lies  deep  hidden  in  your  heart,  or  tears  flow  frae  your  e'en ; 
Believe  it  for  the  best,  an'  trow  there's  gude  in  store  for  you, 
For  ilka  blade  o'  grass  keps  its  ain  drap  o'  dew. 

In  lang  lang  days  o'  simmer,  when  the  clear  an'  cludless  sky 
Refuses  ae  wee  drap  o'  rain  to  Nature  parch' d  an'  dry, 
The  genial  night,  wi'  balmy  breath,  gars  verdure  spring  anew, 
An'  ilka  blade  o'  grass  keps  its  ain  drap  o'  dew. 

So  lest  'mid  Fortune's  sunshine  we  should  feel  owre  proud  an'  hie, 
An'  in  our  pride  forget  to  wipe  the  tear  frae  poortith's  e'e; 
Some  wee  dark  cluds  o'  sorrow  come,  we  ken  nae  whence  or  how, 
But  ilka  blade  o'  grass  keps  its  ain  drap  o'  dew. 

Note.— Inserted  in  this  work  by  the  kind  permission  of  the  author. 


110 


THE  THORN  TREE, 


From  Taifs  Magazine,  Sept, 


Music  by  T.  S.  Gleadhill. 


toon  -  ni  -  ly,     bon  -  ni  -  ly,  Then    met    my    lass  when 

Chorus. 


was     still, 


spread  -  ing 


I  clasped  my  lassie  to  my  heart, 

And  vow'd  my  love  should  lasting  be 
And  wussed  ilk  ill  to  be  my  part, 
When  I  forgat  the  thorn  tree. 
Oh  !  for  the  thorn  tree — the  fresh,  the  scented  thorn  tree ! — 
I'll  ever  mind,  wi'  blythesome  glee,  my  lassie  and  the  thorn  tree ! 
We  met  beneath  the  rising  moon — 
She  bedded  maist  as  soon  as  we, 
She  hung  the  westlin'  heights  aboon, 
When  we  cam  frae  the  thorn  tree. 
Oh  !•  for  the  thorn  tree — the  fresh,  the  milk-white  thorn  tree !' 
'Twas  past  the  midnight  hour  a  wee,  when  we  cam'  frae  the  thorn  tree ! 
I've  seen  the  glass  careerin'  past — 

I  lik'd  it  too — I'll  never  lee; 
But  oh !  its  joys  can  ne'er  be  class'd 
Wi'  love  aneath  the  thorn  tree ! 
Oh !  for  the  thorn  tree — the  fresh,  the  milk-white  thorn  tree ! — 
Of  a'  the  joys  there's  nane  to  me  like  love  aneath  the  thorn  tree ! 


Ill 


TRIO:— THE  DANISH  SEA-KING'S  SONG. 

Written  by  William  Motherwell.  Danish  air.— Arranged  by  A.  Hume. 


-y. z: 


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Our     hark    is      on     the     wa  -  ters   deep,  our  bright  blades  in    our    hand,     Our 


Our    bark    is      on    the     wa  -  ters  deep,  our  bright  blades  in     our   hand,      Our 
Bass. 


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j^-r-js  js  g i  t~nrmri^^m 


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Our    bark    is      on     the     wa  -  ters  deep,  our  bright  blades  in     our   hand,      Our 


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birth-right    is     the        o  -  eean   vast—we  scorn  the   gird  -  led      laud ;         And   the 

fl— =*— . — 1— N — -tc— &- 


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birth-right    is     the        0  -  cean   vast— we  scorn  the  gird  -  led      land ;         And   the 


birth-right    is     the        0  -  cean   vast— we  scorn  the  gird  -  led      land;         And   the 


hoi  -  low  wind    is      our   mus  -  ic   brave,  and  none   can  bold  -  er      be   Than     the 


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hoi  -  low  wind    is      our   mus  -  ic  brave,  and  none   can  bold  -  er      be   Than     the 


hoi  -  low  wind 


our   mus  -  ic  brave,  and  none   can  bold  -  er      be   Than      the 


112 


p^^HE 


— Be 


hoarse-tongued  tem  -  pest,      rav  -  ing    o'er     a       proud    and      swell  -  ing 


ipi^giifei^Eip^g 


g 


hoarse-tongued  tem  -  pest,       rav  -  ing    o'er     a        proud    and     swell 


P: 


fe| 


hoarse-tongued  tem  -  pest      rav -ing    o'er      a       proud    and     swell  -  ing  sea. 

Our  eagle-wings  of  might  we  stretch  before  the  gallant  wind, 

And  we  leave  the  tame  and  sluggish  earth  a  dim  mean  speck  behind; 

We  shoot  into  the  tmtrack'd  deep,  as  earth-freed  spirits  soar, 

Like  stars  of  fire  through  boundless  space — through  realms  without  a  shore ! 

The  warrior  of  the  land  may  back  the  wild  horse,  in  his  pride ; 
But  a  fiercer  steed  we  dauntless  breast — the  untam'd  ocean  tide ; 
And  a  nobler  tilt  our  back  careers,  as  it  stems  the  saucy  wave, 
While  the  Herald  storm  peals  o'er  the  deep  the  glories  of  the  brave. 

Hurrah  !  hurrah  !  the  wind  is  up — it  bloweth  fresh  and  free, 
And  every  cord,  instinct  with  life,  pipes  loud  its  fearless  glee ; 
Big  swell  the  bosom' d  sails  with  joy,  and  they  madly  kiss  the  spray, 
As  proudly  through  the  foaming  surge  the  Sea- King  bears  away ! 


WHEN  THE  KING  COMES  OWRE  THE  WATER. 


Words  by  Lady  Keith 

t 


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Jacobite. 


H^lpf! 


I     may    sit      in       my      wee  croo  house,  At     the  rock  and    the   reel     to 


toil     fu'  drear  -  y ;        I     may  think  on        the 


day     that's   gane,    And 


113 


sigla   and   sab     till        I    grow  wear  -  y.         I    ne'er  could  brook,       I       ne'er  could 


a       ran  -  tin'    sang,  That    day      oar     king  comes  owre   the    wa-ter. 


0  gin  I  live  to  see  the  day, 

That  I  hae  begged,  and  begged  frae  Heaven, 
I'll  fling  my  rock  and  reel  away, 

And  dance  and  sing  frae  morn  till  even : 
For  there  is  ane  I  winna  name, 

That  comes  the  reigning  bike  to  scatter  ; 
And  I'll  put  on  my  bridal  gown, 

That  day  our  king  comes  owre  the  water. 

1  hae  seen  the  gude  auld  day, 

The  day  o'  pride  and  chieftain  glory, 
When  royal  Stuarts  bore  the  sway, 

And  ne'er  heard  tell  o'  whig  nor  tory. 
Though  lyart  be  my  locks  and  grey, 

And  eild  has  crook'd  me  down — what  matter  ? 
I'll  dance  and  sing  ae  ither  day, 

That  day  our  king  comes  owre  the  water. 


A.  curse  on  dull  and  drawling  whig, 

The  whining,  ranting,  low  deceiver, 
Wi'  heart  sae  black,  and  look  sae  big, 

And  canting  tongue  o'  clishmaclaver ! 
My  father  was  a  good  lord's  son, 

My  mother  was  an  earl's  daughter, 
And  I'll  be  Lady  Keith  again, 

That  day  our  king  comes  owre  the  water. 


114 

WILL  YOU  NO  COME  BACK  AGAIN? 

From  "Jacobite  Minstrelsy."    Glasgow  :  E.  Griffin  &  Co.    1S2S. 


Men  -  y        a    heart  will     break   in      twa,  Should  he  ne'er  come  back   a  -  gain. 


Will  you     no   come    back    a -gain?     Will  you    no  come 


lE^U— 


BB=E^P^iEE£^yi 


Bet  -  ter   lo'ed  you'll     nev  -  er       be,    Will  you     no   come     back        a-  gain? 


Mony  a  traitor  'mang  the  isles 
Brak'  the  band  o'  nature's  law; 

Mony  a  traitor,  wi'  his  wiles, 
Sought  to  wear  his  life  awa'. 
Will  he  no  come  back  again,  &c. 

The  hills  he  trode  were  a'  his  ain, 
And  bed  beneath  the  birken  tree ; 

The  bush  that  hid  him  on  the  plain, 
There's  none  on  earth  can  claim  but  he. 
Will  he  no  come  back  again,  &c. 


Whene'er  I  hear  the  blackbird  sing, 
Unto  the  e'ening  sinking  down, 

Or  merle  that  makes  the  woods  to  ring, 
To  me  they  hae  nae  ither  soun', 

Than,  will  he  no  come  back  again,  &c. 

Mony  a  gallant  sodger  fought, 
Mony  a  gallant  chief  did  fa'; 

Death  itself  was  dearly  bought, 
A'  for  Scotland's  king  and  law. 
Will  he  no  come  back  again,  &c. 


Sweet  the  lav'rock's  note  and  lang, 

Lilting  wildly  up  the  glen ; 
And  aye  the  o'ercome  o'  the  sang 

Is,  "  Will  he  no  come  back  again  ?  " 
Will  he  no  come  back  again,  &c. 

Note.— This  song  belongs  to  the  times  which  compose  the  subject  of  it,  and  it  is  written  with 
considerable  spirit.  The  imputation  on  the  men  of  the  isles  is,  however,  too  general,  for  even 
those  gentlemen  who  refused,  upon  principle,  to  join  the  standard  of  Charles,  had  no  wish  that 
he  should  be  captured;  but  on  the  contrary,  many  of  them  afterwards  secretly  lent  themselves 
to  his  escape.  If  suspicion  rested  upon  any  one,  it  was  only  on  the  Laird  of  M'Leod,  who  wrote 
to  Macdonald  of  Kingsborough,  desiring  him,  if  the  Prince  fell  in  his  way,  to  deliver  him  up, 
and  saying  that  he  would  thereby  do  a  service  to  his  country.  But  Kingsborough  acted  a  very 
different  part;  for  he  lodged  the  Prince  hospitably  in  his  house,  and  did  not  leave  him  till  he 
saw  him  safe  out  of  the  reach  of  his  enemies.  For  this  he  was  afterwards  taken  up  and 
imprisoned  in  a  dungeon  at  Fort  Augustus,  where  being  examined  by  Sir  Everard  Falkuer, 


115 


THE  SUN  EISES  BRIGHT  IN  FRANCE. 

"Words  by  Allan  Cunningham. 
Slow. 


sun      ris   -   es      bright     in  ,  France,  And      fair 


But 


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he      has     tint      the 


blink     he      had      In 


my      ain     coun 


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-y- 

i? 

~M 

t— 

V          # 

no       my     am 


in      That     weuts   aye    my 


i=d'£ 


zbz 


-::;- 


-Sa= 


, . ^ 

left       be  -  hind      Wi' 


sweet   bair  -  nies 


The  bud  comes  back  to  summer, 

And  the  blossom  to  the  tree, 
But  I  win  back — oh,  never, 

To  my  ain  countrie. 
Gladness  comes  to  many, 

Sorrow  comes  to  me, 
As  I  look  o'er  the  wide  ocean 

To  my  ain  countrie. 

Fu'  bienly  low'd  my  ain  hearth, 

And  smiled  my  ain  Marie : 
Oh !  I've  left  my  heart  behind 

In  my  ain  countrie ! 
O  I'm  leal  to  high  heaven, 

Which  aye  was  leal  to  me ! 
And  it's  there  I'll  meet  ye  a'  soon, 

Frae  my  ain  countrie. 


he  was  put  in  mind  how  noble  an  opportunity  he  had  lost  of  making  the  fortune  of  himself  and 
his  familv  for  ever.  To  which  Kingsborough  indignantly  replied,  "No,  Sir  Everard,  death 
would  have  been  preferable  to  such  dishonour.  But  at  any  rate,  had  I  gold  and  silver,  piled 
heaps  on  heaps,  to  the  bulk  of  yon  huge  mountain,  the  vast  mass  could  not  afford  me  half  the 
satisfaction  I  find  in  my  own  breast,  from  doing  what  I  have  done."  This  gentleman  was 
afterwards  removed  to  Edinburgh  Castle,  where  he  was  kept  close  prisoner  for  a  year,  nobody 
being  permitted  to  see  him  but  the  officer  upon  guard,  the  sergeant  and  the  keeper,  which  last 
was  appointed  to  attend  him  as  a  servant.  When  the  act  of  grace  was  passed  he  was 
discharged. 


116 


DTTET:— AE  FOND  KISS,  AND  THEN  WE  SEVER. 

Words  by  Burns.  Arranged  by  A.  Hume. 

1st  Voice.    Adagio. 


and  groans  I'll 


Who  shall   say   that    for  -  tune  grieves  him, 


£=£ 


m 


=£=£ 


nae  cheer  -  fu'   twin  -  kle 


While  the   star     of   hope   she     leaves  him? 


Me, 
v 


-^m 


E5^e11e* 


:?r 


f— Ht 


:f=(2s!: 


While  the    star     of   hope    she     leaves  him?        Me, 


nae  cheer  -  fu'  twin 
pp 


-kle 


lights  me ;  Dark  despair    a-round  be-nights     me. 
P 


mi! 


Ae    fond 
PP 


m 


^&m 


lights  me;  Dark  despair    a-round  be  -  nights    me. 


Ae    fond     kiss. 


117 


1*11  ne'er  blame  my  partial  fancy, 
Naething  could  resist  my  Nancy ; 
But  to  see  her,  was  to  love  her ; 
Love  but  her,  and  love  for  ever. 
[Had  we  never  loved  sae  kindly, 
Had  we  never  loved  sae  blindly, 
Never  met — or  never  parted, 
We  had  ne'er  been  broken-hearted,] 


Fare-thee-weel,  thou  first  and  fairest ! 
Fare- thee- weel,  thou  best  and  dearest ! 
Thine  be  ilka  joy  and  treasure, 
Peace,  enjoyment,  love,  and  pleasure ! 
Ae  fond  kiss,  and  then  we  sever ; 
Ae  farewell,  alas !  for  ever ! 
Deep  in  heart- wrung  tears  I'll  pledge  thee, 
Warring  sighs  and  groans  I'll  wage  thee. 


Note.— Sir  Walter  Scott  says  of  the  lines  thus  marked  [  ],  "This  exquisitely  affecting  stanza 
contains  the  essence  of  a  thousand  love-tales." 


THE  KISS  AHINT  THE  DOOR. 


Words  by  T.  C.  Latto. 

CJwrus. 


Music  by  Thomas  Anderson. 


~]T1  -'JlwMR 


0     mei  -  kle   bliss    is      in       a  kiss,  Whyles  mair  than   in       a    score ;   But 

Fine. 


wae    be  -  tak'    the   stou  -  in'  smack   I     took     a  -  hint   the  door. 


lad  -  die,  whisht,     for     sic 


fricht       I    ne'er     was     in 


fore, 


-crtr -is — £— ^__ 

""'"       0            «" 

— ^W—T—tz 

=3— *     c3 

Jr — £_?? — i — ^_ 

b* =L_i  ^3 

— *    i    l~-  *  - 

— o ! — V. — 

braw  -  ly     did    my      mith  -  er    hear  The       kiss     a  -  hint     the      door.       The 


wa's    are  thick,  ye       need-na    fear,  But       gin   they  jeer    an'     mock,        I'll 


swear    it     was 


star  -  tit   cork,   Or       wyte  the     rus  -  ty 


118 


We  stappit  ben,  while  Maggie's  face 

Was  like  a  lowin'  coal, 
An'  as  for  me,  I  could  hae  crept 

Into  a  mouse's  hole: 
The  mither  look't,  sauff 's  how  she  look't ! 

Thae  mithers  are  a  bore, 
An'  gleg  as  ony  cat  to  hear 

A  kiss  ahint  the  door. 

O  meikle,  &c. 

The  douce  gudeman,  tho'  he  was  there, 
As  weel  micht  been  in  Rome, 

For  by  the  fire  he  fufF'd  his  pipe, 
An'  never  fasli'd  his  thoom. 


But  tittrin'  in  a  corner  stood 

The  gawky  sisters  four, 
A  winter's  nicht  for  me  they  micht 

Hae  stood  ahint  the  door. 

0  meikle,  &c. 

"  How  daur  ye  tak'  sic  freedoms  here?  " 

The  bauld  gudewife  began  5 
Wi'  that  a  foursome  yell  gat  up, 

I  to  my  heels  an'  ran ; 
A  besom  whisket  by  my  lug, 

An'  dishclouts  kalf-a-score, 
Catch  me  again,  tho'  fidgin'  fain, 

At  kissing  'hint  the  door. 

0  meikle,  &c. 


I00NS,  YE  MAUN  GAE  HAME. 


Lively.    Author  unknown. 


Jacobite. 


S* 


^■W 


It's    here    a  -  wa\  there    a  -  wa',    how  they    did    rin ;  When  they  saw   the  clans 


P^  Jfl.J"Ujll 


iiee,  When  they  heard  that  Prince  Charlie  was  come  owre  the  sea.  It's  loons,  ye  maun  gae  hame. 


They  got  to  their  feet,  just  as  sure  as  a  gun, 
Whene'er  they  heard  Charlie  to  Scotland  was  come, 
"  Haste,  haste  ye  awa',"  quo  the  auld  wives  wi'  glee; 
"  0  joy  to  the  day  Charlie  cam'  owre  the  sea." 
An'  loons,  ye  maun  gae  hame. 

Whigs,  fare  ye  a'  weel,  ye  may  scamper  awa', 
For  haith  here  nae  langer  ye'll  whip  an'  ye'll  ca'5 
Nor  mair  look  on  Scotland  wi'  lightlifu'  e'e, 
For  Charlie  at  last  has  come  over  the  sea. 
An'  loons,  ye  maun  gae  hame. 


119 


Our  lang  Scottish  miles  they  will  tire  ye  right  sair, 
An'  aiblins,  in  mosses  and  bogs  ye  will  lair ; 
But,  rest  an'  be  thankfu'  gin  hame  ye  may  see, 
I  rede  ye  that  Charlie  has  come  owre  the  sea. 
An'  loons,  ye  maun  gae  hame. 


Author  unknown. 


FAREWELL  TO  THE  LAND. 


Music  by  T.  S.  Gleadhill. 


Fare-well    to   the   land    of     the    rock  and    the  wild-wood,  The    hill  and  the 


for  -  est     and      proud      swel-ling   wave ;  To  the  land  where  bliss  smiled  on  the 


days    of     my  child-hood,  Fare-well      to    thee,  Sco  -  tia,    thou  land     of  the  brave. 


fc£ 


-g-— r 


BEF± 


a 


Far    dear-er      to     me 


thy  heath-cov-er'd  moun-tains,  Than  Gal-lia's     rich 


p^^g^Ep^feiii 


val-leys,   and    gay  fer- tile  plains;  And    dear-er    by    far  than  the  mur-mur-ing 


fc=p: 


fc:zf=:£=3=£: 


r 

foun-tains,       The  roar       of      the        tor -rent,  where      lib  -  er  -  ty     reigns. 


Wherever  I  wander,  sweet  isle  of  the  ocean, 

My  thoughts  still  shall  turn  to  thy  wild  rocky  shore ; 
Ah  !  still  shall  my  heart  beat  with  fondest  emotion, 

While  musing  on  scenes  I  may  visit  no  more. 
Adieu,  then,  dear  land  of  romance  and  wild  story, 

Thy  welfare  and  honour  for  ever  shall  be 
The  prayer  of  an  exile,  whose  boast  and  whose  glory 

Is  the  tie  that  still  binds  him,  loved  country,  to  thee ! 


120 


NOW  TELL  ME,  SWEET  MAPvY. 

Words  by  Alexander  Maclagan. 

Andante  affetuoso. 


Music  by  \V.  Walker. 


for    sae  down-hear-ted     and  thought-fa'     you     be ;    Draw    back    that    lang 


-j, —I 1 f~ 

sigh    and    I'll  make   ye     my  bride,  For    I'm  wae     to     see       teai-s       at     sae 


e.      Look     a  -  boon    ye,    the    sun     in      its      glo  -  ry       is 


low  -  in',  Look  a -round  ye,  lore,    a' 


p=g=p§^^^p§l^=2 


a     flow  -  er-y     lea;  Thy  light  foot  is 


^^^^^^l^^SB 


kissed  by  the  wee  modest  gowan,  Will  ye    no  smile  on  aught  that  is  smil-ing   to    thee? 

I  ken,  gentle  youth,  that  a'  Nature  looks  braw  in 

Her  robe  wrought  wi'  flowers,  and  her  saft  smile  o'  glee ; 
But  look  at  this  leaf  that  beside  me  hath  fa' en, — 

It  has  fa'en,  puir  thing,  an's  ne'er  miss't  frae  the  tree. 
0,  sae  maun  I  fa1  soon,  and  few  will  e'er  miss  me, 

My  sleep  is  for  aye,  when  I  next  close  my  e'e ; 
But  the  dew  will  weep  o'er  me,  and  friendly  death  bless  me, 

And  the  wind  through  the  night  will  cry,  0  wae's  me ! 

I  ken  they  look  fair,  every  rose  on  yon  thorn, 

Wi'  the  innocent  wee  buds  just  opening  their  e'en  ; 
But  the  rose  I  like  best  is  a'  blighted  and  torn, 

And  o'er  its  dead  blossom  the  grass  it  grows  green ; 
Then  leave  me,  youth,  leave  me;  through  life's  flowery  lawn, 

Gae  seek  out  a  maiden  more  fitting  for  thee; 
0 !  what  would  ye  do  wi'  a  weak  trembling  han', 

And  a  poor  broken  heart  that  maun  lie  down  an'  dee  ? 


121 

MY  HEAHT'S  IN  THE  HIGHLANDS. 

The  first  four  lines  of  this  song  belong  to  an  old  ballad,  called  the  "  Strong  Walls  of  Derry." 
The  others  were  added  by  Burns.  Tune— Failte  na  miosg. 


T^H^=HEkmmrrr&-^ 


My  heart's  in     the  High-lands,  my  heart    is      not       here,       My  heart's  in       the 


SPE=g=g^=* 


*3=a 


Jsz 


■*=¥£ 


r — grT- 


:ta=fc:& 


High-lands      a      chas-ing     the     deer;     A        chas  -  ing        the     wild  deer,  and 


pi^lplp^lS^pp^^ 


fol-low  -  ing  the     roe ;       My    heart's  in   the    High-lands  wher  -  ev  -  er    I  go. 


p^jg^p^M^^E^i^ 


Fare  -  well    to       the      Highlands,    fare  -  well  to    the     north,  The    birth-place   of 

•f      P 


^g=P^^^^^^^^ 


:fc=t 


val  -  our,     the     coun  -  try       of  worth,  Wher  -  ev  -  er       I      wan  -  der,  wher- 


^g^^si^^pp^S 


ev  -  er      I  rove,  The     hills  of    the      Highlands    for       ev  -  er       I       love. 


Farewell  to  the  mountains  high  cover' d  -with  snow ; 
Farewell  to  the  straths  and  green  valleys  below ; 
Farewell  to  the  forests  and  wild  hanging  woods ; 
Farewell  to  the  torrents  and  loud  pouring  floods. 
My  heart's  in  the  Highlands,  my  heart  is  not  here, 
My  heart's  in  the  Highlands  a  chasing  the  deer; 
A  chasing  the  wild  deer,  and  following  the  roe ; 
My  heart's  in  the  Highlands  wherever  I  go. 


122 

WILL  YE  GO  TO  THE  EWE-BTTGHTS,  MAHION? 

This  is  a  very  old  song,  with  additions  by  Allan  Ramsay. 
Moderately  &low. 


2^s=^a=a§g 


■  *  - 

Will    ye     go      to     the  ewe-hughts,  Ma  -  rion,  And  wear    in     the  sheep     wi' 


t=B=^=±z±^ 


f=r=Sh=fhr===^ 


ll^^i^Hl^ 


me  ?       The     sun    shines  sweet,  my      Ma  -  rion,  But    nae   half    sae    sweet      as 

4S — 14. 


:fc=q:==i= 


&m*?ig£gm$&=&f 


thee !  The      sun   shines     sweet,   my    Ma-rion,  But  nae  half  sae    sweet     as     thee ! 

There's  gowd  in  your  garters,  Marion, 

And  silk  on  your  white  hause-bane ; 
Fu'  fain  wad  I  kiss  m)-  Marion, 

At  e'en  when  I  come  name. 

There's  braw  lads  in  Earnslaw,  Marion, 

Wha  gape,  and  glow'r  with  their  e'e, 
At  kirk  when  they  see  my  Marion ; 

But  nane  of  them  lo'es  like  me. 

I've  nine  milk  ewes,  my  Marion, 

A  cow  and  a  brawny  quey ; 
I'll  gie  them  a'  to  my  Marion, 

Just  on  her  bridal  day. 

And  ye's  get  a  green  sey  apron, 

And  waistcoat  of  the  London  brown, 
And  wow  but  ye  will  be  yap' ring, 

Whene'er  ye  gang  to  the  town. 

I'm  young  and  stout,  my  Marion. 

Nane  dances  like  me  on  the  green ; 
And  gin  ye  forsake  me,  Marion, 

I'll  e'en  gae  draw  up  wi'  Jean. 

Sae  put  on  your  parlins,  Marion, 

And  kirtle  of  the  cramasie ; 
And  soon  as  my  chin  has  nae  hair  on, 

I  shall  come  west  and  see  ve. 


123 

MY  WIFE  EAS  TA'EN  THE  GEE. 

From  Herd's  collection,  published  1769. 


Sfcfc=£=^^3S=EE£=fefeES 


==*>=£: 


■V- 
A   friend   o'   mine  cam'  here  yes-treen,  And   he    wad    hae    me  down,       To 

_£ _n_-N--, 


g=£=l=5=^ 


*=* 


drink      a       pot       of       ale    wi'    him,   In        the  neist  bor  -  ough  town.      But, 

oh  I     a  -  lake !     it     was    the  waur,  And      sair    the    waur      for    me ;  For 

lang     or       e'er     that      I        cam'  hame,   My       wife     had    ta'en     the    gee. 

We  sat  sae  late,  and  drank  sae  stout, 

The  truth  I'll  tell  to  you, 
That  lang  or  ever  midnight  cam', 

We  baith  were  roaring  f'ou. 
My  wife  sits  by  the  fireside, 

And  the  tear  blinds  aye  her  e'e; 
The  ne'er  a  bed  will  she  gae  to, 

But  sit  and  tak'  the  gee. 

In  the  morning  soon,  when  I  come  down, 

The  ne'er  a  word  she  spak'; 
But  mony  a  sad  and  sour  look, 

And  aye  her  head  she'd  shake. 
"  My  dear,"  quo'  I,  "what  aileth  thee, 

To  look  sae  sour  at  me ; 
I'll  never  do  the  like  again, 

If  ye'll  ne'er  tak'  the  gee." 

When  that  she  heard,  she  ran,  she  flang 

Her  arms  about  my  neck, 
And  twenty  kisses  in  a  crack, 

And,  poor  wee  thing,  she  grat. 
"  If  ye'll  ne'er  do  the  like  again. 

But  stay  at  hame  wi'  me, 
I'll  lay  my  life,  I'se  be  the  wife 

That's  never  tak'  the  gee." 


Slowly 


124 
DONALD. 


^g^^E^^Egg 


I       own, 


I       fond  -  ly      fa  -  vour'd 


lp-J^jj_Jj_^  ?  j>|  rg=f^ 


you; 

Ap   -   pa  -  rent 

worth  and     high 

re  -  nown    Made      me       be- 

j&fc^rrpfc 

9     q     [f-P 

P 

r>  p-p  w?-^r*  ft 

qp       kh    5 

L2_iLEi=t2- 

£ Lid 

— yj 1— i- — ys — —  L,»i- — •-T— 

lieve    you 


true,        Don  -  aid.        Each  vir  -  tue     then  seem'd     to 


r=£3^ 


-**fz 


SfeE 


nPF 


by 


:£=P=3: 


^HH^^^p^^^^N^I 


now    the   mask's  thrown  off,      I   scorn   To  waste  one  thought  on      thee, 

O  then  for  ever  haste  away, 

Away  from  love  and  me ; 
Go  seek  a  heart  that's  like  your  own, 

And  come  no  more  to  me,  Donald. 
For  I'll  reserve  myself  alone 

For  one  that's  more  like  me ; 
If  such  a  one  I  cannot  find, 

I'll  fly  from  love  and  thee,  Donald. 


*4 

Donald. 


i& 


HAME  CAM'  OUR  GUDEMAN  AT  E'EN. 

Reeit.  In  time.  Secit. 


IM^pgli^pglgii^ 


rK-fr 


Hame  cam'  our  gude-man    at     e'en,  And  hame  cam'   he,  And  there  he  saw    a 

.  In  time.       /— 


^^g^^=P^E3^EEg=pg=pg 


sad  -  die  horse,  Where  horse  sud   na     he. 


Oh !  how's  this?  and  what's  this?  And 


■ ■  I S  —J  ft ^ 


wha's  may    he 


be? 


How  cam'  this  horse  here  With  -  out    the  leave   o' 


125 


In  time. 

-IS  — - J-  jl_.  *s—35=rfezr 


Ills 


me?        Ye     sil  -  ly,    blind,  doit  -  ed  carle,  And  blind -er     may    ye      be;     It': 
*  tt  Recit- 


J3=gEJjgg=g=^=i^ 


*s=± 


but      a     bon  -  nie   milk  cow   My   min  -  nie    sent    to     me.         Milk  cow !  quo' 


4+  In  time. 


■rtzr^f— fed 


* 


lie;         Ay,  milk  cow,  quo'  she;    0       far     hae     I       rid -den,    and    far-er 

liecit.  In  time. 


t3=tt 


glp^^ 


?E±3^ 


3=ta 


hae     I     gaen,  But     a      sad  -  die     on       a     milk  cow,    Saw   I    nev  -  er   nane. 


Hame  cam'  our  gudeman  at  e'en, 

And  hame  cam'  he, 
And  there  he  saw  a  siller  gun, 

Where  nae  sic  gun  sud  be. 
How's  this  ?  and  what's  this  ? 

And  how  cam'  this  to  be  V 
How  cam'  this  gun  here 

Without  the  leave  o'  me  ? 
Ye  stupid,  auld,  doited  carle, 

Ye're  unco  blind  I  see ; 
It's  but  a  bonnie  parritch-stick 

My  minnie  sent  to  me.  [quo' 

Parritch-stick!  quo' he;  ay,  parritch- 

Far  hae  I  ridden,  and  meildehae  I 
But  siller  mounted  parritch-sticks 

Saw  I  never  nane. 

Hame  cam'  our  gudeman  at  e'en, 

A  nd  hame  cam'  he, 
And  there  he  saw  a  feather  cap, 

Where  nae  cap  sud  be. 
How's  this  ?  and  what's  this  ? 

And  how  cam'  this  to  be  ? 
How  cam'  this  bannet  here, 

Without  the  leave  o'  me  ? 


Ye're  a  silly,  auld,  donard  bodie, 

And  unco  blind  I  see ; 
It's  but  a  tappit  clocken  hen, 

My  minnie  sent  to  me.  [quo'  she  ; 

A  clocken  hen !  quo'  he ;  a  clocken  hen, 

Far  hae  I  ridden,  and  farer  hae  I  gaen, 
But  white  cockauds  on  clocken  hens, 

Saw  I  never  nane. 

Ben  the  house  gaed  the  gudeman, 
And  ben  gaed  he, 
she ;  And  there  he  spied  a  Hieland  plaid, 
stick,     Where  nae  plaid  should  be. 
seen,  How's  this?  and  what's  this? 
And  how  cam'  this  to  be  ? 
How  cam'  the  plaid  here, 

Without  the  leave  o'  me  ? 
Oh  hooly,  hooly,  my  gudeman, 

And  dinna  anger'd  be  ; 
It  cam  wi'  cousin  M'Intosh, 

Frae  the  north  countrie.  [she; 

Your  cousin  !  quo'  he ;  aye,  cousin,  quo' 
Blind  as  ye  may  jibe  me,  I've  sight 
enough  to  see, 
Ye're  hidin'  tories  in  the  house, 
Without  the  leave  o'  me. 


126 


Words  by  Burns. 


MY  LOVE  IS  LIKE  A  RED,  RED  ROSE. 

Air — Low  down  in  the  Broom. 


=ri*r 


qs=fc 


B£j: 


?&  —  *Z 


:?— 1«: 


:=S=* 


E^~E=^ 


0      my  love     is     like     a     red,   red  rose,  That's  newly  sprung  in  June!  0  my 


:qs=rp: 


=^3^P^EEt 


love    is     like     a     mel  -  o  -  dy,  That's  sweet-ly    play'd   in    tune  I    As       fair     art 


thou,  my    hon  -  nie    lass,    So    deep    in     love    am     I ;      And       I     will     love    thee 


» .s-S «--| S I* fS 


|ga^^ 


it— KJ 


g-j-^-f-'F^] 


still,    my 


r,  Till     a*     the   seas  gang  dry.  Till      a'     the    seas  gang  dry,  my 


dear,      Till 


the     seas    gang    dry.        And 


I       will     love    thee 


EEE^E^E^fe 


!=t= 


still,    my    dear,     Till         a'      the     seas    gang    dry.      'twere  ten  thous-and  mile. 


Till  a'  the  seas  gang  dry,  my  dear, 

And  the  rocks  melt  wi'  the  sun; 
And  I  will  love  thee,  still,  my  dear, 

While  the  sands  of  life  shall  run. 
But,  fare-thee-weel,  my  only  love! 

0  fare-thee-weel  awhile ! 
And  I  will  come  again,  my  love, 

Tho'  'twere  ten  thousand  mile. 
Tho'  'twere  ten  thousand  mile,  my  love, 

Tho'  'twere  ten  thousand  mile ; 
And  I  will  come  again,  my  love, 

Tho'  'twere  ten  thousand  mile. 


Tannahill. 


127 

GLOOMY  WINTER'S  NOW  AWA'. 

Air— Lord  Balgounie's  Favourite. 


J-t— d J— t— • d— v-~h 1—- * — ■= — P^= * — : — \A— J? — 5 — S a — 


:g=±r=|*=:£=i*: 
Gloom  -  y     win-ter'a    now     a  -  wa',        Saffc     the     west  -  lin'    breez  -  es 


r 

blaw, 


■*g — VZ 


:^s— ^: 


S^^i 


m 


'Mang     the   birks      o*    Stan -ley    shaw  The       ma -vis    sings   fu'  cheer -ie, 


^=g: 


r         +  •    t     i     +  •    t 


Sweet    the     craw-flow'r's   ear  -   ly       bell,    Decks  Glen  -  if  -  fer's     dew  -  y 


PE 


-P— ^— W ! — =-=S ®— : — 8 1 P— : — B S-i 


g=*2 


Bloom-ing    like   thy    bon  -  nie    sel',    My     young,  my      art  -  less     dear  -  ie, 


Tt=Mz 


mm 


Come,    my      las  -  sie,       let      us     stray,     O'er    Glen  -  kill-och's     sun  -  ny 


Blyth  -  ly    spend    the     gowd  -  en    day,  'Midst  joys   that  nev   -  er     wea  -  ry,       0. 


Tow'ring  o'er  the  Newton  woods, 
Lav' rocks  fan  the  snaw- white  clouds, 
Siller  saughs,  wi'  downy  buds, 

Adorn  the  banks  sae  briery,  0. 
Round  the  sylvan  fairy  nooks, 
Feath'ry  breckans  fringe  the  rocks, 
'Neath  the  brae  the  burnie  jouks, 

And  ilka  thing  is  cheerie,  0. 
Trees  may  bud,  and  birds  may  sing, 
Flowers  may  bloom  and  verdure  spring, 
Joy  to  me  they  canna  bring, 

Unless  wi"  thee,  my  dearie,  0. 


>• 


128 


GET  UP  AS?D  BAR  THE  DOOR. 


m 


:? — P^"B- 


^5— 


as 


^5=$-^: 


JZZK 


:ez^fc 


'%m 


It     fell      a  -  bout    the  Mart'mas  time,  And  a      gay  time    it  was  then,  0 !  When 


iST* 


&W5!- 


sags 


our  gude-wife   had   pud-dings    to    mak',  And  she  hoil'd  them  in      the    pan,    0 ! 


The  wind  blew  cauld  frae  north  to  south,  And  first  they  ate  the  white  puddings, 
And  blew  in  to  the  floor,  0 !  And  then  they  ate  the  black,  O  !  [sel', 

Quoth  our  gudeman  to  our  gudewife,        Tho'  muckle  thought  the  gudewife  to  her- 
"  Get  up  and  bar  the  door,  0  ! "  Yet  ne'er  a  word  she  spak',  0  ! 


"  My  hand  is  in  my  husswyfskip,  Then  said  the  ane  unto  the  other — 

Gudeman,  as  ye  may  see,  O  !      [year,      "  Here,  man,  tak'  ye  my  knife,  O  ! 

An'  it  should  na  be  barr'd  this  hundred  Do  ye  tak'  aff  the  auld  man's  beard, 
It's  no  be  barr'd  for  me,  O  !  "  And  I'll  kiss  the  gudewife,  O  ! 


They  made  a  paction  'tween  them  twa, 
They  made  it  firm  and  sure,  O  ! 

Whaever  spak'  the  foremost  word, 
Should  rise  and  bar  the  door,  0 ! 


"  But  there's  nae  water  in  the  house, 
And  what  shall  we  do  then,  O  ?  " 

"  What  ails  you  at  the  puddin'  broo 
That  boils  into  the  pan,  0  ?  " 


Then  by  there  came  twa  gentlemen,  0  up  then  started  our  gudeman, 

At  twelve  o'  clock  at  night,  O  !  And  an  angry  man  was  he,  O  ! 

And  they  could  neither  see  house  nor  ha',  "  Will  ye  kiss  my  wife  before  my  e'en, 
Nor  coal  nor  candle  light,  0  !  And  scaud  me  wi'  puddin'  bree,  0  ! ': 


Now,  whether  is  this  a  rich  man's  house,  Then  up  and  started  our  gudewife, 

Or  whether  is  it  a  poor,  0  ?  Gied  three  skips  on  the  floor,  O  !  [word, 

But  never  a  word  wad  ane  o'  them  speak,  "  Gudeman,  ye've   spoken  the   foremost 
For  barring  o'  the  door,  0 !  Get  up  and  bar  the  door,  O !  " 


129 


AULD  JOE  NICOLSON'S  BONNIE  NANNIE. 

Words  by  the  Ettrick  Shepherd. 

Tenderly. 


1^1 


^ 


m 


:*=— ; 


E^ 


The   dai  -  sy 


fair,   The    day  -  li  -  ly     rare,  The    hud     o'    the  rose  is 


¥ 


hon  -  nie,     But    there     ne'er    wa 


^E 


gar  -  den     or     how  -  er,   Like  auld  Joe     Ni  -  col  -  son's     hon  -  nie    Nan  -  nie. 


^ 


|=^i!SEE^£pt! 


my    Nan-nie,    my   dear     lit  -  tie    Nan  -  nie,    My  sweet   lit  -  tie  nid-dle  -  ty, 


gar  -  den     or     bow  -  er,   Like      auld  Joe    Ni  -  col-son's       bon  -  nie    Nan-nie. 

Ae  day  she  cam'  out  wi'  a  rosy  blush, 

To  milk  her  twa  kye,  sae  couthy  an'  canny ; 
I  cower'd  me  down  at  the  back  o'  the  bush, 

To  watch  the  air  o'  my  bonnie  Nannie. — 0  my  Nannie,  &c. 
Her  looks  that  strayed  o'er  nature  away, 

Frae  bonnie  blue  een  sae  mild  an'  mellow ; 
Saw  naething  sae  sweet  in  nature's  array, 

Though  clad  in  the  morning's  gowden  yellow. — 0  my  Nannie,  &c* 
My  heart  lay  beating  the  flowery  green, 

In  quakin',  quiverin'  agitation, 
An'  the  tears  cam'  tricklin'  down  frae  my  een 

Wi'  perfect  love  an'  admiration. — 0  my  Nannie,  &c. 
There's  mony  a  joy  in  this  warld  below, 

An'  sweet  the  hopes  that  to  sing  were  uncanny ; 
But  o'  a'  the  pleasures  I  ever  can  know, 

There's  nane  like  the  love  o'  my  bonnie  Nannie. — 0  my  Nannie,  &c. 
*  This  verse  is  usually  omitted  in  the  singing. 


130 


COME  O'ER  THE  STREAM,  CHARLIE. 

Words  by  the  Ettrick  Shepherd.  Chorus  arranged  for  this  work  by  A.  ITume. 

Air,— MacLean's  Welcome. 


U--&- 


m 


±=±4 


^S * ^-RHr^:-. 


Come  o'er  the  stream,  Charlie,  dear  Char-lie,  brave  Char -lie,  Come  o'er  the  stream, 


;B^-=35=3gpFF^ 


s 


Char -lie,     and       dine  with  Mac  -  Lean;  And    though  you   be         wea-ry,   we'll 


:S=S=g 


^^H 


make  your  heart  chee-rie,  And  wel-come    our  Char -lie     and    his    loy  -  al    train. 


h^±Jd+-Ummmmm^mmm 


We'll  bring  down  the   red  deer,  we'll  bring  down  the  black  steer,  The  lamb  from  the 


=lll3=^=jlfea 


mm 


*—$: 


breck  -  an,  and       doe  from   the        glen ;  The      salt 


we'll      liar  -  ry,    and 


bring   to     our  Char -lie,    The  cream  from  the     bo -thy,  and  curd  from  the    pen. 
Cnonus. 


*^m 


CJ-f— J     M-F=EEi^ 


^F 


Come     o'er    the  stream,    Char-lie,     dear    Char  -  lie,  brave    Char  -  lie,    Come 
Tenor. 


S= 


3=5=3=^=3 


Come      o'er   the  stream,  Char -lie,     dear    Char  -  lie,  brave    Char  -  lie,    Come 
Bass. 


i=~^=£=^ 


1»— — j=\— |*= 


Come     o'er    the  stream,    Char  -  lie,     dear    Char  -  lie,  brave    Char  -  lie,    Come 


131 


o'er  the  stream,  Charlie,    and   dine  with  MacLean ;  And  tho'  you    he    wea  -  ry,   we'll 


~^^^m 


N    .1  1    I" 


o'er  the  stream,  Charlie,    and  dine  with  MacLean;  And  tho' you    he    wea-ry,   we'll 


g=j     v    '^TX     i     E±±     V— dB=± 


o'er  the  stream,  Charlie,    and  dine  with  MacLean;  And  tho' you     be     wea-ry,  we'll 


mak' your  heart  chee-rie,   And  wel-come    our  Char-lie     and     his    roy  -  al    tra; 


^^p^r^^^^P^p^ 


mak' your  heart  chee-rie,   Ami  wel-come    our  Char-lie     and    his     roy  -  al     train. 


mak'  your  heart  chee-rie,   And   wel-come    our  Char-lie     and    his    roy  -  al     train. 


And  you  shall  drink  freely  the  dews  of  Glen-Sheerly, 
That  stream  in  the  star-light,  when  kings  dinna  ken 

And  deep  be  your  meed  of  the  wine  that  is  red, 
To  drink  to  your  sire  and  his  friend  the  MacLean. 
Come  o'er  the  stream,  &c. 


If  aught  will  invite  you,  or  more  will  delight  you, 
'Tis  ready — a  troop  of  our  bold  Highland  men 

Shall  range  on  the  heather,  with  bayonet  and  feather, 
Strong  arms  arid  broad  claymores,  three  hundred  and  ten. 
Come  o'er  the  stream,  &c. 


132 


Jst  Voice.     Mournfully. 


iftep 


DTJET:-0  WALY!  WALY! 

Arranged  for  this  work  by  A.  Hume. 


=5* 


:p_. 


'ms^i 


O      wa  -  ly!    wa  -  ly!     up     the   bank,  An'    wa  -  ly!    wa  -  ly!  down  the 
2d  Voice.         tnf 


^-jri^^^^V^  j\  M=#±j? 


0      Vrra  -  ly  I    wa  -  ly !     up     the  bank,  An'    wa  -  ly !    wa  -  ly !   down  the 


^i=e== 


f- ir 


:=* 


^=g^^H 


£*z 


gj      I ' 


1 


brae ;    An'    wa  -  ly !  by    yon  burnside,  Where  I     an'  my   love  wont    to     gae. 


^Ip^ip^^gEpsS 


brae;   An*    wa-ly!    by    yon   burnside,  Where  I    an'   my    love  wont    to 


I    leant    my  back   un  -  to      an      aik,     I  thought  it     was      a     trus    -  ty 


1— 14— a— -; 


I    leant    my  back    un  -  to      an     aik,     I  thought  it     was      a     trus  -    ty 


/T\     rail. 


tree ;  But    first  it    bow'd  an'  syne  it  brake,  An'  so    did  my  fause  love    to    me. 

r~\      rail. 


S§g^^^p^=E?l^P 


tree;    But   first  it   bow'd  an'-  syne   it  brake,  An'  sae  did  my  fause  love   to  me. 


0  waly,  waly,  but  love  be  bonr.ie  0  wherefore  should  I  busk  my  heid, 

A  little  time  while  it  is  new;  Or  wherefore  should  I  kame  my  hair? 

But  when  it's  auld,  it  waxes  cauld,  For  my  true  love  has  me  forsook, 

And  fades  away  like  the  morning  dew.      And  says  he'll  never  love  me  mair. 


133 


Now  Arthur's  Seat  shall  he  my  bed, 

The  sheets  shall  ne'er  be  pressed  by  me. 
St.  Anton's  Well  shall  be  my  drink, 

Since  my  true  love  has  forsaken  me. 
Martinmas  wind,  when  wilt  thou  blaw, 

And  shake  the  green  leaves  aff  the  tree  ? 
O,  gentle  death,  when  wilt  thou  come? 

For  of  my  life  I  am  wearie. 

'Tis  not  the  frost  that  freezes  fell ; 

Nor  blawing  snaw's  inclemencie ; 
'Tis  not  sic  cauld  that  makes  me  cry ; 

But  my  love's  heart's  grown  cauld  to  me. 


When  we  came  in  by  Glasgow  town, 
We  were  a  comely  sicht  to  see ; 

My  love  was  clad  in  the  black  velvet, 
And  I  mysel'  in  cramasie. 

But  had  I  wist,  before  I  kiss'd, 

That  love  had  been  Site  ill  to  win, 
I'd  lock'd  my  heart  in  a  case  of  gold, 

And  pinn'd  it  wi'  a  siller  pin. 
Oh,  oh !  if  my  young  babe  were  born, 

And  set  upon  the  nurse's  knee, 
And  I  myself  were  dead  and  gane, 

And  the  green  grass  growing  over  me. 


THE  WIDOW'S  LULLABY. 


Alex.  A.  Ritchie. 


T.  S.  Gleadhill. 


safe  -  ly      sleep,  my       ton  -  nie       bon  -  nie     bairn,      Rock'd    on  this 


^^*EE^^P=|3Eg£=^5 


breast  o'        mine, 

RalUntawdo. 


The      heart   that  beats   sae       sair    with  -  in     Will 

a  tempo. 


£=g=^* 


_} tcqgzrrp:      ^j: — _  fc. 


not,        will     not        a   -  wa  -  ken    thine, 


can  -   kered  thochts,      That 


such       late   watch  -  es 

RalJentitndo. 


keep,      And 


spT=»J 3 — gil — ^ 1~ ^ =-fl* F3 — ' J 

if       ye  break        the      mo-ther's  rest,  Yet     let,       yet    let    my     ba  -  by      sleep. 


Sleep  on,  sleep  on,  my  ae  ae  bairn, 
Nor  look  sae  wae  on  me, 

As  if  ye  felt  the  bitter  tear 
That  blin's  thy  mammie's  e'e. 


Dry  up,  dry  up,  ye  saut  saut  tears, 
Lest  on  my  bairn  ye  dreep, 

And  break  in  silence,  waefu'  heart, 
And  let  my  baby  sleep. 


134 


THE  BATTLE  OF  THE  BALTIC. 


Written  by  Thomas  Campbell. 

Maestoso. 


Music  by  R.  A.  Smith. 


-tie     fierce  came  forth    All     the     might      of    Denmark's  crown,  And  their 


hand,   And     the       prince     of       all       the    land    Led     them       on. 


Like  leviathans  afloat, 

Lay  their  bulwarks  on  the  brine ; 

While  the  sign  of  battle  flew 

On  the  lofty  British  line : 

It  was  ten  of  April  morn  by  the  chime : 

As  they  drifted  on  their  path, 

There  was  silence  deep  as  death ; 

And  the  boldest  held  his  breath 

For  a  time. — 


again !  agam 


Again ! 

And  the  havoc  did  not  slack, 

Till  a  feeble  cheer  the  Dane 

To  our  cheering  sent  us  back ; — 

Their  shots  along  the  deep  slowly  boom  : 

Then  ceas'd — and  all  is  wail, 

As  they  strike  the  shatter'd  sail ; 

Or,  in  conflagration  pale, 

Light  the  gloom. — 


But  the  might  of  England  flush'd  Now  joy,  old  England,  raise ! 

To  anticipate  the  scene;  For  the  tidings  of  thy  might, 

And  her  van  the  fleeter  rushed  By  the  festal  cities'  blaze, 

O'er  the  deadly  space  between.  While  the  wine  cup  shines  in  light ; 

"Hearts  of  oak!  "our  captains  cried,  when  And  yet  amidst  that  joy  and  uproar, 
From  its  adamantine  lips  [each  gun  Let  us  think  of  them  that  sleep, 

Spread  a  death- shade  round  the  ships,      Full  many  a  fathom  deep, 
Like  the  hurricane  eclipse  By  thy  wild  and  stormy  steep, 

Of  the  sun. —  Elsinore  ! — 


135 

Brave  hearts!  to  Britain's  pride 
Once  so  faithful  and  so  true, 
On  the  deck  of  fame  that  died, 
With  the  gallant,  good  Iiiou :  * 
Soft  sigh  the  winds  of  heav'n  o'er  their  grave ! 
While  the  billow  mournful  rolls, 
And  the  mermaid's  song  condoles, 
Singing  glory  to  the  souls 
Of  the  brave ! — 
*  Captain  Riou,  justly  entitled  the  gallant  and  the  good,  by  Lord  Nelson,  when  he  wrote 
home  his  despatches. 


MARY'S  BOWES. 


Words  by  Alexander  Maclagan. 

Andantino  Sostenuto. 


Music  by  W.  Walker. 


bird    re-plied,  From  dawn  of  day  To    ev'ning's  dew  -  y    hour, 
ad  lib.  ^  a  tempo. 


ofttimes  licht    to 


e^i^p^^^S^^il 


learn    a     lay  0'  love,  0'  love  in      Ma  -  ry's  bow'r.  0'  love  in       Ma  -  ry's  bow'r. 


Love  whispered  to  the  blushing  rose — 

Sweet  flower,  come  tell  me  true, 
From  whence  each  lovely  tint  that  glows 

Thy  breast  o'  beauty  through  ? 
The  rose  replied  wi'  blushing  brow, 

Oh !  happy  is  the  flower 
That's  fed  upon  the  smiles  an'  dew 

O'  love  in  Mary's  bower. 

Love  whispered  to  the  evening  star — 
From  whence  your  glory,  say, 

When  burning  in  your  sphere  afar, 
You  gem  the  Milky  Way? 


The  star  replied — Though  bright  my  skies, 
There's  beams  o'  greater  power, 

That  ever  flash  from  two  fair  eyes 
0'  love  in  Mary's  bower. 

Love  whispered  to  the  world  around, 

A  holy  gift  is  thine  ; 
The  world  replied — Where  love  is  found, 

Are  treasures  more  divine. 
Love  told  the  tale  to  beating  hearts ; 

And  from  that  sunny  hour, 
He  sends  his  keenest,  brightest  darts 

O'  love  frae  Mary's  bower. 


136 


BUET— YE  BANKS  AND  BRAES  0'  BONNIE  BOON. 

Words  by  Burns.  Arranged  for  thia  work  by  Jam^s  Miller. 

1st  Voice.     With  feeling. 


5=^=?*  — N— f -j 

■w- J7  — v — "•- ^«s — bP3 


^ 


S^?IH!S 


Ye     banks  and   braes      o* 


loon  -  nle  Doon,  EoW       can    ye  bloom  sae 


^ 


=3 .=^r^:B:iE^!5 fr-^zj^r=^==} 

B I &=±5==£z±z*-< — 5=^g— i^dES—  iE=h:cr2sd 


Ye      banks  and 


bon  -  nie  Doon,  How      can    ye    bloom  sae 


^^^™= 


fresh      and     fair?    How        can     ye     chant,    y£ 


lit    -    tie    birds,   And 


f#± 


:f^f 


l=di=t 


J. ■ * ■Jg:        v 

fresh      and      fair?    How        can     ye     chant,    y< 


lit    -    tie     birds,   And 


I         sae      wea  -  ry  fu'       o'     care.     Thou'lt  break    my      heart,  thou 


war-bling     bird,    That 


:fS=4s 


::k — ^ lj_  55 — -N=R1 


S 


zfcg: 


:^bi 


f ^- 

minds  me      o'      de  -  part  -  ed     joys,   De  -  part  -  1 


ne  -  rer        to      re  -  turn. 


tdt 


— -I — C3 |v—  jS s-| — S  q= 


^ 


minds  me      o'      de  -  part  -  ed     joys,  De  -  part  -  ed      ne  -  ver       to      re 


turn. 


137 

Oft  hae  I  rov'd  by  bonnie  Doon, 

To  see  the  rose  and  woodbine  twine ; 
And  ilka  bird  sang  o'  its  love, 

And  fondly  sae  did  I  o'  mine. 
Wi'  lightsome  heart  I  pu'd  a  rose, 

Fu'  sweet  upon  its  thorny  tree ; 
And  my  fause  lover  stole  my  rose, 

But  ah !  he  left  the  thorn  wi'  me. 


Words  by  Burns. 

Ami  ante  affetuoso. 


THE  BBAES  0'  BALLOCHMYLE. 


The         Ca  -  trine 

woods  were      yel  -  low 

seon,  The  flowers 

de- 

cayed      on 

ft 

^- ^=t=J 

Esrj— » jsdb 

=i=p=i=»— 

_* — 

=£=£ 

T 

uf — ,M-t 

w — ' — r — J  j- 

_j k_J — _ 

Ca 


lea;      Nae       lav'  -  rock      sang     on         hil  -  lock     green,    But 


i^snn^ 


Through     fa  -  ded  groves,    Ma- 


j^g=5=*pE^ 


sang,   Her 


** v —  -- — r 

beau  -  ty's    bloom   the    while,  An'   aye    the 


gl^i^Hi^ 


^F 


j-hfl- 


m 


wild-woods'     e  -  choes     rang,  Fare  -  weel,  fare 


sweet     rial -loch  -  myle. 


Low  in  your  wintry  beds,  ye  flowers, 

Again  ye'll  flourish  fresh  and  fair; 
Ye  birdies  dumb,  in  withering  bowers, 

Again  ye'll  charm  the  vocal  air; 
But  here,  alas  !  for  me  nae  mair 

Shall  birdie  charm,  or  flow'ret  smile ; 
Fareweel  the  bcnnie  banks  o'  Ayr, 

Fareweel,  fareweel !  sweet  Ballochmyle 
f2 


138 
DUET— MY  AIN  FIRESIDE. 


Y/ords  by  Mrs.  Elizabeth  Hamilton. 

Air. 


Arranged  by  A.  Hume. 


3^g=g^ 


2^^ 


f==FF 


I       ha'e    seen    great  anes,    an'       sat      in    great   ha's,  'Mang 


j^=F^^^l^^=pi 


lords    an'  'mang  la  -  dies,     a'       cov  -  er'd    wi'  braws ;  But    a      sight     sae  de- 


FRi  i\  rirn_;  j.  |  ^-|-^^ 


m^^^^ 


mmm 


139 

Ance  mair,  heaven  be  praised !  round  my  ain  heartsome  ingle, 

Wi'  the  friends  o'  my  youth  I  cordially  mingle ; 

Nae  forms  to  compel  me  to  seem  wae  or  glad, 

I  may  laugh  when  I'm  merry,  and  sigh  when  I'm  sad. 

My  ain  fireside,  my  ain  fireside, 

O  there's  nought  to  compare  wi'  ane's  ain  fireside. 

Nae  falsehood  to  dread,  nae  malice  to  fear, 
But  truth  to  delight  me,  and  kindness  to  cheer; 
O'  a'  roads  to  pleasure  that  ever  were  tried^ 
There's  nane  half  sae  sure  as  ane's  ain  fireside. 
My  ain  fireside,  my  ain  fireside, 
O  sweet  is  the  blink  o'  my  ain  fireside. 


BONNIE  WEE  THING. 


Words  by  Burns. 

dfc 


Bon  -  nie     wee  thing,    can  -  ny  wee  thing,  Love  -  ly      wee  thing,  wert  thou  mine; 

Fine. 


And  my 


heart    it    stounds  with   an  -  guish,    Lest      my      wee  thing 


na    mine. 


[Here  repeat  the  first  part  of  the  music,  and  commence  the  following  stanzas  with  the 
second  part:—] 

Wit  and  grace,  and  love  and  beauty, 

In  ae  constellation  shine ! 
To  adore  thee  is  my  duty, 

Goddess  of  this  soul  o'  mine. 
Bonnie  wee  thing,  canny  wee  thing, 

Lovely  wee  thing,  wert  thou  mine, 
I  wad  wear  thee  in  my  bosom, 

Lest  my  jewel  I  should  tine. 


140 

YE  NEEDNA  BE  COURTIN'  AT  ME,  ATJLD  MAN. 

Words  by  Peter  Still.  Music  by  James  Rennie. 

Archly. 


-fr     '7'     ' —     — K—J-' — 5f" ""-"-" — r 

•  na     be  court  -  in'      at      me,    auld  man,  Ye    need  -  na    be 


e'e,    Sae     ye     need  -  na     be  court  -  in*     at     me,     auld  man,  Ye  need  -  na     be 
Oruffll/. 


Hpfe^Pgs; 


3^=* 


court  -  in'      at 


Ha'e     pa-tience  and  hear    me      a      wee,  sweet 


^ — 3s — *- 


j— ri-q^— fc 


j=e 


lass,  Ilae        pa-tience  and  hear    me      a 


gou  -  pins    o 


*^P^ 


:z — j~z 


JEE$ 


an      awm  -  ry      weel  stow'd,  And      a       heart  that     loe's   nane 


^=p=a=»=Hii=i 


3=J: 


thee,  sweet  lass,    And 


heart  that   lo'es  nane      but       thee. 


Gang  hame  to  your  gowd  and  your  gear,  auld  man, 
Gang  hame  to  your  gowd  and  your  gear  ; 
There's  a  laddie  I  ken  has  a  heart  like  my  ain, 
And  to  me  he  shall  ever  be  dear,  auld  man, 
And  to  me  he  shall  ever  be  dear. 

I'll  busk  ye  as  braw  as  a  queen,  sweet  lass, 

I'll  busk  ye  as  braw  as  a  queen ; 

1  bae  guineas  to  spare,  and,  hark  ye,  what's  mair, 

I'm  only  twa  score  and  fifteen,  sweet  lass, 

I'm  only  twa  score  and  fifteen. 


141 


O  stan'  aff,  na',  and  fash  me  nae  mair,  auld  man, 

Stan'  afF,  na',  and  fash  me  nae  mair; 

There's  a  something  in  love  that  your  gowd  canna  move- 

I'll  be  Johnnie's  although  I  gang  bare,  auld  man, 

I'll  be  Johnnie's  although  I  gang  bare. 


iSS; 


BIDE  YE  YET. 


Gin    I      had    a     wee  house,  and    a     can-ty    wee    fire,     A     hon-nie    wee 


I3v^ 


=3=3= 
wi-fie    to  praise  and  ad-mire,  A  hon-nie  wee  yar-die  he-side    a  wee  hum;  Fare- 

weel  to   the  ho-dies  that   yau-mer   and  mourn.  Sae  hide  ye   yet,    and   hide      ye 


:fe=fc 


Ye     lit -tie  ken  wJaat  may  he  -  tide     ye  yet,  Some  bon-nie  wee   bo -die  may 


think -in'    o't,     wi'  think -in'    o't,     I'll    aye    he    can-ty    wi'  think  -in'    o't. 


When  I  gang  afield,  and  come  hame  at  e'en, 
I'll  get  my  wee  wifie  fa'  neat  and  fu'  clean, 
And  a  bonnie  wee  bairnie  upon  her  knee, 
That  will  cry  papa  or  daddy  to  me. 
Sae  bide  ye  yet,  &c. 

An'  if  there  should  ever  happen  to  be 
A  difference  atween  my  wee  wifie  and  me, 
In  hearty  good  humour,  although  she  be  teas'd, 
I'll  kiss  her  and  clap  her  until  she  be  pleas' d. 
Sae  bide  ye  yet,  &c. 


142 


BE  KIND  TO  AULD  GRANNIE. 


Words  by  Archibald  M'Kay. 

Moderate/,  with  expression. 


Music  by  T.  S.  Gleadhill. 


S 


^ 


m 


m 


kind     to    auld  gran  -  nie,   for 


is    frail        As 


m^^m 


^=£ 


time  -  skat  -  ter'd     tree    bend  -  ing     low 


^ 


the    gale;  When    ye    were  wee 


P=j53=g5^^ 


watch'd  ye    when    out;     And        aye     when   ye  chane'd,  in    your        daf-fin'      and 


fun,      To       dunt    your     wee   heads     on       the     cauld     stan  -  ey    grun',    She 


-v- 


lift  -  ed        ye        up,    and      she      kiss'd     ye       fu^      fain,  Till        a'    your       bit 


cares    were     for   -   got  -  ten      a  -  gain.  Then  be      kind     to    auld  gran-  nie,    for 

rail. 


noo    she      is    frail     As      a     time-shat-ter'd   tree  bend-ing    low      in     the   gale, 

"When  first  in  your  breasts  rose  that  feeling  divine, 

That's  waked  by  the  tales  and  the  sangs  o'  langsyne, 

Wi'  auld-warld  cracks  she  would  pleasure  inspire, 

In  the  lang  winter  nichts  as  she  sat  by  the  fire; 

Or  melt  your  young  hearts  wi'  some  sweet  Scottish  lay, 

Like  "  The  Flowers  o'  the  Forest,"  or  "  Auld  Eobin  Gray;" 

Though  eerie  the  win'  blew  around  our  bit  cot, 

Grim  winter  and  a'  its  wild  blasts  were  forgot ; — 

Then  be  kind  to  auld  grannie,  for  noo  she  is  frail 

As  a  time-shatter' d  tree  bending  low  in  the  gale. 


143 


And  mind,  though  the  blythe  day  o'  youth  noo  is  yours, 

Time  will  wither  its  joys,  as  wild  winter  the  flowers ; 

And  your  step  that's  noo  licht  as  the  bound  o'  the  roe, 

Wi'  cheerless  auld  age  may  be  feeble  and  slow  ; 

And  the  Men's  o'  your  youth  to  the  grave  may  be  gane, 

And  ye  on  its  brink  may  be  tottering  alane ; 

Oh,  think  how  consoling  some  frien'  would  be  then, 

When  the  gloaming  o'  life  comes  like  mist  o'er  the  glen  ;- 

Then  be  kind  to  auld  grannie,  for  noo  she  is  frail 

As  a  time-shatter'd  tree  bending  low  in  the  gale. 


SCOTS  WHA  HA'E  WI'  WALLACE  BLED. 

Words  by  Burns.  Air,  "  Hey,  tuttie,  tattie." 


R— F 


Scots,  wha    liae    wi'     Wal-lace  bled,  Scots,  wham  Bruce  has       af  -  ten    led ! 


Wei  -  come     to      your        go    -   ry      bed,  Or        to        vie  -   to      -      rie ! 


Now's    the      day      an'      now's  the  hour;      See    the   front    of       bat  -  tie    lour— 


See 


ap-proach  proud     Ed- ward's  power,  Chains   and 


Wha  will  be  a  traitor  knave  ? 
Wha  will  fill  a  coward's  grave  ? 
Wha  sae  base  as  be  a  slave  ? 

Let  him  turn  and  flee ! 
Wha,  for  Scotland's  king  and  law, 
Freedom's  sword  will  strongly  draw, 
Freeman  stand,  or  freeman  fa', 

Let  him  follow  me ! 


By  oppression's  woes  and  pains, 
By  your  sons  in  servile  chains, 
We  will  drain  our  dearest  veins, 

But  they  shall  be  free. 
Lay  the  proud  usurpers  low  ! 
Tyrants  fall  in  every  foe ! 
Liberty's  in  ever}7  blow ! 

Let  us  do  or  die! 


[In  Part  IV.  we  omitted  to  acknowledge  that  the  "Spinning  Wheel,"  and  the  Melody  of 
"  Will  You  No  Come  Back  Again,"  are  inserted  in  this  work  by  the  kind  permission  of 
Messrs.  Paterson  &  Sons  of  Edinburgh.] 


144 


DTTET-THOU  AET  GANE  AWA'  FEAE  ME,  MAEY! 

Words  by  Burns.  Arranged  by  A.  Hume. 

Treble.     With  feeling. 

'—k^-l  -  ^F=*jj — ! — « — i=j=**==z£^ — F — p= 


Thou    art 

1  n  tt  tt    T^. 

gane        a    -    iva' 

thou   art 

gane 

a    - 

Ava',  Thou  art 

£zSr-P==£-^-J 

#^8_    ..fi-p        p 

— P » — 

j — ^* 

— £-H 

_^_r_ 

Kg — : — *-■ — / ^— 

feS: fcC       t   ■ 

r-Cfl- 

=r_p_ 

-1 V ]f-r 

\j *"* *"=^ \/ 17 ^ CfaJS 

i ' 


ifST 


gane        a      -      wa'       frae        me,  iMa     -    ry!      Nor     friends    nor       I 


^^s^m- 


=^15EE&EE* 


ta-i— q=43^t 


t=^5r 


^3=^^^=g=^g=g 


could       make     thee    stay,  Thou  hast      cheat    -  ed        them      and         me, 


P 


EjES==fi^=====5& 


■yp-p — r 


i  ■  j  i u j — =»< — ^- 


la     -     ry.  Un    -    til        this  hour  I        nev 


^g=E=H^lp£S 


er  thought  That  aught 


=3=5* 


Ki2  ,        lj: !: j g         i —3 — ^ 1 


H^^m 


could     al  -  ter        thee,      Ma   -   ry;    Thou'rt        still        the     mis -tress      of 


145 


Whate'er  he  said  or  might  pretend, 

Wha  stole  that  heart  o'  thine,  Mary; 
True  love,  I'm  sure,  was  ne'er  his  end, 

Nor  nae  sic  love  as  mine,  Mary. 
I  spake  sincere,  ne'er  flatter'd  much, 

Nor  lichtly  thought  of  thee,  Mary; 
Ambition,  -wealth,  nor  naething  such, 

No,  I  lov'd  only  thee,  Mary. 


Tho'  you've  been  false,  yet  while  I  live 

Nae  maid  I'll  woo  like  thee,  Mary; 
Let  friends  forget,  as  I  forgive, 

Thy  wrongs  to  them  and  me,  Mary 
So  then  farewell!  of  this  be  sure, 

Since  you've  been  false  to  me,  Mary, 
For  all  the  world  I'd  not  endure 

Half  what  I've  done  for  thee,  Mary ! 


MY  OWN  SWEET  ROSE. 


Words  by  John  Bell. 

Moderate 


Music  by  Thomas  Anderson. 


am  -  bi  -  tion 


^EJjgj^^^3!=g=p3^^P 


knows,    To         cher  -  ish      in      my     ru  -  ral     cot    My     own     sweet      Eose. 


Her  little  fragile  fairy  form, 

So  slender,  light,  an'  fair, 
Whose  yielding  weakness  softly  claims 

The  gentle  hand  of  care. 
The  love  that  sparkles  in  her  e'e, 

And  in  her  bosom  glows, 
Still  renders  doubly  dear  to  me 

My  own  sweet  Rose. 


Should  life  her  thousand  ills  impart, 

An'  grief  an'  cares  combine, 
To  soothe  her  little  throbbing  heart 

The  grateful  task  be  mine ; 
Whatever  clouds  the  skies  deform — 

Whatever  tempest  blows — 
I'll  shelter  thee  from  every  storm, 

Mv  own  sweet  Rose. 


146 
DUET— SAW  YE  JOHNNIE  COMIN'  ?  QUO'  SHE. 

Words  by  Lady  Nairne. 
1st  Voice      Cheerfully. 


Saw    ye  John  -  nie    com  -  in1  ?  quo'  she,    Saw  ye  John  -  nie     com  -  in'  ? 


Saw   ye   John-nie     com-in'?  quo"  she,     Saw  ye  Johnnie  com  -  in'?    Wi'    his    blue 


Fee  him,  father,  fee  him,  quo   she, 

Fee  him,  father,  fee  him  ; 
Fee  him,  father,  fee  him,  quo'  she, 

Fee  him,  father,  fee  him ; 
For  he  is  a  gallant  lad, 

And  a  weel  doin' ; 
And  a'  the  wark  about  the  house 

Gaes  wi'  me  when  I  see  him,  quo'  she, 

Wi'  me  when  I  see  him. 

What  will  I  do  wi'  him,  hizzie? 

What  will  I  do  wi'  him  ? 
He's  ne'er  a  sark  upon  his  back, 

And  I  ha'e  nane  to  gi'e  him. 


I  ha'e  twa  sarks  into  my  kist, 

And  ane  o'  them  I'll  gi'e  him, 
And  for  a  merk  o'  mair  fee 

Dinna  stand  wi'  him,  quo'  she, 

Dinna  stand  wi'  him. 
For  weel  do  I  lo'e  him,  quo'  she, 

Weel  do  I  lo'e  him ; 
For  weel  do  I  lo'e  him,  quo'  she, 

Weel  do  I  lo'e  him. 
0  fee  him,  father,  fee  him,  quo'  she, 

Fee  him,  father,  fee  him ; 
He'll  haud  the  pleugh,  thrash  in  the  barn, 

And  crack  wi'  me  at  e'enin',  quo'  she, 

And  crack  wi'  me  at  e'enin'. 


147 


JENNY'S  BAWBEE. 

Words  by  Sir  Alexander  Boswell. 

-It- 


met   four    chaps  yon      Turks    a-mang,  Wi'     hing  -  ing   lugs    and 


fa  -  ces  lang  :      I    spier'd  at     nee  -  hour  Baul-dy  Strang,  Wha's  they     I 


as  the    deil,    And     here  they  cam' 

The  first,  a  Captain  to  his  trade, 

Wi'  skull  ill-lined,  but  back  weel-clad, 

March'd  round  the  barn,  and  by  the  shed, 

And  pappit  on  his  knee: 
Quo' he,  "My  goddess,  nymph,  and  queen, 
Your  beauty's  dazzled  baith  my  een ! " 
But  deil  a  beauty  he  had  seen 

But— Jenny's  bawbee. 

A  Lawyer  neist,  wi'  blatherin'  gab, 
Wha  speeches  wove  like  ony  wab, 
In  ilk  ane's  corn  aye  took  a  dab, 

And  a'  for  a  fee. 
Accounts  he  owed  through  a'  the  toun, 
And  tradesmen's  tongues  nae  mair  could 

drown, 
But  now  he  thocht  to  clout  his  gown 

Wi'  Jenny's  bawbee. 

A  Norland  Laird  neist  trotted  up, 
Wi'  bawsand  naig  and  siller  whup, 
Cried,  "  There's  my  beast,  lad,  haud  the 

Or  tie't  till  a  tree;  [g™P» 

What's  gowd  to  me? — I've  walth  o'  Ian'! 
Bestow  on  ane  o'  worth  your  han' ! " — 
Pie  thocht  to  pay  what  he  wras  awn 

Wi'  Jenny's  bawbee. 


to   steal       Jen-ny's  baw-bee. 
Drest  up  just  like  the  knave  o'  clubs, 
A  thing  came  neist,  (but  life  has  rubs,) 
Foul  were  the  roads,  and  fu'  the  dubs, 

And  jaupit  a'  was  he. 
He  danc'd  up,  squinting  thro'  a  glass, 
And  grinn'd,   "  I'  faith,  a  bonnie  lass !  " 
He  thought  to  win,  wi'  front  o'  brass, 

Jenny's  bawbee. 

She  bade  the  Laird  gae  kame  his  wig, 
The  Sodger  no  to  strut  sae  big, 
The  Lawyer  no  to  be  a  prig, 

The  fool,  he  cried,  "  Tehee ! 
I  kenn'd  that  I  could  never  fail ! ' ' 
But  she  preen'd   the   dishclout  to   his 

tail, 
And  soused  him  wi'  the  water- pail, 
And  kept  her  bawbee. 

*  Then  Johnnie  cam',  a  lad  o'  sense, 
Although  he  had  na  mony  pence ; 
And  took  young  Jenny  to  the  spence, 

Wi'  her  to  crack  a  wee. 
Now  Johnnie  was  a  clever  chiel, 
And  here  his  suit  he  press' d  sae  weel, 
That  Jenny's  heart  grew  saft  as  jeel, 

And  she  birled  her  bawbee. 


*  As  the  last  stanza  does  not  appear  in  the  copies  of  this  song  published  during  the  lifetime 
of  Sir  Alexander  Boswell,  it  is  uncertain  whether  he  is  the  author  of  it. 


148 


Words  by  T.  Elliott. 

Cheerfully. 


ROW,  LADS,  ROW— Clyde  Boat  Song. 


Music  by  A.  Ilnme. 


-iZ C 


1 


Leave  the     ci  -  ty's 


:t=: 


sy  throng,    Dip    the    oar    and     wake    the  song; 


P=> 


p=p— =e=k 


;.^^4 


on     Cath-kin 


the  moon     Ri  -  ses     with 


-5" 


Haiicl       the    boom  of         ev'n  -  ing    bells   Trem-bles    thro'  the       leaf  -  y     dells. 

Air.    p  f 


Row,lads,row!  row,  lyds,  row!  While  the  golden  ev-  en-tide  Lingers  o'er  the  vale  of  Clyde. 
Alto,     p  f 


3— -H-+ 


m 


SHSi 


^^igp^^^^^^^i 


Row,  lads,  row !  row,  lads,  row  1  While  the  golden  ev-en  -  tide  Lingers  o'er  the  vale  of  Clyde 
V  f 

EE3 


P^P^i 


Row, 
pp 


row,  lads,  row !   Up    the  Clyde  with    the  tide, 
cres.  f  s^ 


Row,  lads,  row! 


r=z 


Row, 
pp 


lads,  row  1     row,  lads,  row  !  Up    the  Clyde  with  the   tide, 


149 


Life's  a  river,  deep  and  old, 
Stemm'd  by  rowers  brave  and  bold ; 
Now  in  shadow,  then  in  light, 
Onward  aye,  a  thing  of  might. 
Sons  of  A  Ibyn's  ancient  land, 
Row  with  strong  and  steady  hand. 
Row,  lads,  row !  row,  lads,  row  ! 
Gaily  row  and  cheery  sing 
Till  the  woodland  echoes  ring — 

Eow,  lads,  row !  row,  lads,  row ! 
Up  the  Clyde  with  the  tide, 
Row,  lads,  row ! 


Hammers  on  the  anvils  rest — ' 
Dews  upon  the  gowan's  breast — 
Young  hearts  heave  with  tender  thought- 
Low  winds  sigh,  with  odours  fraught — 
Stars  bedeck  the  blue  above — 
Earth  is  full  of  joy  and  love. 

Row,  lads,  row !  row,  lads,  row  ! 
Let  your  oars  in  concert  beat 
Time,  like  merry  dancers'  feet. 

Row,  lads,  row !  row,  lads,  row  ! 
Up  the  Clyde  with  the  tide, 
Row,  lads,  row ! 


JOHN  ANDERSON,  MY  JO. 

First  and  last  Stanzas  by  Burns. 

Slotv,  with  feeling. 


snaw,    But   bless -ings   on    your  fros  -  ty    pow,  John  An  -  der  -  son,    my    jo. 


John  Anderson,  my  jo,  John, 

When  Nature  first  began 
To  try  her  canny  hand,  John, 

Her  master-wark  was  man  ; 
And  you,  amang  the  lave,  John, 

Sae  trig  frae  tap  to  toe — 
She  prov'd  hersel'  nae  journey- wark, 

John  Anderson,  my  jo. 


John  Anderson,  my  jo,  John, 

We  clamb  the  hill  thegither, 
And  mony  a  canty  da}',  John, 

We've  had  wi'  ane  anither; 
Now  we  maun  totter  down,  John, 

But  hand  in  hand  we'll  go, 
And  we'll  sleep  thegither  at  the  foot, 

John  Anderson,  my  jo. 


150 


JEANIE'S  NAE  MAIR— Prize  Song,  No.  I. 

Words  by  Miss  Young.  Music  by  A.  Hume. 

Slmv  und  with  much  feeling. 


an'  sleet   war  -  stle  hard    in     the    air;     An'    cauld    is     my    hame-stead,   but 


mm^^mE^ 


cauld  -  er    my      bo-som,    An'  thow-less    my  heart,  for  my  Jean-ie's    nae  main 


^^^^^=mm 


^^^ 


The    pride    o'      my  heart,  and  the     joy     o'     my      bo  -  som,  She        kept   my 

Ballentando.  a  tempo. 


auld  days  free   frae    sor-row    and  care;  But    she's gane  from  my  sight,  like    a 

rail. 


frost    nip  -pit     blos-som,  And  gane  are  my  joys  since  my  Jean-ie's   nae  mair. 


I  hear  na  her  silv'ry  voice  ring  thro'  the  hallar, 

Wi'  music  as  sweet  as  the  saft  simmer  air, 
Nor  hear  her  licht  fitfa'  steal  roun'  in  the  gloamin' — 

An'  ilk  thing  looks  dreary  since  Jeanie's  nae  mair. 
It's  no  that  the  warld's  grown  darker  or  drearer — 

It's  no  that  its  flowers  are  bloomin'  less  fair; 
But  my  life's  sun's  gane  down,  an'  nae  mair  can  they  cheer  me 

It's  aye  gloamin'  round  me  since  Jeanie's  nae  mair. 

The  sunbeams  shoot  over  the  ocean's  dark  bosom, 

Like  glints  o'  the  glory  that's  shinin'  up  by, 
An'  the  ebb  o'  the  wave  comes  like  sabs  o'  emotion, 

Betiding  the  time  I  maun  heave  my  last  sigh. 
Like  a  storm-rifted  tree  to  the  grave  I  maun  dauner, 

Nae  kind  heart  to  cheer,  or  my  sorrow  to  share ; 
But  I'll  aye  keep  a  thocht  to  the  world  that's  aboon  us, 

An'  I  ken  that  my  Jeanie  will  welcome  me  there. 


151 

THE  ATJLD  INGLESIDE— Prize  Song,  No.  II. 

Words  by  James  Macfarlan,  Music  by  T.  S.  Gljadhill. 

Slow'y,  with  feeling. 


youth    on    the       hal-low'd  hearth  stane,  And  the      day     nev  -  er    dull    and    the 


gp^^g^^g^l^ 


acre 


t=tr- 


nicht    nev-er    lang.    When  the   wan  -  der  -  ing  wives,  wi'  their  wal-lets     o'     fun, 


l^pg^pp^ 


m 


And  their  duds  frae  the  drift    o'  the    cauld    win-ter  dried,  Cam'     doit  -er- ing  ben, 


how  the   cal-lants  wad  rin  Their     sto-ries    to    hear,  by  the    auld      in  -  gle  -  side. 

By  the  auld  ingleside,  i'  the  muckle  arm-chair, 

Wi*  his  auld-farrant  crack,  sat  our  grandfather  sage, 
And  the  red  e'enin'  lowe,  as  it  fell  on  his  hair, 

Aft  wad  melt  into  mirth  a'  the  snaws  o'  his  age ; 
But  we  miss'd  him  at  last,  when  the  gloamin'  cam'  doon 

'Mang  the  gowd  o'  the  hairst  and  the  corn  waving  wide — 
0,  his  blessin'  he  gied,  as  he  lookit  aboon, 

And  died  in  our  arms  by  the  auld  ingleside. 

0,  the  auld  ingleside  I  can  never  forget — 

The  young  loupin'  heart,  and  the  bricht  rollin'  e'e, 
And  the  frien's  o'  langsyne  that  sae  happy  ha'e  met, 

Wha  noo  are  adrift  owre  the  waves  o'  the  sea. 
I  ha'e  sang  by  the  burn,  I  ha'e  danc'd  on  the  green, 

I  ha'e  sat  in  the  ha'  amid  beauty  and  pride; 
But  oh  !  for  ae  blink  o'  that  life's  early  scene, 

The  low  o'  langsyne  bv  the  auld  ingleside. 


132 


PHffiBTJS,  WP  GOWDEN  CREST— Prize  Song,  No.  III. 

Words  by  C.  J.  Finlayson.  Air  adapted  from  an  old  Galloway  Melody. 


^^^j^j^H 


6=* 


PI103  -  bus,    wi'    gowd  -  en  crest,  leaves    o-cean's   heav  -  ing  breast,  An'  frae    the 


1=£ 


S 


:d=p 


-• a-^ — j — E: 


pur -pie    east  smiles  on     the      day;  Lav 'rocks  wi'blythesome  strain,  mount  frae  the 


7 h- 


dew  -  y    plain,  Greenwood  an'  rock  -y    glen      e  -  cho    their  lay;  Wild  flow'rs  wi' 


4=t= 


_;_t: 


op'n -ing  blooms   woo     il  -  ka     breeze  that  comes,  Scat-t'ring  their  rich  per -fumes 


SE 


^^g^g 


^-+— f 


■y-T 


the 


But    sum-mer's    var  -  ied    dye,  lark's  song,     an' 


:& 


breez  -  es'    sigh,        On   -  ly    bring       sor  -  row     and        sad  -  ness 

Blighted,  like  autumn's  leaf,  ilk  joy  is  chang'd  to  grief, 

Day  smiles  around,  but  no  pleasure  can  gi'e ; 
Night,  on  his  sable  wings,  sweet  rest  to  nature  brings — 

Sleep  to  the  weary,  but  waukin'  to  me. 
Aften  has  warldly  care  wrung  my  sad  bosom  sair — 

Hope's  visions  fled  me,  an '  friendships  untrue ; 
But  a'  the  ills  o'  fate  never  could  thus  create 

Anguish  like  parting,  d3ar  Annie,  frae  you. 

Farewell  those  beaming  eyes,  stars  in  life's  wintry  side?, 

Aft  has  adversity  fled  frae  your  ray; 
Farewell  that  angel  smile,  stranger  to  woman's  wile, 

That  ever  could  beguile  sorrow  away  ; 
Farewell  ilk  happy  scene,  wild  wood  an'  valley  green, 

Where  time,  on  rapture's  wing,  over  us  flew ; 
Farewell  that  peace  of  heart  thou  only  could'st  impart — 

Farewell,  dear  Annie !  a  long,  long  adieu ! 


153 


DUET:— BEHOLD  THE  HOUR  THE  BOAT  ARRIVE. 

Words  by  Burns.         Arranged  for  this  work  by  A.  Hume.  Gaelic  Air,— Oran  gaoil. 

iRt  Voice.     Slow  and  with  great  feeling. 


=3^ 


*£ 


«=^p- 


£4* 


i=fc±Hh=fc 


»>/      Be  ^  hold  the  hour,  the       boat 

2d  Voice. 


ar  -  rive,  Thou    go  -  est,  thou  dar-ling    of    my 


3MF 


^^^^1 


iipl^g^i^ 


Be-hold  the  hour,  the  boat  ar-rive,  Thou   go-est,  thou  darling    of    my 


^fe 


(^^n^gpapm^i 


heart;  Ah !    sever'd  from  thee  can     I    sur-vive?  But  fate  has will'd,  and  wenrastpart. 


heart ;  Ah !   sever'd  from  thee  can     I     survive  ?  But  fate  has  will'd,  and  we  must  part. 


^^=^^^^^E^^^ 


I'll      oft  -  en    greet  this  surg-ing  swell,  Yon  dis-tant  isle  will     oft- en  hail;  E'en 


I'U      oft  -  en    greet  this  surg-ing  swell,  Yon  dis  -  tant  isle  will    oft -en  hail;  E'en 


P 


^pis£p^^=^pi! 


sn 1 >-j \-m it- 


here     I     took   the      last   fare-well,  There     la  -  test  mark'd her     van -ish'd  sail. 

p  dim.  ^ 


*=§m^m=£=jm$=m 


here     I     took   the     last   fare-well,  There     la  -  test  mark'd  her     van-iih'd  sail. 


Along  the  solitary  shore,  Happy,  thou  Indian  grove,  I'll  say, 

While  flitting  sea-fowl  round  me  cry,  Where  now  my  Nancy's  path  may  be? 

Across  the  rolling,  dashing  roar,  While  thro'  thy  sweets  she  loves  to  stray, 

I'll  westward  turn  my  wistful  eye.  0  tell  me,  does  she  muse  on  me? 


154 

ROW  THEE  WEEL,  MY  BONNIE  BUILT  WHERRY. 

Poetry  by  Robert  Allan.  Music  by  J.  P.  Clark. 


3=i^^ 


■■*=$•- 


a^=*g=? 


Now  row  thee   weel,    my    bon-nie   built  wher  -  ry,     I've    row'd  thee  lang,  and 


with  thee  been  mer  -  ry 


I've     row'd  thee  late,  and    I've       row'd  thee     ear- 


BE 


15 e 5 LTT 


^f— ^ 


zfc^ 


I've      row'd  o'er    the   frith  Loch  -   iel      and  Prince  Char  -  lie;    Then 


:?ift 


row,  row 


thee,  my       bon  -  nie      built   wher  -  ry,    Then      row  thee   weel,  my 


bon  -  nie   built   wher  -  ry. 


Row,    row     thee,    my         ben  -  nie     built 


lo- 


wlier -  ry,      I've       row'd     thee     lang     and      with    thee  been  mer  -  ry. 

My  wherry  was  built  for  the  gallant  and  brave, 
She  dances  sae  light  o'er  the  bonnie  white  wave — 
She  dances  sae  light  through  the  cloud  and  the  haze, 
And  steers  by  the  light  of  the  watch-fire  blaze. 
Then  row,  row  thee,  my  bonnie  built  wherry,  &c. 

But  a'  that  I  lov'd  on  earth  is  gane, 
And  I  and  my  wherry  are  left  alane ; 
The  blast  is  blawn  that  bore  them  aw  a' — 
But  there  is  a  day  that's  comin'  for  a'. 

Then  row,  row  thee,  my  bonnie  built  wherry,  &c. 


155 

0  WHA'S  AT  THE  WINDOW,  WHA,  WHA  ? 

Words  by  Alexander  Carlile.  Music  by  R.  A.  Smith. 


^=g^s£EE^^g= 


0   wha's   at     the      win  -  dow,        wha,     wha?    0  wha's   at      the   win-dow, 


^mm%^^ 


wha,      wha?  Wha  but  blythe  Ja  -  mie  Glen,  He's  come  sax  miles  and    ten,    To 


tak'    bon-nie   Jean-ie     a  -  wa\     a  -  wa',  To     tak'  bon-nie  Jean-ie      a    -   wa\ 


He  has  plighted  his  troth  an'  a',  an'  a', 
Leal  love  to  gie  an'  a',  an'  a' ; 

And  sae  has  she  done, 

By  a'  that's  aboon, 
For  he  lo'es  her,  she  lo'es  him,  'boon  a',  'boon  a' 
He  lo'es  her,  she  lo'es  him,  'boon  a'. 

Bridal  maidens  are  braw,  braw, 
Bridal  maidens  are  braw,  braw ; 

But  the  bride's  modest  e'e, 

An'  warm  cheek  are  to  me, 
'Boon  pearlins  and  brooches,  an'  a',  an  a', 
'Boon  pearlins  and  brooches,  an'  a'. 

There's  mirth  on  the  green,  in  the  ha',  the  ha', 
There's  mirth  on  the  green,  in  the  ha',  the  ha', 

There's  laughing,  there's  quaffing, 

There's  jesting,  there's  daffing, 
And  the  bride's  father's  blythest  of  a',  of  a', 
And  the  bride's  father's  blythest  of  a'. 

It's  no  that  she's  Jamie's  ava,  ava, 
It's  no  that  she's  Jamie's  ava,  ava, 

That  my  heart  is  sae  eerie, 

When  a'  the  lave's  ch eerie, 
But  it's  just  that  she'll  aye  be  awa',  ai\a', 
But  it's  just  that  she'll  aye  be  awa'. 

Inserted  by  permission  of  Mr.  Joseph  M'Fadyen. 


153 

DUET:— ROY'S  WIFE  OF  ALDIVALLOCH. 

Words  by  Mrs,  Grant  of  Carron.    Music  by  Neil  Govt.    Arranged  for  this  work  by  A.  Hume. 
Treble.    Moderate. 


Roy's   wife    of      Al  -  di  -  val  -  loch,  Roy*s  wife     of      Al  -  di  -  val  -  loch, 


Roy's    wife     of      Al  -  di  -  val  -  loch,  Roy's   wife    of      Al  -  di  -  val  -  loch, 


irv-f—r 

'v      ;,                     -    — n 

m        * J- 

'         Wat     ye 

rrtf=P — «- 

how 

— K- 

she  cheat -ed    me     As      I 

cam'  o'er  the  braes  o'     Bal  -loch. 

§? -     v 

Wat     ye 

-ft-8.- fen — k- 

how 

she  cheat  -  ed     me     As       I 

__ffl  —4—-£    *  .  4 «* V-\ 

cam'  o'er  the  braes  o'     Bal  -  loch. 

—fen — K = : 

|p=*^ 

• £     l":P     E^     p    • 

:£n— a  rr^F— *- 

\7 

Z£- 

J p ^ « «*-7-^— 

She  vow'd, 

she 

swore   she  wad 

f>~r~i — f*~ 

be    mine,  She 

said   she  lo'ed  me 

r  •  g — p-^-f- 

best 

*- 

Of 

'©ljeh 

_lfc_. 

__£ 1     ESr- 

-iSL— i, ^ 

T^^— fc=fc= 

*     • 

P*- 

j 

She  vow'd,    she    swore  she    wad      be  mine,  She   said   she  lo'edfme    best     of 


o  -  ny;    But    oh!    the    fick  -  le,    faith-less  quean,  She's  ta'en    the    carle,  and 


o  -  ny;   But     oh!   the    fick  -  le,    faith-less  quean,  She's  ta'en  the    carle,  and 
rr\  quicker. 


lcft  her  Johnnie.      0,    Roy's  wife  of  Al-di-val-loch,  Roy's  wife  of    Al-di-val-loch, 


left  her  Johnnie.    0,     Roy's  wife  of  Al-di-val-loch,   Roy's  wife  of    Al-di-val-loch, 


157 


&+_ N— 


Wat     ye    bow    she  cheat-ed      me,    As       I     cam'  o'er    the  braes  o'    Bal-loch. 


Wat     ye    how    she  cheat  -  ed      me,    As 


cam'  o'er    the  braes  o'  Bal-lcch. 


0,  she  was  a  canty  quean, 

And  weel  could  dance  the  Highland  walloch : 
How  happy  I,  had  she  been  mine, 

Or  I'd  been  Roy  of  Aldivalloch. 
Roy's  wife,  &c. 

Her  hair  sae  fair,  her  een  sae  clear, 

Her  wee  bit  mou'  sae  sweet  and  bonnie ; 

To  me  she  ever  will  be  dear, 

Though  she's  for  ever  left  her  Johnnie. 
Roy's  wife,  &c. 


THOUGH  YOU  LEAVE  ME  NOW  IN  SORROW. 

Same  Air. 
To  be  sung  in  slow  time,  with  great  feeling. 

Though  you  leave  me  now  in  sorrow, 
Smiles  may  light  our  love  to-morrow, 
Doom'd  to  part,  my  faithful  heart 
A  gleam  of  joy  from  hope  shall  borrow. 
Ah !  ne'er  forget,  when  friends  are  near, 
This  heart  alone  is  thine  for  ever ; 
Thou  may'st  find  those  will  love  thee  dear, 
But  not  a  love  like  mine,  O  never ! 


Note.—  When  duets  are  introduced  into  this  work,  the  melodies  invariably  retain  their 
original  simplicity,  and  may  be  sung  as  solos,  if  desired.  We  are  pleased  to  learn  from  our 
numerous  correspondents,  that  the  plan  of  thus  arranging  our  national  melodies  as  duets, 
has  met  with  such  hearty  approbation.— [Ed.  L.G.S.] 


pm 


158 
IN  SCOTLAND  THERE  LIV'D  A  HUMBLE  BEGGAR. 


£ 


Soot -land  there  liv'd    a  hum  -  ble   heg  -  gar,  Nae       house,  nae 


0^1 — . p_ 

m»            P            »            * 

*           a           a           a           «■-•■     a 

§2 — p — P— 

— Es — * — t—-  ^— 

=* tz==tz        if        b        k-J 

hald,     nor        hame       had    he;      But        he      was     weel     lik    -   ed       by 

il    -    ka     bo -die,    And  they        gied    him    sun-kets  and     saps     to    piee. 

A  neivefu'  o'  meal,  and  a  handfu  o'  groats, 

A  daud  o'  a  bannock,  or  herring  bree, 
Cauld  parritch,  or  the  lickings  o'  plates, 

Wad  mak'  him  as  blythe  as  a  beggar  could  be. 

This  beggar  he  was  a  humble  beggar, 

The  feint  a  bit  o'  pride  had  he  ; 
Pie  wad  a  ta'en  his  awms  in  a  bicker 

Frae  gentleman  or  puir  bodie. 

His  wallets  ahint  and  afore  did  hing, 

In  as  good  order  as  wallets  could  be ; 
A  lang  kail-gully  hung  down  by  his  side, 

And  a  meikle  nowt-horn  to  rout  on  had  he. 

It  happen'd  ill,  it  happen' d  waur, 

It  happen'd  sae  that  he  did  dee ; 
And  wha  do  ye  think  was  at  his  late-wake, 

But  lads  and  lasses  o'  high  degree. 

Some  were  blj'the,  and  some  were  sad, 

And  some  they  played  at  blind  Harrie ; 
But  suddenly  up  started  the  auld  carle, 

"  I  rede  you !  good  folks,  tak'  tent  o'  me." 
Up  gat  Kate  that  sat  i*  the  nook, 

"Vow  limmer,  and  how  do  ye?" 
Up  he  gat,  and  ca'd  her  a  limmer, 

And  ruggit  and  tuggit  her  cockernonie. 
They  houkit  his  grave  in  Duket's  kirk-yard, 

E'en  fair  fa'  the  companie : 
But  when  they  were  gaun  to  lay  him  i'  the  yird, 

The  feint  a  dead  nor  dead  was  he. 


159 


And  when  the)'  brought  him  to  Duket's  kirk- yard, 
He  dunted  on  the  kist,  the  boards  did  flee ; 

And  when  they  were  gaun  to  lay  him  i'  the  yird, 
In  fell  the  kist  and  out  lap  he. 

He  cried  "I'm  cauld,  I'm  unco  cauld:" 
Fu'  fast  ran  the  folk,  and  fu'  fast  ran  he ; 

But  he  was  first  hame  at  his  ain  ingle-side, 
And  he  helped  to  drink  his  ain  dregie. 


THE  THISTLE  AND  THE  ROSE. 

Words  by  Robert  Allan.  Music  by  John  TurnbulL 


P 


There    grew      in     bon  -  nie       Scot-land      a         this  -  tie    and      a     brier;  And 


aye     they  twined    and     clas  -  ped      like  sis  -  ters     kind     and         dear. 


The      rose       it       was      sae        bon -nie,      it      could     ilk     bo-som  charm;  the 


j    J',  p  •  S4-F-S 


^-H^J 


i3=aSJ=t=a— 3 


this  -  tie  spread  its       thor  -  ny    leaf    to       keep    the    rose    from    harm. 

A  bonnie  laddie  tended  the  rose  baith  aire  and  late, 
He  watered  it,  and  fanned  it,  and  wove  it  wi'  his  fate ; 
And  the  leal  hearts  of  Scotland  prayed  it  might  never  fa', 
The  thistle  was  sae  bonnie  green,  the  rose  sae  like  the  snaw. 

But  the  weird  sisters  sat  where  hope's  fair  emblems  grew, 

They  drapt  a  drap  upon  the  rose  o'  bitter  blasting  dew ; 

And  aye  they  twined  the  mystic  thread,  but  ere  their  task  was  done, 

The  snaw-white  rose  it  disappeared,  it  withered  in  the  sun. 

A  bonnie  laddie  tended  the  rose  baith  aire  and  late, 

He  watered  it,  and  fanned  it,  and  wove  it  wi'  his  fate ; 

But  the  thistle  tap  it  withered,  winds  bore  it  far  awa', 

And  Scotland's  heart  was  broken  for  the  rose  sae  like  the  snaw. 


1G0 


THE  WOODS  0*  DTTNMORE. 


Music  by  James  Jaap. 


E^GE^Efe" 


:35 — ^ — j>-t= b —  | c: 

g^ j =] — ^ ^_ 


This        lone    heart     is      thine,      las  -  sie,     charm-in g     and    fair,      This 


pippin 


fr— g 


= 


1 ' 

char;  Nae     world's  gear hae      I,        nae 


fjnd   heart     is      thine,  las  ■ 


Si 


? 


p^^F=g=^ 


ox   -    en       nor    kye, 


I've       nae  -  thing,      dear     las  -  sie, 


pure  heart    to       gi'e.  Yet       din  -  na     s.iy    me       na,     but 


*=v 


i=£ 


p=* 


a    -  wa,    An' 


wan  -  der,   dear      las  -  sie,   'mang    the       woods    o' 


m^^^^^^m 


m 


-t? 

more.  An'  wan -der,  dear    las  -  sie, 'mang  the   woods   o'    -    -    -    Dun-more. 


H3 


0  sweet  is  thy  voice,  lassie,  charming  an'  fair, 

Enchanting  thy  smile,  lassie  dear ; 
I'll  toil  aye  for  thee,  for  ae  blink  o'  thine  e'e 

Is  pleasure  mair  sweet  than  siller  to  me. 
Yet  dinna  say  me  na,  &c. 

0  come  to  my  arms,  lassie,  charming  an'  fair, 

Awa'  wild  alarms,  lassie  dear ; 
This  fond  heart  an'  thine  like  ivy  shall  twine, 

I'll  lo'e  thee,  dear  lassie,  till  the  day  that  I  dee. 
0  dinna  say  me  na,  &c. 


Words  by  William  Paul. 


161 
BONNIE  JEANIE  GRAY. 


Music  by  Richard  Webster. 


Gray?     Your    mitb-er  miss'd    ye      late     at      e'en 


And    eke      at    break  o' 
expres. 


bon-nie  Jean-ie    Gray. 


I've  marked  that  lonely  look  o'  thine, 

My  bonnie  Jeanie  Gray; 
I've  kent  your  kindly  bosom  pine 

This  mony,  mony  day. 
Ha'e  hinnied  words  o'  promise  lured 

Your  guileless  heart  astray  ? 
Oh,  dinna  hide  your  grief  frae  me, 

My  bonnie  Jeanie  Gray. 

Dear  sister,  sit  ye  down  by  me, 

And  let  naebody  ken, 
For  I  ha'e  promised  late  yestreen 

To  wed  young  Jamie  Glen. 
The  melting  tear  stood  in  his  e'e, 

What  heart  could  say  him  nay  ? 
As  aft  he  vow'd,  through  life  I'm  thine, 

My  bonnie  Jeanie  Gray. 

The  first  and  last  stanzas  of  this  favourite  song  were  written  by  William  Paul,  Glasgow; 
the  second  stanza  is  from  the  pen  of  William  Thorn,  the  Inverury  poet  The  song  is  inserted 
by  the  permission  of  the  representatives  of  the  late  Mr.  Paul 


162 


I  WINNA  GANG  BACK  TO  MY  MAMMY  AGAIN. 

Words  by  Richard  GalL  Music  by  T.  S.  Gleadhill. 


I     win  -  na  gang  back  to  my  mam-my    i 


I     win  -  na  gang  back  to  my  mam-my    a-gain,  I'll  nev-er  gang  back  to  my 


mam-my    a  -  gain,  I've   held  by   her      a  -  pron  these  aught  years  and  ten,  But  I'll 


I 


— 35 — q:=35-  — — js— * 


nev-er  gang  back   to  my  mam-my     a-gain.  1 

've  held  by    her      a  -  pron  these 

rallentando. 

fcfc*=±=-=f=iP=^ 

-E=fc 

«— i — *— s— 

*r *     ' — ?    f-1 

V 

aught  years  and    ten,  But  I'll    nev  -  er  gang  back  to     my    mam-my       a  -  gain. 

Young  Johnnie  cam'  down  i'  the  gloamin'  to  woo, 
Wi'  plaidie  sae  bonnie,  an'  bannet  sae  blue : 
"O  come  awa',  lassie,  ne'er  let  mammy  ken;" 
An'  I  flew  wi'  my  laddie  o'er  meadow  an'  glen. 
O  come  awa',  lassie,  &c. 

He  ca'd  me  his  dawtie,  his  dearie,  his  dow, 
An'  press'd  hame  his  words  wi'  a  smack  o'  my  mou'; 
While  I  fell  on  his  bosom,  heart-flichtered  an'  fain, 
An'  sigh'd  out,  "O  Johnnie,  I'll  aye  be  your  ain!" 
While  I  fell  on  his  bosom,  &c. 

Some  lasses  will  talk  to  the  lads  wi'  their  e'e, 
Yet  hanker  to  tell  what  their  hearts  really  dree ; 
Wi'  Johnnie  I  stood  upon  nae  stappin'-stane, 
Sae  I'll  never  gang  back  to  my  mammy  again. 
Wi'  Johnnie  I  stood,  &c. 

For  many  lang  years  sin'  I  play'd  on  the  lea, 
My  mammy  was  kind  as  a  mither  could  be  ; 
I've  held  by  her  apron  these  aught  years  an'  ten, 
But  I'll  never  gang  back  to  my  mammy  again. 
I've  held  by  her  apron,  &c. 


163 

QUEEN  MARY'S  ESCAPE  FROM  LOCHLEVEN  CASTLE. 

Words  by  Kobert  Allan.  Highland  Boat  Air. 

Moderate. 


i^i^^g^lp^=E 


=£* 


.$» 


-  -^s         -        i^^  -m-  -w         -  - 

Put       off,    put      off,   and     row   with  speed,  For  now     is      the  time  and    the 


'.To         oars,    to      oars,    and     trim   the   bark,   Nor       Scot-land's 


^PJ^^EJJJ^^^=g=i 


queen  be 


war  -  der's  mark.  Yon     light     that  plays  round  the       cas  -  tie's 


l=E=l^feggg="^g^NM^g 


SE3* 


-si- 

moat,    Is      on  -  ly     the      war  -  der's     ran-dom    shot ;  Put       off,    put    off,    and 


row     with  speed,   For       now      is       the     time     and    the        hour      of    need! 

Those  pond'rous  keys  *  shall  the  kelpies  keep, 
And  lodge  in  their  caverns  dark  and  deep ; 
Nor  shall  Lochleven's  towers  or  hall, 
Hold  thee,  our  lovely  lady,  in  thrall ; 
Or  be  the  haunt  of  traitors,  sold, 
While  Scotland  has  hands  and  hearts  so  bold: 
Then  steersmen,  steersmen,  on  with  speed, 
For  now  is  the  time  and  the  hour  of  need ! 

Hark !  the  alarum  bell  hath  rung, 

And  the  warder's  voice  hath  treason  sung! 

The  echoes  to  the  falconet's  roar, 

Chime  sweetly  to  the  dashing  oar : 

Let  tower,  and  hall,  and  battlements  gleam, 

We  steer  by  the  light  of  the  taper's  beam ; 

For  Scotland  and  Mary,  on  with  speed, 

Now,  now  is  the  time  and  hour  of  need ! 

*  The  keys  here  alluded  to,  were  lately  found  by  some  fishermen,  and  are  now  in  the  pos- 
session of  a  Kinross-shire  laird. 


164 

COMIN»  THROUGH  THE  CRAIGS  0'  KYLE. 

Words  by  Jean  Glover.      Air— O'er  the  Muir  amang  the  Heather.    The  Chorus  arranged 
for  this  work  by  A.  Hume. 

Lively. 


g^jp^^EfefzE^ 


Corn-in'   thro*  the  craigs  o' Kyle,    A-mang   the  bon  -  nie  bloom-in' heath  -  er, 


^-rT^-H?r-7=H=£=E=^^^^p 


There    I    met   a     bon  -  nie     las  -  sie, 


in'      a'     her    ewes   the-gith  -  er. 

— * a— — P m- 

— b« F v.        r^ 


\z=^—^-l-^^^=^^^. 


O'er    the  muir     a-mang    the  heather,   O'er    the  muir     a  -  mang  the  heath  -  er, 


There  I    met   a     bon  -  nie       las  -  sie  Keep  -  ing    a'      her    ewes   the  -  gith  -  er. 
Chorus. 


O'er    the  muir  a-mang    the  heath  -  er,     O'er  the  muir    a  -  mang  the  heath  -  er, 


O'er    the  muir  a  -  mang  the  heath  -  er,    O'er  the  muir     a  -  mang  the  heath  -  er, 


^^^^^^^ig 


There    I    met    a     bon  -  nie     las  -  sie    Keep -ing     a'     her   ewes    the- gith -er, 


WFmmm&&=s=*^ 


There    I    met    a     bon  -  nie    las  -  sie    Keep-  ing     a'     her    ewes  the  -  gith  -  er, 


ggasjgs^SE^^^^^^^Fffl 


There    I    met    a      bon  -  nie     las  -  sie    Keep-ing    a'      her    ewes  the  -  gith  -  er. 


165 

Says  I,  my  dear,  where  is  thy  hame? 

In  muir,  or  dale,  pray  tell  me  whether  ? 
Says  she,  I  tent  thae  fleecy  flocks 

That  feed  amang  the  blooming  heather. — O'er  the  muir,  &c. 
We  sat  us  down  upon  a  bank, 

Sae  warm  and  sunny  was  the  weather : 
She  left  her  flocks  at  large  to  rove 

Amang  the  bonnie  blooming  heather O'er  the  muir,  &c. 

She  charmed  my  heart,  and  aye  sinsyne 

I  couldna  think  on  ony  ither ; 
By  sea  and  sky !  she  shall  be  mine, 

The  bonnie  lass  amang  the  heather. — O'er  the  muir,  &c. 


BONNIE  MAEY  HAY. 


Words  by  Archibald  Crawford. 

With  feeling. 


Music  by  R.  A.  Smith. 


Bon  -  nie     Ma  -  ry    Hay, 


I     will    lo'e  thee    yet,    For  thy 


e'e     is     the 


rose     is     thy  cheek:  0       bon  -  nie    Ma  -  ry    Hay, 


will    lo'e  thee  yet. 


Bonnie  Mary  Hay,  will  ye  gang  wi*  me, 
When  the  sun  is  in  the  west,  to  the  hawthorn  tree  ? 
To  the  hawthorn  tree,  in  the  bonnie  berry  den, 
And  I'll  tell  ye,  Mary  Hay,  how  I  lo'e  ye  then. 

Bonnie  Mary  Hay,  it's  haliday  to  me 
When  thou  art  sae  couthie,  kind-hearted,  an'  free ; 
There's  nae  clouds  in  the  lift  nor  storms  in  the  sky, 
O  bonnie  Mary  Hay,  when  thou  art  nigh. 

Bonnie  Mary  Hay,  thou  maunna  say  me  nay, 
But  come  to  the  bower  by  the  hawthorn  brae ; 
But  come  to  the  bower,  and  I'll  tell  ye  a'  that's  true, 
How,  Mary,  I  can  ne'er  lo'e  ane  but  you. 


Words  by  Allan  Ramsay. 
Treble. 


166 

LOCHABER  NO  MORE. 

Gaelic  Air— Arranged  for  this  work  by  A  Hume. 


Fare  -  weel     to      Loch 
j    Bass. 

-  a  -  ber,     fare  -  weel      to 

my         Jean,     Where 

K=p==fEEM£f 

=^=^==+=fz 

-tf=:-=}p-£=^z 

Fare  -  weel    to      Loch    -   a  -  ber,     fare  -  weel    to        my         Jean,     Where 


heart-some    wi'     her      I     ha'e     mo  -  ny     days  been;  To  Loch- a -ber       no 


more,       to      Loch  -   a  -   ber       no 


more,      We'll       may  -  be         re- 


Br^mr^rS££#±£F^ 


more,     to      Loch  -   a   -  ber        no 


more,      to     Loch  -   a   -  ber        no 


more,      We'll       may  -  be  re- 


more,      We'll       may  -  be  re- 


167 


turn      to        Loch    -    a    -   ber        no         more.       These       tears      that       I 


fc=^^g: 


i=§= 


turn     to        Loch    -    a    -   her        no         more.       These       tears      that        I 


shed,  they     are       a'      for    my      dear,  And     no      for     the      dan  -  gers      at- 


^^^M^^#fN^H^ 


shed,  they     ar< 


for    my      dear,  And     no       for     the     dan  -  gers 


l^^^^^^g^ 


shed,  they     are        a'      for    my     dear,  And     no       for     the     dan  -  gers      at- 


tending    on       weir;  Tho*  borne  on   rough         seas    to       a     far      dis  -  tant 


ggg^P^fefesp^^l^E 


tend-ing     on       weir ;  Tho"  borne  on    rough         seas    to       a     far      dis  -  tant 


shore,        May  -  be         to         re  -   turn    to        Loch 


ber        no       more. 


^^^m^^^^m 


May  -   be        to         re  -   turn    to       Loch  -  a  -    ber        no       mor< 


shore,       May  -   be        to 


turn     to       Loch 


1G8 


Though  hurricanes  rise,  and  raise  ev'ry  wind, 
They'll  ne'er  make  a  tempest  like  that  in  my  mind ; 
Though  loudest  of  thunders  on  louder  waves  roar, 
That's  naething  like  leaving  my  love  on  the  shore. 
To  leave  thee  behind  me,  my  heart  is  sair  pain'd ; 
But  by  ease  so  inglorious  no  fame  can  be  gain'd ; 
And  beauty  and  love's  the  reward  of  the  brave : 
And  I  maun  deserve  it  before  I  can  crave. 

Then  glory,  my  Jeanie,  maun  plead  my  excuse : 
Since  honour  commands  me,  how  can  I  refuse  ? 
Without  it,  I  ne'er  can  have  merit  for  thee ; 
And,  losing  thy  favour,  I'd  better  not  be. 
I  gae,  then,  my  lass,  to  win  glory  and  fame ; 
And  if  I  should  chance  to  come  glorious  hamer 
I'll  bring  a  heart  to  thee  with  love  running  o'er, 
And  then  I'll  leave  thee  and  Lochaber  no  more. 


HATJD  AWA'  FRAE  ME,  DONALD. 

Words  by  Kobert  Allan. 

Moderate. 


Sfc 


S 


mm 


as^=S3^ 


!=^ 


:j2; 


m 


Haud  a  -  wa\   bide    a  -  wa\  Haud   a  -  wa'  frae  me,  Do-nald  ;  What  care  I  for 


m 


tak'  your  plaid,  and  o'er     the    hill 


My  Jamie  is  a  gallant  youth, 
I  lo'e  but  him  alane,  Donald : 

And  in  bonnie  Scotland's  isle 
Like  him  there  is  nane,  Donald. 

Haud  awa',  &c. 

He  wears  nae  plaid,  nor  tartan  hose, 
Nor  garters  at  his  knee,  Donald ; 


And     stay  nae  lang  -  er        here,     Do-nald. 

B.C. 

But,  0  !  he  wears  a  faithfu'  heart, 
And  love  blinks  in  his  e'e,  Donald. 
Sae  haud  awa,'  bide  awa', 

Come  nae  mair  at  e'en,  Donald ; 
I  wadna  break  my  Jamie's  heart 
To  be  a  Highland  queen,  Donald. 


169 

I'LL  HAE  MY  COAT  0'  GUDE  SNUFF-BROWN. 

Written  by  Sir  Alex.  Boswell  of  Auchinleck.  Air— The  Auld  Gudenmn. 

Allegretto. 


^p^gg^E^E^ 


Laird. — I'll   hae    my  coat     o'   gude  snuff-brown,  My  pouther'd   wig     to      co  -  ver   my 


pg^g^^^p|^g^=p^^^^ 


crown;  I'll  deck  me,  Meg,  an' busk    me   fine,  I'm  gaun    to    court     a    tocher'd  quean. 


Meg.— Your  ho -sens,  laird,   are    baith    to    darn,  Your  best  sark's  bleach-in'  (that's  but 


ham),  Your  coat's  a'  stour,  your  wig's    to  kame,  Troth,  laird,  you'd  bet  -  ter  stay  at  hame. 


Laird. — Auld  Punch  will  carry  Jock,  the  lad, 
I'll  ride  mysel'  the  lang-tail'd  yad, 
Wi'  pistols  at  my  saddle-tree, 
Weel  mounted  as  a  laird  should  be. 
Meg. — There's  peats  to  cast,  the  hay's  to  cuile, 
The  yad's  run  owre  the  muir  a  mile ; 
The  saddle's  stown,  auld  Punch  is  lame, 
'Deed,  laird,  ye'd  better  bide  at  hame. 

Think,  laird,  a  wee  an'  look  about, 
Your  gear's  a'  thrivin'  in  an'  out ; 
I'm  wae  to  see  ye  courtin'  dule, 
Wha  kens  but  this  same  quean's  a  fool. 
Laird. — Aye,  aye,  your  drift's  no  ill  to  tell, 
Ye  fain  wad  hae  me,  Meg,  yoursel' ; 
But  sure  as  Blutterlog's  my  name, 
I'll  court  the  lass,  an'  bring  her  hame. 
g2 


170 

DUET— WAKE,   MARY,  WAKE! 

For  two  Trebles  or  two  Tenors. 


Music  by  A.  Hume. 


i 

Wake,  Ma-ry,  wakel  the    ris  -  ing 

mf 

its: 


sun     To     paint  the    hill -top     has 

■^ K 


:±sTrriz±iad : ■  ^z^r=* 1 — •-» " ^ — < \r 

gun;   To    paint  the     hill -top      has     he -gun;        The      ear  -  ly     lark,     on 

"» !-— r— 1 ■ 


^m 


gun;   To    paint  the     hill- top     has     be -gun;       The     ear  -  ly     lark,      on 


dew  -  y    wing,  Ris    -  es       his      ma  -  tin       song      to       sing,    his 


on         ev 


ry  spray,  Hail,  blithe    ly    hail  the 


171 


com    -     ing    day. 


on  ev'    -    ry  spray, 


r   rv 


-L    - - — v- 


^=^m 


blithe    -  ly         hail       the       com  -  ing  day.   Hail,     blithe   -   ly     hail     the 


-ing      day.    Wake,    Ma  -  ry,    wake!  Wake,    Ma  -  ry,       wake! 


Wake,  Ma  -ry,  wake !  such  scenes  as  these  Will  well  re-pay  thy     loss    of  ease ;  Will 


=^i=s 


Wake!  such  scenes  as  these  Will  well  re-pay  thy      loss    of  ease;  Will 


well  re-pay    thy      loss     of  ease;    The     liv-ing  woods,  the  danc-ing streams,  \ro 


Plip^^iii^^ 


well  re-pay  thy      loss      of  ease;    The     liv-ing  woods,  the  danc-ing  streams,  Are 


172 


love-li-cr       far    than  morn- ing  dreams,  are  love-lier,  lovelier       far, 


far       than     morn  -  ing       dreams;    are     love-lier 


far         than     morn  -  ing         dreams. 


long    -     er    then    in 


?=f=9: 


1=3= 


=g=g3=«e 


E* 


far         than     morn  -  ing         dreams 


way,     No 


long     -     er 


stay,  Wake 


=|5=q=£flC 


way, 


slum    -    her      stay, 


173 


^^^m 


Wake,  Mary,   wake !  and  come    a  -  way. 


Wake,  Ma  -  ry,  wake !      and 


come,  come   a- way.      Wake,    Ma   -   ry,  wake !  Wake,    Ma  -  ry,    wake ! 

peippppl^ 

come,  Cuine  a -way.     Wake,    Ma   -   ry,  wake!  Wake,    Ma  -  ry,    wake! 

Inserted  in  this  work  by  the  kind  permission  of  Messrs.  Gall  and  Inglis,  Edinburgh. 


THE  BONNIE  MORNIN'  AFTER  THE  RAIN. 

Words  by  James  Smith.  Music  by  A.  Hume. 

Cheerfully. 


The  nicht  had  been  rain  -  y,     but    fair  was    the    morn-in',    Bright  shone  the 


M 


sun,  come- ly  Na  -  ture      a-dorn-ing,    Sweet  bloom'd  the  dais  -  y     yon 


bon  -  nie    sim  -  mer  morn-in',    An'       fra  -  grant   the    green  dew  -  y    plain ; 


V ' ' — (7 f )r 

Saft     to    their  min  -  nies   the       wee  lambs  were  moan-in',  Fond    'mid   the 


flow'r-ets     the       wild   bee    was  dron-in',     As       Ka-tie     sat    milk- in'      her 


kye      i'     the    loan  -  in',    Yon     bon  -  nie  morn 


-in        af   - 


ter     the     rain. 


174 


Dark  waved  her  locks  owre  her  fair  neck  sae  slender; 
Bricht  beamed  her  e'e,  like  the  sun  in  its  splendour ; 
Snawy  her  bosom,  sae  cornel}'  an'  tender, 

An'  pure  as  the  lily  o'  the  plain. 
I  took  her  i'  my  arms,  an'  I  ca'd  her  my  dearie, 
Her  face  was  sae  bonnie,  my  heart  felt  sae  cheerie;  — 
I  took  her  i'  my  arms,  an'  I  ca'd  her  my  dearie, 

Yon  bonnie  mornin1  after  the  rain ! 
O  fair  are  yon  meadows,  where  aft  I've  gaen  roamin' 
For  mony  a  sweet  hour,  wi'  my  lass  i'  the  gloamin' ; 
But  fairer — 0  fairer  the  bonnie  green  loanin', 

"Where  she  whispered  her  heart  was  my  ain! 
Sweetly  she  blush'd  like  the  rose  wi'  emotion ; 
Fondly  I  seal'd  wi'  a  kiss  my  devotion; — 
Sweetly  she  blush'd  like  the  rose  wi'  emotion, 

Yon  bonnie  mornin*  after  the  rain ! 
Though  fortune  wi'  me  has  been  scant  wi'  her  measure, 
Yet  ne'er  will  I  envy  her  care-laden  treasure ; 
Sae  lang  as  the  queen  o'  my  hame  gi'es  me  pleasure, 

O'  nocht  will  I  ever  complain ; 
For  aye  when  I'm  dowie,  down-hear  tit,  and  weary, 
Her  sweet  sunny  smile  mak's  me  lichtsome  and  cheerie, 
Sae  weel  I'll  remember  the  trj'st  wi'  my  dearie, 

Yon  bonnie  mornin'  after  the  rain ! 


Words  by  Lord  Byron. 
With  animation. 


AWAY,  YE  GAY  LANDSCAPES. 


1 7 " tTv^f     . 

Yet,    Ca  -  le  -  don  -  ia,    dear   are    thy  mountains,  Round  their  white  summits  tho' 


175 


^rtgmg^n 


OP 1 k — ---— y-^p- 

-    ta  -  racts    foam  'stead  of    smooth-flow-ing 

/Z\         -^Adagio. 


A^r 


E^= 


foun-tains, 


sigh 


dark  Loch- na- 


Ah !  there  my  young  footsteps  in  infancy  wander'd, 

My  cap  was  the  bonnet,  my  cloak  was  the  plaid ; 
On  chieftains  departed  my  memory  pondered, 

As  daily  I  stray'd  through  the  pine-cover' d  glade. 
I  sought  not  my  home  till  the  day's  dying  glory 

Gave  place  to  the  rays  of  the  bright  polar  star, 
For  fancy  was  cheer'd  by  traditional  story, 

Disclos'd  by  the  natives  of  dark  Loch-na-garr. 

Shades  of  the  dead,  have  I  not  heard  your  voices 

Rise  on  the  night-rolling  breath  of  the  gale  ? 
Surely  the  soul  of  the  hero  rejoices, 

And  rides  on  the  wind  o'er  his  own  Highland  vale. 
Round  Loch-na-garr  while  the  stormy  mist  gathers, 

Winter  presides  in  his  cold  icy  car ; 
Clouds  there  encircle  the  forms  of  my  fathers ! 

They  dwell  'mid  the  tempests  of  dark  Loch-na-garr. 

Ill  starr'd,  though  brave,  did  no  vision  foreboding, 

Tell  you  that  fate  had  forsaken  your  cause? 
Ah !  were  ye  then  destined  to  die  at  Culloden, 

Though  victory  crown'd  not  your  fall  with  applause? 
Still  were  ye  happy  in  death's  earthy  slumbers ; 

You  rest  with  your  clan  in  the  caves  of  Braemar ; 
The  pibroch  resounds  to  the  piper's  loud  numbers, 

Your  deeds  to  the  echoes  of  wild  Loch-na-garr. 

Years  have  roll'd  on,  Loch-na-garr,  since  I  left  you ! 

Years  must  elapse  ere  I  see  you  again ; 
Though  nature  of  verdure  and  flowers  has  bereft  you, 

Yet  still  thou  art  dearer  than  Albion's  plain. 
England,  thy  beauties  are  tame  and  domestic 

To  one  who  has  rov'd  on  the  mountains  afar ! 
Oh  !  for  the  crags  that  are  wild  and  majestic, 

The  steep  frowning  glories  of  dark  Loch-na-garr ! 


176 


FAREWELL,  THOU  FAIR  DAY. 

Words  by  Burns.  My  Lodging  is  on  the  Cold  Ground. 

Arranged  for  this  work  by  A.  Hume. 

Air.     Slow,  with  expression. 


Fare  -  well,  thou  fair    day,  thou  green  earth,  and    ye    skies,  Now  gay   with    the 


Fare  -  well,  thou  fair    day,  thou  green  earth,  and    ye    skies,  Now    gay  with    the 


Fare  -  well,  thou  fair    day,  thou  green  earth,  and    ye    skies,  Now    gay  with    the 


E5 !    i    55qr=q^=qs 


^=^ 


broad   set -ting       sun;  Fare  -  well,  loves  and  friendships,  ye       dear,    ten-der 


p^^^^F^ 


broad    set  -•  ting       sun ;  Fare  -  well,   loves  and  friendships,  ye       dear,  ten-der 


broad  set -ting       sun;  Fa"e  -  well,  loves  and  friendships,  ye       dear,  ten-der 


gj^^jjgjfete^il 


ties,  Our  race   of       ex  -  is  -  tence    is     run.       Thou  grim  king    of     ter-rors,  thou 


ties,  Our  race   of      ex  -  is  -  tence    is      run.       Thou  grim  king    of     ter-rors,  thou 
ft      Si 


ties,  Our  race   of     ex  -  is  -  tence    is     run. 


177 


z'a  gloom-y       foe,    Go,    fright-en     the  cow  -  ard    and  slave,       Go,  teach  them  to 


life's  gloom-y       foe,   Go,    fright-en      the  cow  -  ard    and  slave,      Go,  teach,  them  to 


Go,    fright-en     the  cow  -  ard    and  slave,     Go,  teach  them  to 


trem-ble,     fell    ty  -  rant,  but  know,     No       ter-rors    hast  thou    to     the  brave. 


trem-ble,    fell     ty  -  rant,  but  know,     No       ter  -  rors   hast  thou    to     the  brave. 


trem-ble,    fell     ty-rant,  but  know,    No       ter-rors   hast  thou    to     the  brave. 


Thou  strik'st  the  dull  peasant — he  sinks  in  the  dark, 

Nor  saves  e'en  the  wreck  of  a  name ; 
Thou  strik'st  the  young  hero — a  glorious  mark! 

He  falls  in  the  blaze  of  his  fame. 


In  the  field  of  proud  honour — our  swords  in  our  hands, 

Our  king  and  our  country  to  save — 
While  victory  shines  on  life's  last  ebbing  sands, 

Oh !  who  would  not  die  with  the  brave  ? 


Solo,  1st  Treble.  Moderate. 


178 

SOLO,  DUET,  AND  TRIO— THE  BOATIE  ROWS. 

Arranged  for  this  work  by  T.  S.  Gleadhil). 


lie  -  some      may     the      boat  -  ie       row      That      wins  the    bair-nies'    breal 


The  boat  -  ie    rows,  the   boat  -  ie    rows,  The     boat  -  ie    rows    fu'   weel ;       And 


:fe?_EE£sS=p 


mei  -  kle     luck       at  -   tend     the     boat,  the  mur  -  lain,     and     the       creel. 


Duet,  1st  Treble.    A  little  sloiver. 


deeds  us 

a' 

frae       tap     to     tae,  And      buys  our    par- 

ritch 

meaL 

'fek-Tr-p 

1 [V, fi_,^ ^--| K fc |v- 

KH d-r-  *— P-»— d~=H P P J— 

— K~ 

-^— -3      : 

W — J-3- 

* 

p     ■    ■   u   VH   ■    ■    ■ 

$i 

deeds  us      a'    frae       tap     to     tae,  And      buys  our    par -ritch    meaL 


179 


Trio,  1st  Treble. 


The     boat-ie    rows,  the  boat  -  ie    rows,  The     boat  -  ie     rows    in -deed;       And 
2d  Treble.  a  tempo.  f 


l^^^EE^^S^^^^^i^ 


The     boat-ie    rows,  the  boat  -  ie    rows,  The     boat-ie    rows     in -deed;      And 

a  tempo.  f 


The     boat-ie    rows,  the   boat-ie     rows,  The    boat-ie    rows     in -deed;      And 


rt-f — r- 

: r-m J5 p t>A. 

fs— J 1 K feH \ 

gpsz5 — n_ 

hap  -  py 

£%=* — 3^ 

>           * ' E       ^ 

be       the       lot        of        a' 

■        •        •                     •  • 
That      wish   the  boat  -  ie       speed. 

— ^ — f — i*  J"  .H-~t~  1 

hap  -  py 

£):tt- — = - — 

be       the       lot        of        a* 

That      wish   the  boat-ie       speed. 

^=f— 1~ 

— £ — p-j — f — ? — £— 

-IE  tir~^z^^=: 

hap  -  py       be 


lot        of 


When  Jamie  vow'd  he  wad  be  mine, 

And  won  frae  me  my  heart, 

O  mickle  lighter  grew  my  creel ; 

He  swore  we'd  never  part. 

The  boatie  rows,  the  boatie  rows, 

The  boatie  rows  fu'  weel ; 
And  mickle  lighter  is  the  boat, 
When  love  bears  up  the  creel. 
Bly  kertch  I  put  upon  my  head, 
And  dress' d  mysel'  fu'  braw ; 
But  dowie,  dowie  was  my  heart, 
When  Jamie  gaed  awa'. 

But  weel  may  the  boatie  row, 

And  lucky  be  her  part ; 
And  lightsome  be  the  lassie's  care, 
That  yields  an  honest  heart 


a'      That      wish  the  boat  -  ie      speed. 

When  Sandy,  Jock,  and  Janetie, 

Are  up  an'  gotten  lear, 
They'll  help  to  gar  the  boatie  row, 
And  lighten  a'  our  care. 

The  boatie  rows,  the  boatie  rows, 

The  boatie  rows  fu'  weel ; 
And  lightsome  be  her  heart  that  bears 
The  murlain  and  her  creel. 
When  we  are  auld  and  sair  bow'd  down, 

And  hirplin'  at  the  door, 
They'll  row  to  keep  us  dry  an'  warm, 
As  we  did  them  before. 

Then  weel  may  the  boatie  row, 

And  better  may  it  speed ; 
And  happy  be  the  lot  of  a' 
That  wish  the  boatie  speed. 


180 

ALLEN-A-DALE. 

Words  by  Sir  Walter  Scott.  Adapted  to  a  Border  air. 

From  Rokeby. 


Al  -  len    -    a  -  Dale  has     no        fa  -  got     for    burn-ing,  Al  -  len  -  a- 


Dale  has     no        fur  -  row    for       turn-ing,  Al  -  len  -  a  -  Dale    has     no 


fleece  for     the       spin-ning,  Yet       Al  -  len  -  a  -  Dale     has    red    gold    for    the 


winning ;  Come  read  me    my  rid  -  die     and  hearken   my    tale,  And  tell    me     the 


craft  of  bold   Al  -  len  -  a  -  Dale.  And  tell  me  the  craft    of  bold    Al  -  len  -  a-Dale. 


The  baron  of  Ravensworth  prances  in  pride, 
And  he  views  his  domains  upon  Arkindale  side, 
The  mere  for  his  net,  and  the  land  for  his  game, 
The  lake  for  the  wild,  and  the  park  for  the  tame  ; 
Yet  the  fish  of  the  lake  and  the  deer  of  the  vale, 
Are  less  free  to  Lord  Dacre  than  Allen-a-Dale. 

Allen-a-Dale  was  ne'er  belted  a  knight, 

Though  his  spur  be  as  sharp,  and  his  blade  be  as  bright : 

Allen-a-Dale  is  no  baron  or  lord, 

Yet  twenty  tall  yeomen  will  draw  at  his  word ; 

And  the  best  of  our  nobles  his  bonnet  will  veil, 

Who  at  Rere-cross  on  Stanmore  meets  Allen-a-Dale. 

Allen-a-Dale  to  his  wooing  is  come ; 

The  mother,  she  asked  of  his  household  and  home ; 

"  Though  the  castle  of  Richmond  stands  fair  on  the  hill, 

My  hall,"  quoth  bold  Allen,  "  shows  gallanter  still; 

'Tis  the  blue  vault  of  heaven,  with  its  crescent  so  pale, 

And  with  all  its  bright  spangles !  "  said  Allen-a-Dale. 


181 


The  father  was  steel,  and  the  the  mother  was  stone ; 
They  lifted  the  latch,  and  they  bade  him  begone ; 
But  loud  on  the  morrow  their  wail  and  their  cry ! 
He  had  laugh'd  on  the  lass  with  his  bonnie  black  eye, 
And  she  fled  to  the  forest  to  hear  a  love-tale, 
And  the  youth  it  was  told  by  was  Allen-a-Dale. 


CA'  THE  EWES  TO  THE  KNOWES. 

y,  with  great  expression. 


the  ewes        to 


the  knowes,  Ca'  them  whaur  the  heath  -  er  grows,  Ca'  them 


whaurthe     burn-ie     rows,    My     bon  -  nie   dear  -  ie.     'Twas   in     the    bon  -  nie 


month    o'      June,  When    the    woods     a  -   bout       us     hung;  When      a'      the 


flow'rswere         in       their    bloom,  The     night  -  in  -  gale    sang       clear  -  ly. 


Will  ye  gang  down  the  water  side, 
And  see  the  waves  sae  sweetly  glide  ? 

Beneath  the  hazels  spreading  wide, 
The  moon  it  shines  fu'  clearly. 
Ca'  the  ewes,  &c. 

While  waters  wimple  to  the  sea ; 

While  day  blinks  in  the  lift  sae  hie ; 
Till  clay-cauld  death  shall  blind  my  e'e, 

Ye  shall  be  my  dearie. 

Ca'  the  ewes,  &c. 


182 


JESSIE,  THE  FLOWER  0'  DUMBLANE. 


Words  by  Tannahill. 

With  artless  simplicity. 


Music  by  R.  A.  Smith. 


left    the    red  clouds  to     pre 


o'er  the    scene;  While     lane-  ly 


*fc=p= 


^p=S 


3C=q3r 


SE 


==js 


m 


— * — J3T 

stray    in     the       calm  sim  -  mer  gloam-in',    To    muse    on  sweet  Jes  -  sie,    the 


43: 


^m 


— ^ — « , , r 

flow'r  o'  Dum-blane.     How     sweet    is     the  brier,  wi'     its        saft    fauld-ing 


sweet  -  er     an'     fair  -  er. 


dear    to     this    bo  -  som,    Is     love  -  ly    young 

Espres. 


love  -  ly    young  Jes  -  sie,     Is    love  -  ly  young  Jes  -  sie,     the    flow'r  o'  Dumblane, 


She's  modest  as  ony,  an'  blythe  as  she's  bonnie, 

For  guileless  simplicity  marks  her  its  ain ; 
An'  far  be  the  villain,  divested  o'  feeling, 

Wha'd  blight  in  its  bloom  the  sweet  flow'r  o'  Dumblane. 
Sing  on,  thou  sweet  mavis,  thy  hymn  to  the  e'enin', 

Thou'rt  dear  to  the  echoes  o'  Calderwood  glen ; 
Sae  dear  to  this  bosom,  sae  artless  arid  winning, 

Is  charming  young  Jessie,  the  flow'r  o'  Dumblane. 


Words  by  Sir  A.  Boswell. 

Lively. 


183 

JENNY  DANG  THE  WEAVER. 

Air— Jenny  Dang  the  Weaver. 


^3=2 


:s=i=!=£ 


At  Wil  -  lie's  wed  -  ding    on     the  green,  The    las  -  ses,    bon-nie    witches,  Were 


-fcr \r 

a'    drest  out      in       a  -  prons  clean,   And       braw  white  Sun  -  day    mutch -es. 


Jock    wad     not       be- 


^^^ra^^^ 


■> —^7 — + — E \r 

lieve  her;  But     soon  the    fule     his     fol  -  ly    kent,  For     Jen  -  ny    dang   the 

Chorus. 


soon   the    fule  his      fol  -  ly    kent,    For         Jen  -  ny     dang     the  weav  -  er. 


At  ilka  country  dance  or  reel, 

Wi'  her  he  wad  be  babbin' ; 
When  she  sat  down,  he  sat  down, 

And  to  her  wad  be  gabbin' ; 
Where'er  she  gaed,  baith  but  and  ben, 

The  cuif  wad  never  leave  her, 
Ay  keckling  like  a  clockin'  hen — 

But  Jenny  dang  the  weaver.         Jenny  dang,  &c. 

Quo'  he,  "  My  lass,  to  speak  my  mind, 

In  troth  I  needna  swither — 
Ye've  bonnie  een,  and  if  ye're  kind, 

I  needna  seek  anither." 
He  hum'd  and  haw'd — the  lass  cried  "  Feugh  !" 

And  bade  the  cuif  no  deave  her; 
Syne  snapt  her  fingers,  lap  and  leugh, 

And  dang  the  silly  weaver.         Jenny  dang,  &c 


184 

0!  HUSH  THEE,  MY  BABY! 

Words  by  Sir  Walter  Scott  Scottish  Air-  -Gadil  gu  lo. 

Sung  in  the  Opera  of  Guy  Mannering. 

tea    fs 


0!     hush  thee,  my     ha-byl    thy      sire    was     a  knight,  Thy  mo  -  ther      a 


la  -  dy       so  love  -  ly     and  bright!  The    woods  and    the  glens  from  these 

ad  lib.  4. 


thee.  0!  rest       thee,    babe,     rest       thee,    babe,        sleep       on       till 


day,     0!         rest     thee,   babe,    rest     thee,     babe,       sleep    while     you    may. 

O  !  fear  not  the  bugle,  tho'  loudly  it  blows ; 

It  calls  but  the  warders  that  guard  thy  repose. 

Their  bows  would  be  bended,  their  blades  would  be  red, 

Ere  the  step  of  the  foe  draws  near  to  thy  bed. 

0  !  rest  thee,  babe,  rest  thee,  babe,  sleep  on  till  day ; 

O !  rest  thee,  babe,  rest  thee,  babe,  sleep  while  you  may. 


O !  rest  thee,  my  darling,  the  time  soon  will  come 
When  thy  sleep  shall  be  broken  by  trumpet  and  drum. 
Then  rest  thee,  my  darling,  O !  sleep  while  you  may, 
For  strife  comes  with  manhood,  as  light  comes  with  day. 
O !  rest  thee,  babe,  rest  thee,  babe,  sleep  on  till  day, 
0 !  rest  thee,  babe,  rest  thee,  babe,  sleep  while  you  may 


185 


Words  by  Sir  Walter  Scott. 

Moderate  p 


JOCK  0'  HAZELDEAN. 


Why  weep  ye     by     the    tide,    la  -  dye  ?  Why  weep    ye    by    the      tide?     I'll 


Now  let  this  wilfu'  grief  be  done, 

And  dry  that  cheek  so  pale, 
Young  Frank  is  chief  of  Errington, 

And  lord  of  Langley-dale. 
His  step  is  first  in  peaceful  ha', 

His  sword  in  battle  keen — 
But  aye  she  loot  the  tears  down  fa' 

For  Jock  o'  Hazeldean. 

A  chain  of  gold  ye  shall  not  lack, 

Nor  braid  to  bind  your  hair ; 
Nor  mettled  hound,  nor  managed  hawk, 

Nor  palfrey  fresh  and  fair. 
And  you,  the  foremost  of  them  a', 

Shall  ride  our  forest  queen — 
But  aye  she  loot  the  tears  down  fa' 

For  Jock  o'  Hazeldean. 

The  kirk  was  deck'd  at  morning  tide, 

The  tapers  glimmer1  d  fair ; 
The  priest  and  bridegroom  wait  the  bride, 

And  dame  and  knight  are  there. 
They  sought  her  both  by  bower  and  ha', 

The  ladye  was  not  seen — 
She's  o'er  the  border,  and  awa' 

"WT  Jock  o'  Hazeldean. 

The  first  stanza  of  this  song  is  copied  from  the  old  bsllad,  "Jock  of  Ilazelgreen." 

Buchan's  Ballads. 


186 

COME  UNDER  MY  PIAIDIE. 

Words  by  Hector  M'Neill.  Air- Johnnie  MacgilL 

Sprightly. 


Come  uh- der    my    plaid  -ie,    the    nighfs  gaun    to    fa';  Come   in    frae  the 


cauld  hlast,    the        drift,   and   the  snaw:  Come      un  -  der    my  plaid  -  ie,    and 


sit   down   be  -  side   me,  There's  room  in't,  dear  las  -  sie,    be  -  lieve  me,   for   twa. 


ev'-ry   cauld    blast  that   can  blaw;    0    come      un- der    my    plaid-ie, 


sit  down   be  -  side  me,  There's  room  in't,  dear  las  -  sie, 


~3F   -»- 

be -lieve  me,  for  twa. 


' '  Gae  Va  wi'  yer  plaidie !  auld  Donald,  gae  Va ; 

I  fear  na  the  cauld  blast,  the  drift,  nor  the  snaw  ! 

Gae  Va  wi'  yer  plaidie !  I'll  no  sit  beside  ye ; 

Ye  micht  be  my  gutcher !  auld  Donald,  gae  \va. 

I'm  gaun  to  meet  Johnnie — he's  young  and  he's  bonnie ; 

He's  been  at  Meg's  bridal,  fu'  trig  and  fu'  braw ! 

Nane  dances  sae  lichtly,  sae  gracefu',  sae  tightly, 

His  cheek's  like  the  new  rose,  his  brow's  like  the  snaw!" 

"Dear  Marion,  let  that  flee  stick  fast  to  the  wa'; 
Your  Jock's  but  a  gowk,  and  has  naething  ava; 
The  hail  o'  his  pack  he  has  now  on  his  back  ; 
He's  thretty,  and  I  am  but  threescore  and  twa. 
Be  frank  now,  and  kindly— I'll  busk  ye  aye  finely; 
To  kirk  or  to  market  there'll  few  gang  sae  braw ; 
A  bien  house  to  bide  in,  a  chaise  for  to  ride  in, 
And  flunkeys  to  'tend  ye  as  aft  as  ye  ca'. " 


187 


"My  father  aye  tauld  me}  my  mither  and  a', 
Ye'd  mak'  a  gude  husband,  and  keep  me  aye  Draw. 
It's  true  I  lo'e  Johnnie ;  he's  young  and  he's  bonnie ; 
But,  wae's  me!  I  ken  he  has  naething  ava  ! 
I  hae  little  tocher ;  ye've  made  a  gude  offer ; 
I'm  now  mair  than  twenty ;  my  time  is  but  sma' ! 
Sae  gie  me  your  plaidie ;  I'll  creep  in  beside  ye  ; 
I  thocht  ye'd  been  aulder  than  threescore  and  twa!" 

She  crap  in  ayont  him,  beside  the  stane  wa', 
Whare  Johnnie  was  list'ning,  and  heard  her  tell  a' ; 
The  day  was  appointed ! — his  proud  heart  it  dunted, 
And  strack  'gainst  his  side,  as  if  bursting  in  twa. 
He  wander'd  hame  weary,  the  nicht  it  was  dreary, 
And,  thowless,  he  tint  his  gate  'mang  the  deep  snaw  : 
The  howlet  was  screamin',  while  Johnnie  cried,  "  Women 
Wad  marry  auld  Nick,  if  he'd  keep  them  aye  braw." 


Words  by  Burns. 


MAEY  MORISON. 


0       Ma-ry,     at    thy   win-dow    he,     It  is  the  wish'd,  the  tryst-ed  hour ;  Those 


How   glad-ly    wad    I     hide  the  stoure,  A    wea  -  ry    slave  frae   sun    to  sun,  Could 


i^^^EEEgSia 


I     the     rich     re  -  ward    se  -  cure,  The    love  -  ly     Ma  -  ry       Mor  -  i 


Yestreen  when  to  the  trembling  string 

The  dance  gaed  through  the  lighted  ha', 
To  thee  my  fancy  took  its  wing, 

I  sat,  but  neither  heard  nor  saw : 
Though  this  was  fair,  and  that  was  braw, 

And  yon  the  toast  of  a'  the  town, 
I  sigh'd,  and  said,  amang  them  a', 

"Ye  are  na  Mary  Morison." 


Q  Mary !  canst  thou  wreck  his  peace, 

Wha  for  thy  sake  wad  gladly  die  ? 
Or  canst  thou  break  that  heart  of  his, 

Whase  only  faut  is  loving  thee  ? 
If  love  for  love  thou  wilt  na  gie, 

At  least  be  pit}'  to  me  shown: 
A  thought  ungentle  canna  be 

The  thought  of  Mary  Morison. 


DUET— THE  LASS  0'  GOWRIE. 

The  first  stanza  of  this,  the  modern  version,  is  from  the  pen  of  Carolina  Baroness  Nairne ;  the 
others  appear  to  be  adapted  from  "  Kate  o'  Gowrie,"  by  William  Reid. 
Air— Locherroch  Side. — Arranged  for  this  work  by  D.  Baptie. 
Treble.        Modsrato. 


-J — - — ^     •    V v- \r 

'Twas  on     a    sim-mer's     af-ter-noon,    A    wee 


i  -  fore   the  sun  gaed  down, 


My     las  -  sie,     in       a     braw  new  gown,  Cam'  o'er  the  hills   to       Gow  -  rie. 


My      las  -  sie,    in       a    braw   new  gown,  Cam'  o'er  the  hills    to      Gow  -  rie. 


The    rose-bud  ting'd  wi'     morning  show'r,  Bloom'd  fresh  within  the  ha-zel  bow'r; 


The    rose-bud  ting'd  wi'    morning  show'r,  Bloom'd  fresh  within  the    ha-zel  bow'r; 


But      Ka-  tie  was  the     fair  -  est  flow'r  That     ev   -  er  bloom'd  in       Gow  -  rie. 


But     Ka  -  tie  was  the     fair  -  est  flow'r  That     ev   -   er  bloom'd  in       Gow  -  rie. 


I  had  nae  thought  to  do  her  wrang, 
But  round  her  waist  my  arms  I  flang, 
And  said,  my  lassie,  will  ye  gang 
To  view  the  Carse  o'  Gowrie. 


I'll  tak'  ye  to  my  father's  ha', 
In  yon  green  field  beside  the  shaw, 
And  mak'  ye  lady  o'  them  a', 
The  brawest  wife  in  Gowrie. 


189 


Saft  kisses  on  her  lips  I  laid, 
The  blush  upon  her  cheek  soon  spread, 
She  whisper'd  modestly  and  said, 
I'll  gang  wi'  you  to  Gowrie. 


The  auld  folk  soon  gied  their  consent, 
And  to  Mess  John  we  quickly  went, 
Wha  tied  us  to  our  hearts'  content, 
And  now  she's  Lady  Gowrie. 


Won1  s  by  Burns. 

4- 


A  MAN'S  A  MAN  FOR  A'  THAT. 


Is    there   for    ho  -  nest  po  -  ver  -  ty  That  hangs  his  head,  and  a'   that?  The 


For         a*       that,  and      a'       that ,  Our      toils     ob-scure,  and     a'    that ;    The 


rank    is     but    the    gui  -  nea's  stamp,      The    man's   the  gowd  for       a'     that 


What  though  on  hamely  fare  we  dine, 

"Wear  hoddin  grey,  and  a'  that ; 
Gie  fools  their  silks,  and  knaves  their  wine, 

A  man's  a  man  for  a'  that : 
For  a'  that,  and  a'  that, 

Their  tinsel  show,  and  a'  that ; 
The  honest  man,  though  e'er  sae  poor, 

Is  king  o'  men  for  a'  that. 

Ye  see  yon  birkie,  ca'd  a  lord, 

Wha  struts,  and  stares,  and  a'  that : 
Though  hundreds  worship  at  his  word, 

He's  but  a  coof  for  a'  that : 
For  a'  that,  and  a'  that ; 

His  riband,  star,  and  a'  that, 
The  man  of  independent  mind 

He  looks  and  laughs  at  a'  that. 


A  prince  can  mak'  a  belted  knight, 

A  marquis,  duke,  and  a'  that ; 
But  an  honest  man's  aboon  his  might, 

Guid  faith !  he  maunna  fa'  that ! 
For  a'  that,  and  a'  that, 

Their  dignities,  and  a'  that ; 
The  pith  o'  sense,  and  pride  o'  worth, 

Are  higher  ranks  than  a'  that. 

Then  let  us  pray  that  come  it  may, 

As  come  it  will,  for  a'  that, 
That  sense  and  worth,  o'er  a'  the  earth, 

May  bear  the  gree,  and  a'  that : 
For  a'  that,  and  a'  that, 

It's  coming  yet,  for  a'  that, 
That  man  to  man,  the  warl'  o'er, 

Shall  brithers  be  for  a'  that. 


190 


THE  EWIE  WI'  THE  CROOKIT  HOEN. 


Words  by  the  Rev.  John  Skinner. 
Stow  with  expression. 


verse,    I'd  sound  it  forth  as     loud   and  fierce   As     ev  -  er     pi-per's  drone  could  blaw. 


SH^g^Eil 


i=e3=d— 


^m 


The    ew  -   ie      wi'     the     crook  -  it       horn !  Wha  had  kent    her  might  ha'e  sworn 


fe  >7P 

^- 

m 
— 17  — 

—^ P^ — | 

— h — fs- 

=£= 

-*—*= 

-=M 

¥^- 

t=l 

— 1— 

~*  &JJC3 

y. 

o        « 

LtRT- 

-  y  ■■- 

ewe      wa3        nev  -  er     horn     Here  -  a  -  bout,  nor 


I  never  needed  tar  nor  keil, 
To  mark  her  upo'  hip  or  heel; 
Her  crookit  hornie  did  as  weel, 
To  ken  her  by  amang  them  a'. 

She  never  threaten'd  scab  nor  rot, 
But  keepit  aye  her  ain  jog-trot ; 
Baith  to  the  fauld  and  to  the  cot, 

Was  never  sweirt  to  lead  nor  ca\ 
Cauld  nor  hunger  never  dang  her, 
Wind  nor  weet  could  never  wrang  her ; 
Ance  she  lay  an  ouk  and  langer 

Furth  aneath  a  wreath  o'  snaw. 
Whan  ither  ewies  lap  the  dyke, 
And  ate  the  kail  for  a'  the  tyke, 
My  ewie  never  play'd  the  like, 

But  tyc'd  about  the  barn  wa\ 
A  better,  or  a  thriftier  beast 
Nae  honest  man  could  weel  ha'e  wist; 
For,  silly  thing,  she  never  mist 

To  ha'e,  ilk  year,  a  lamb  or  twa. 
The  first  she  had  I  ga'e  to  Jock, 
To  be  to  him  a  kind  o'  stock ; 
And  now  the  laddie  has  a  flock 

O'  mair  nor  thirty  head  ava. 


I  lookit  aye  at  even  for  her, 
Lest  mischanter  should  come  o'er  her, 
Or  the  foumart  might  devour  her, 
Gin  the  beastie  bade  awa'. 

My  ewie  wi'  the  crookit  horn, 
Weel  deserv'd  baith  gerse  and  corn  ; 
Sic  a  ewe  was  never  born, 

Hereabout,  or  far  awa'. 
Yet,  last  ouk,  for  a'  my  keeping, 
(Wha  can  speak  it  without  greeting?) 
A  villain  cam',  when  I  was  sleeping, 

Sta'  my  ewie,  horn  and  a'. 
I  sought  her  sair  upo'  the  morn ; 
And  down  aneath  a  buss  o'  thorn, 
I  got  my  ewie's  crookit  horn, 

But  my  ewie  was  awa'. 

0  !  gin  I  had  the  loon  that  did  it, 
Sworn  I  have,  as  weel  as  said  it, 
Though  a'  the  warld  should  forbid  it, 

I  wad  gi'e  his  neck  a  thraw. 

1  never  met  wi'  sic  a  turn 
As  this,  sin'  ever  I  was  born ; 
My  ewie  wi'  the  crookit  horn, 

Silly  ewie,  stown  awa'. 


191 


O !  had  she  dee'd  o'  crook  or  cauld, 
As  ewies  do  when  they  are  auld, 
It  wadna  been,  by  mony  fauld, 
Sae  sair  a  heart  to  nane  o's  a'. 

For  a'  the  claith  that  we  ha'e  worn, 
Frae  her  and  her's  sae  aften  shorn; 
The  loss  o'  her  we  could  ha'e  borne, 
Had  fair  strae-death  ta'en  her  awa'. 


But  thus,  puir  thing,  to  lose  her  life, 
Aneath  a  bloody  villain's  knife ; 
I'm  really  fley't  that  our  gudewife 
Will  never  win  aboon't  ava. 

0 !   a'  ye  bards  benorth  Kinghorn, 
Call  your  muses  up  and  mourn 
Our  ewie  wi'  the  crookit  horn, 
Stown  frae's,  an'  fell' t  an'  a'  I 


0  SPEED,  LORD  NITHSDALE. 


Words  by  Robert  Allan. 
Slow. 


^^^^^i^^l^ii^l 


O    speed,  Lord  Nithsdale,  speed  ye    fast,     Sin'    ye  maun  frae  your  coun-trie 


flee,      Nae  mer-cy  mot  fa'      to  your  share;  Nae  pi  -  ty     is      for      thine  and  thee. 


Thy     la -dy  sits        in   lone  -  ly  bow'r,  And  fast  the  tear    fa's    frae  her  e'e;     And 


feNP^-tH-r^i 


^2=S^=* 


aye    she  sighs,     0     blaw    ye  winds,  And    bear  Lord  Niths-dale   far  frae     me. 


Her  heart,  sae  wae,  was  like  to  break, 

While  kneeling  by  the  taper  bright ; 
But  ae  red  drap  cam'  to  her  cheek, 

As  shone  the  morning's  rosy  light. 
Lord  Nithsdale's  bark  she  mot  na  see, 

Winds  sped  it  swiftly  o'er  the  main ; 
"  0  ill  betide,"  quoth  that  fair  dame, 

"  Wha  sic  a  comely  knight  had  slain !" 


Lord  Nithsdale  lov'd  wi  mickle  love  ; 

But  he  thought  on  his  countrie's  wrang, 
And  he  was  deem'd  a  traitor  syne, 

And  forc'd  frae  a'  he  lov'd  to  gang. 
"  Oh !  I  will  gae  to  my  lov'd  lord, 

He  may  na  smile,  I  trow,  bot  me ; " 
But  hame,  and  ha',  and  bonnie  bowers, 

Nae  mair  will  glad  Lord  Nithsdale's  e'e. 


192 


LASSIE  WT  THE  LINT-WHITE  LOCKS. 

Words  by  Burns.  Air— Rothiemurchus'  Rant 


Wilt    thou     wi'      me     tent      the    flocks?    Wilt  thou    be     my     dear  -  ie,      0? 


wilt  thou  share  its     joys    wi'    me,   And    say  thou'lt  be     my  dear  -  ie,      0. 


And  when  the  welcome  simmer  shower 
Has  cheer'cl  ilk  drooping  little  flower, 
We'll  to  the  breathing  woodbine  bower 
At  sultry  noon,  my  dearie,  O. 

Lassie  wi',  &c. 

When  Cynthia  lights  wi'  silver  ray 
The  weary  shearer's  hameward  way, 
Thro'  yellow  waving  fields  we'll  stray, 
And  talk  o'  love,  my  dearie,  O. 

Lassie  wi',  &c. 

And  when  the  howling  wintry  blast 
Disturbs  my  lassie's  midnight  rest, 
Enclasped  to  my  faithful  breast, 
I'll  comfort  thee,  my  dearie,  O. 

Lassie  wi',  &c. 

END    OF   THE   FIRST   SERIES. 


GLASGOW: 
J-RINTED  BY  BELL  AND  BAIN,  ST.  ENOCH  SQUAKE. 


GLOSSAKY. 


Ae,  one 
Aboon,  above 
Afore,  before 
Aft,  often 
Aften,  often 
Ahint,  behind 
Aik,  oak 

Ain,  own  [in  hiring 

Airl-penny,  a  coin  given  as  earnest 
Airt,  direction 
Awe,  ajar 
Alowe,  in  a  flame 
Among,  among 
-<ln,  if 
^Ince,  once 
Anither,  another 
Ase,  ashes 
vliiccen,  between 
Aucht,  eight 
■*4«kJ,  old 

Auld  faurent,  old  fashioned 
^ti/a,  at  all 
Awa',  away 
Awmry,  pantry 
Aiums,  alms 
Ayont,  beyond 

Bairn,  a  child 

Bairns,  children 

Baith,  both 

Bauld.  bold 

-Bau;tancf ,  a  horse  or  cow  having  a 

white  spot  on  its  forehead 
Bein,  comfortable 
Beld,  bald 

Ben— see  But  and  ben 
Besom,  hearth -brush 
Bicker,  drinking  vessel 
Bield,  shelter,  refuge,  protection 
Bigging,  building 
Bike,  wild  bees'  hive 
Bing'd,  curtseyed 
Birr,  spirit 
Birrled,  tossed 
Blate,  bashful 
Blaw,  blow 
Bleare'ed,  dim  eyed 
Blear 't,  bedimmed 
Bleezing,  blazing 


Bleth'rin,  talking  idly 

Blink,  a  little  while,  a  smiling  look, 

to  look  kindly,  one  sight 
Blinkin',  smirking 
Bluid,  blood  [tiful 

Bonnie,  or  Bonny,  handsome,  beau- 
Bodin',  foretelling 
Boortree,  the  elder  tree 
Bothy,  a  highland  cottage 
Brae,  side  of  a  hill 
Braw,  fine,  handsome 
Brawlie,  perfectly,  quite  well 
Bree,  water  in  which  meat  has  been 

boiled 
Breeks,  breeches 
Buchts,  sheep  pens 
Buckle,  marry 
Busk,  dress 

Busket-braw.  well  dressed        [ment 
But  and  ben,  outer  and  inner  apart- 
Buffy,  chubby 
Burnie,  streamlet 
But,  without 

Ca' ,  to  call,  to  name,  to  drive 
Callan,  a  boy 

Caller,  or  Couler,  fresh  sound 
Cam,  come 

Cannie,  genfle,  mild,  dexterous 
Cantie,  or  Canty,  merry,  cheerful 
Carle,  an  old  man 
Carlie ,  little  boy 
Carline,  a  stout  old  woman 
Carry  the  sky 

Castock,  the  stalk  of  a  cabbage 
Cauld,  cold 

Chanter,  part  of  a  bagpipe 
Chield,  a  young  man 
Clachan,  village 
Clankie.  blow 
Claise,  or  Claes,  clothes 
Claith,  cloth 
deed,  clothe 
Cleeks,  hangs 

Clout,  to  mend — Clout,  a  blow 
Cluds,  clouds 

Clutha,  Gaelic  title  of  the  Clyde 
Cockernonie,  dress  cap  worn  by  fe- 
males 
Coft,  bought 


Cog,  a  wooden  dish 

Coggie,  a  small  sized  wooden  dish 

Coom,  coal  dust 

Coost,  did  cast 

Carrie,  a  hollow  in  a  hill, 

Courin,  shivering 

Couthie,  kind,  loving 

Cowrin',  cowering 

Cowt,  colt 

Cozie,  snug 

Crack,  to  converse 

Crackin' ,  conversing 

Cragie,  a  crag 

Crap,  crept 

Craws,  crows 

Creel,  a  fishwife's  basket 

Creepie,  a  low  stool 

Crony,  comrade 

Croodle,  to  coo  as  a  dove 

Crouse,  proud 

Crummie,  cow 

Cuif,  a  blockhead,  a  ninny,  a  fool 

Cuist,  cast 

X>a&,  to  peck  as  a  bird 

Daddie,  a  father 

Daffing,  funning,  making  sport 

Daft,  merry,  giddy,  foolish 

Baud,  lump 

Dauner,  walk  slowly 

Daur.  dare 

Baurna,  dare  not 

Bawtie,  a  pet,  a  darling 

Beave,  deaf,  to  make  a  noise 

Dee,  die 

Beeing,  dying 

Delve,  dig 

Dibbled,  planted 

Ding,  knock,  to  push,  to  eclipse 

Dinna,  do  not 

Dochter,  daughter 

Doited,  stupid 

Dool,  sorrow,  grief 

Doon,  down 

Douce,  gentle,  sober,  wise,  prudent 

Douff,  pithless 

Doueely,  quietly 

Dour,  stubborn 

Dow,  or  Doo,  a  dove 

Dowie,  worn  with  grief,  sleepy 


194 

Downa,  expressive  of  inability 

Drap.  drop 

Dree,  suffer 

Dreepin',  dropping  or  wet 

Drimlie,  muddy 

Drookit,  drenched 

Drouth,  thirst 

Duds,  clothes 

Duinnewassal,  Gaelic  for  gentleman 

Dunt,  knock 

Dunted,  beat 

E'e,  the  eye 

Een,  the  eyes 

E'enin',  evening 

Eerie,  frightened,  troubled 

Eild,  old  age 

En',  end 

Enew,  enough 

Fa\  fall,  lot,  to  faU 

Faes,  foes 

Fain,  happy,  fond  [anxious 

Fain,  anxious— Fidging  fain,  very 

Farin',  food 

Fashb ms,  troublesome 

Fasht,  troubled 

Fauld,  a  fold,  to  fold 

Fnuts,  faults 

Fearfu',  frightful 

Fecht.  to  fight 

Fee,  hire 

Fen.  to  make  shift 

Ferlies,  wonders 

Fidging,  uneasy 

Field,  fiend 

Fit  fa',  footfall 

Flee,  fly 

Fleech.  to  supplicate,  to  coax 

Flunkies,  servants  in  livery 

Forhye,  besides 

Forg'ie,  to  forg'.ve 

Fou,  full,  tipsy 

Foumart,  a  fox 

Fouth,  lots 

Frae,  from 

Fuffin,  puffing 

JV.full 

Gab,  the  mouth,  to  speak  boldly  or 

pertly 
Gabbing,  speaking  and  chatting 
Gae,  to*  go 
Gaed,  went 
Gaen,  or  <3a«e,  gone 
Gaet,  or  (?aie.  way,  manner,  road 
G-ng.  to  go.  to  walk 
Gar,  to  make,  to  force 
Gart,  made 
Gaucy,  jolly,  large 
Gaun,  going 
Gawky,  foolish,  romping 
(rear,  riches,  goods  of  any  kind 
Gee,  pet 
Gerse,  grass 
Ghaist,  a  ghost 
Gie,  to  give 
Gied,  gave 
GicM,  given 
Gilpey,    half-grown,    half-informed 

boy  or  girl,  hoyden 


GLOSSARY. 


Gin,  if,  against 

Glaiket,  foolish,  mad 

Glamour,  the  influence  of  a  charm 

Gled,  a  hawk 

Gleg,  quick,  clearsighted 

Glint,  glance 

Gloamin'  twilight 

Glow'r,  to  stare,  to  look 

Goupins,  handfuls 

Gowan,  mountain  or  field  daisy 

Gowd,  gold 

Gowk,  fool 

Grannie,  grandmother 

Grat,  wept 

Gravat,  a  neck-tie 

Gree,  pre-eminence 

Greetin',  crying,  weeping 

Gri.pt,  grasped 

Grup,  grip 

Gude,  good 

Guid  e'en,  good  evening 

Guid-mornin' ,  good  morning 

Guidman  and  Guidxoife,  the  master 
and  mistress  of  the  house—  Young 
Guidman  and  Young  Guidwife,  a 
newly  married  pair 

Guidfather  and  Guidmother,  the  fa- 
ther-in-law and  mother-in-law 

Gutcher,  grandsire 

iTa\  hall 

ifae,  to  have 

Haen,  had 

/fa«H,  whole 

Hairst,  harvest 

Halesome,  wholesome 

Hallan,  cottage 

Hame,  home 

Hap,  to  shield,  to  cover  up 

Barum  scarum,  half-mad 

Hauch,  a  low  flat  piece  of  land 

Haud,  hold 

Hear't,  hear  it 

Hech!  oh,  strange 

Heich,  high 

Herrin',  herring 

Hinney,  honey 

Hizzie.  romping  girl 

Hool,  husk 

Hoseris,  stockings 

Howket,  dug 

Howlet,  owl 

Hunner,  hundred 

Hurklin,  cowering 

Ilk,  each 
Ilka,  every 
Ingle,  fire-place 
Ingleside,  fireside 
I'se,  I  shall  or  will 
Ither,  other,  one  another 

Jag,  prick 

Jaupit.  bespattered 

Jee.  change 

Jeel,  jelly 

Jink,   to   dodge,  to    turn  suddenly 

round  a  corner 
Jo,  sweetheart 
Jouks— see  Jinks 
Joyfu' ,  joyful 


Kail-yard,  cabbage  garden 

Kame.  comb 

Kebbuck,  a  cheese 

Keek,  look,  a  peep,  to  peep 

Keeking-glass,  looking-glass 

Ken,  to  know 

Kend,  or  Kent,  knew 

Kenna,  know  not 

Kens,  knows 

Keps,  catches 

Kilt,  a  portion  of  the  lighland  garb 

Kimmer,  a  young  gill    a  gossip 

Kin,  kindred,  relations 

Kintra,  country 

Kirn,  a  churn,  the  harvest  supper 

Kit-sen.  to  christen  or  baptize 

Kist,  chest 

Kittle,  to  tickle,  ticklish 

Knotve,  a  small  roun.l  hillock 

Kve,  cows 

Kyte,  the  belly 

Laddie,  a  boy,  diminutive  of  lad 

Laigh,  low 

Laith,  unwilling 

Lane,  lone— My  lane,  myself,  alone 

Lanely,  lonely 

Lang,  long,  to  think  long,  to  long,  to 

weary 
Lap,  leap 
Laueh,  laugh 
Lave,  the  rest,  the  remainder,  the 

others 
Laverock,  the  lark 
Law,  low 
Leal,  true 
Lee,  an  untruth 
Xce  lang,  live  long 
Leezeme,  a  phrase  of  congratulation 

I  am  happy  in  thee,  or  proud  of 

thee 
Leugh,  laugh 
Leuk,  a  look,  to  look 
Licht,  light 
Lift,  sky 
Lightlie,  despise 
Lilt,  a  ballad,  a  tune,  to  sing 
LUting,  singing 
Limmer,  an  abandoned  female 
Linn,  a  waterfall,  or  the  pool  at  the- 

bottom  of  it 
Lintie,  linnet 
Loaning,  a  broad  lane 
Zo'e.love 
Lo'ed,  loved 

Loof,  the  palm  of  your  hand 
Loon,  a  wild  young  lad 
Loot,  did  let 
Loup,  leap 
Lugs,  ears 
Lyart,  old,  thin 
Lowe,  flame 

Jfae,  more 
Mak',  make 
Mailin,  farm 
JtfatV,  more 
Maist,  most 
Maistly,  mostly 
Maukin,  a  hare 
Maun,  must 


GLOSSARY. 


195 


Maunna,  must  not 

Mark,  a  Scottish  coin 

Marrow,  equal,  like 

Mat,  may 

Mavis,  the  thrush 

Mess  John,  the  minister 

Micht,  might 

Minnie,  mother 

Mirk,  dark 

Mischanter,  misfortune 

Mither,  mother 

Monnie,  or  \fony,  many 

Mou',  mouth 

Moudiwart,  a  mole 

Muckle,  or  Mickle ,  great,  big,  much 

Mun,  must 

Murlain,  a  basket 

Mutch,  cap  worn  by  females 

Mysel',  myself 

Na,  no,  not 

JVae,  no,  not  any 

Naething,  or  Naithing,  nothing 

Naig,  a  nag  or  horse 

Naigies,  horses, 

Nane,  none 

Neivefu',  handful 

Newk,  coiner 

Neist,  next 

Mcht,  night 

Nip-pin,  piercing  or  pinching 

Nip-pit,  pinched 

Nocht,  nought 

Noo,  now 

Nout-horn,  cow-horn 

O',  of 

O'ercome,  burden,  as  of  a  song 

Onie,  any 

Ot,  of  it 

Oursels,  ourselves 

Owk,  week 

Owre,  often,  too 

Owsen,  oxen 

Paiks,  knocks 
Pairtin' ,  parting 
Pappit  doun,  popped  down 
Parochin.  parish 
Pawky,  sly  or  cunning 
Perlins,  jewels 
Philabeg,  the  kilt 
Pibroch,  pipe,  tune 
Plack,  an  old  Scottish  coin 
Pleuch,  plough 
Pouther'd,  powdered 
Pow, head 
Pree,  to  taste 
Pree'd,  tasted 
JVrf,  pulled 
Puirtith,  poverty 
Puir,  poor 

Quo,  said 

Rackle-handed,  strong-handed 

Raid,  inroad,  foray 

Rang,  reigned 

Rax,  fetch,  reach 

Rede,  warn 

Reek,  smoke 


Rifted,  torn 

Rin,  run 

Rout,  the  blowing  of  a  horn 

Routh,  plenty 

Rubbit,  rubbed 

Rung,  a  walking  stick 

Sae,  so 

Saft,  soft 

/Sew,  sore 

Sairly,  sorely 

Sang,  song 

Sark,  shirt 

Sassenach,  Saxon  or  lowlander 

Sauf,  save 

Sei',  self 

Shank,  to  depart  or  set  off,  a  thin 
scranky  leg.  a  handle 

Shauchled,  ill  or  loosely  shaped 

Shaw,  a,  wood  in  a  hollow  place 

Shearing,  reaping 

Sh'-ene,  shoes 

Sh citing,  cot,  a  cottage 

ShiU,  shrill 

Sic,  such 

Siccan,  such 

Siller,  silver  money 

Simmer,  summer 

Sin',  since 

Skaith,  to  damage,  to  injure,  injury 

Skeigh,  proud,  nice,  high  mettled 

Skelp,  to  strike,  to  walk  with  a  smart 
tripping  step 

Skirling,  shrieking,  crying 

Ski-eigh,  a  scream";  to  s'eream 

Statu,  slow,  dull 

Slee,  sly 

Sleekit,  sleek,  sly 

Slogan  cry,  war  cry 
Sma',  small 
Smack,  kiss 
Smoored  smothered 

Snaw.  snow,  to  snow 

Snaw-ivhite,  snow-white 

Snawy -drift,  snow  drift 

Soger,  soldier 

Sonsy,  stout,  good  looking 

Sough,  the  sighing  of  the  wind 

Spak',  spake 

Speel'd,  clamb 

Speir,  ask 

Speired,  inquired 

Spence,  parlour 

Spurt/e,  a  stick  with  which  porridge 

is  stirred  when  boiling 
Stane,  stone 
Staney,  stony 
Stappit,  stepped 
Starn,  or  sternie,  a  star 
Steek,  shut 

Stended,  strided  or  walked 
Stoot,  stout 
Stots,  oxen 
Stoun,  pang 

Stoups,  measures  for  holding  liquids 
Stour,  dust 
Stoivn,  stolen 
Sumph.  fool 
Sunkets,  left  meat 
Sweirt,  not  caring 
Syne,  then 


Tam,  taken 

Tak\  to  take 

Takin',  taking 

Tak'  tent,  take  heed 

Tune,  tother,  the  one,  the  other 

Tupsalleerie,  upside  down 

Tent,  caution,  to  take  heed 

Thae,  these 

Thegither,  together 

Themsds,  themselves 

Tlwct,  thought 

ThowUss,  cold,  broken-hearted 

Thraws,  turns 

TiWt,  to  it 

Tine,  to  lose 

Tint,  lost 

ra/wr,  the  other 

Titterin' ,  gigling 

Tittie,  sister 

Tittle,  to  whisper 

Tocher,  marriage  portion 

Toddlin,  tottering 

Toom,  empty 

Totting,  a  child's  run 

Trig,  spruce,  neat 

Trow,  believe,  know 

Tryst,  cattle  market,  a  meeting  by 

appointment 
Twa,  two 
Twa-three,  a  few 
Tyke,  dog 
Tyne,  lose 

Unco,  strange 

Uncouth,  very,  very  great,  prodigious 

Wa\  wall 

Wab,  web 

Wad,  would 

Waddin',  wedding 

Wadna,  would  not 

Wae,  sorrowful 

Waefu' ,  wailing,  woeful 

Waes.  woes 

Wair,  to  lay  out,  to  expend 

Walth,  plenty 

Wark,  work 

Warld,  world 

Warlock,  wizard 

Warst,  worst 

Warstle 


waking 
Waukrife,  sleepless 
Waur,  worse,  to  worst  - 
Wean,  child 
Weary,  or  Wearie.mony  a  weary  body, 

many  a  different  person 
Wede,  weeded 
Wee,  little 
Weel,  well 
Weelfare,  welfare 
Weel  waled,  well  chosen 
Ween,  a  vow—  I  ween,  I  wot 
fee*,  rain,  wetness,  dew 
Weir,  war 
We'se,  we  shall 
TT/ia,  who 
W Aa'H,  who  will 
Wha  wadna.  who  would  not 
Whare,  where 


196 

Whigamore,  a  royalist 

Whilk,  which 

Whisht,  silence 

Whisket,  brushed  past 

Whuds,  runs  nimbly 

Whup,  whip 

WV,  with 

Willows,  baskets 

Winna,  will  not 

Winsome,  hearty,  gay 

Wizend,  wrinkled,  withered, dried  up 

Woo',  wool 


GLOSSARY. 


Woo,  to  court,  to  make  love 

Wraith,  an  apparition  exactly  like  a 
living  person,  the  appearance  of 
which  is  said  to  forebode  the  per- 
son's death 

Wrang,  wrong,  to  wrong 

Wnd,  mad,  distracted 

Wussid,  wished 

Wylie,  cautious 

Wyte,  blame 


Yade,  pony 


Yammer,  to  grumble 
Ye'll,  you  will 
Ye'se,  ye  shall 
Yestreen,  last  night 
Yett,  gate 
Ye've,  ye  have 
Yewes,  ewes 
Yin,  one 
Yird,  earth 
YottrseV,  yourself 
Youthfu\  youthful 
Yule,  Christmas 


ERRATA. 


Page  112,  3d  line  3d  verse,  for  "  back,"  read  "  bark." 

rage  136,  2d  line,  instead  of  "  Arranged  for  this  work  by  James  Miller,"-read,  "  Composed  by  James  Miller, 

Arranged  for  this  work  by  A.  Hume." 
Page  146.  2d  line,  instead  of  "  Words  by  Lady  Nairne,"-»-eacJ,  "  Words  by  Joanna  Baillie,  Arranged  for  this 

work  by  A.  Hume." 


IMPORTANT    NEW    MUSICAL    WORK. 


On  1st  November  will  be  Published,  Price  SIXPENCE, 

TO  BE  CONTINUED  MONTHLY,— PART  I.  OF 

THE  CASQUET  OF  LYRIC  GEMS, 

A  COLLECTION  OF  SONGS,  DUETS,  &c, 

%nm%tb  frriilj  £gmpjjomje8  attb  ^aomigmxmzvdz  for  %  ^xma-^otk. 

♦ 

Encouraged  by  the  flattering  reception  accorded  to  "  THE  LYRIC  GEMS  OF 
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,  This  Work  is  established  to  meet  the  growing  taste  for  the  cultivation  of  Music,  by 
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THE   LYRIC    GEMS    QUADRILLE, 

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